For those who haven’t visited Havana and traversed seafront promenade Avenida de Maceo from old Havana to the central business district of Vedado and then on to upscale Miramar, taking in the myriad stories of grandeur, genteel decay, resignation, resilience, and optimism, while hearing strains of rumba, jazz, and nueva trova, and seeing the murals of ‘Commandante’ (Fidel Castro) or ‘Che’, there is an alternative.
Books.
There is a wide array of books, both fiction and non-fiction, by authors new and old, known and unknown, that bring Havana, and Cuba, to life from the times of soldier-turned-dictator Fulgencio Batista to Castro and further.
The focus, though, is more on the days of Mafia dominance, Castro and his revolution, and the Cuban Missile Crisis – the first time the world was on the brink of a nuclear war.
And they span genres from gritty stories of life to crime noir and police procedurals,...
Books.
There is a wide array of books, both fiction and non-fiction, by authors new and old, known and unknown, that bring Havana, and Cuba, to life from the times of soldier-turned-dictator Fulgencio Batista to Castro and further.
The focus, though, is more on the days of Mafia dominance, Castro and his revolution, and the Cuban Missile Crisis – the first time the world was on the brink of a nuclear war.
And they span genres from gritty stories of life to crime noir and police procedurals,...
- 3/26/2023
- by News Bureau
- GlamSham
This lesser-known suspense thriller is an excellent adaptation of a novel by Graham Greene, and a fine showcase for actor Anthony Hopkins and the upcoming Kristin Scott Thomas, with an able assist from Derek Jacobi. A Paris lawyer is sentenced to die as a random hostage of the German occupiers, but swaps with another prisoner with a desperate, questionable death-cell contract. Three years later, he must pretend not to be himself when he returns to the house he traded for his life, to face a woman who has sworn to kill the man who allowed her brother to die. Fans of Hannibal Lecter will be impressed by Hopkins’ deep, absorbing performance — the show’s moral tension and strange twists of fate are quite moving.
The Tenth Man
Blu-ray
Kl Studio Classics
1988 / Color / 2:35 1:85 1:66 widescreen 1:37 Academy / 99 min. / Street Date August 30, 2022 / available through Kino Lorber / 24.95
Starring: Anthony Hopkins, Kristin Scott Thomas,...
The Tenth Man
Blu-ray
Kl Studio Classics
1988 / Color / 2:35 1:85 1:66 widescreen 1:37 Academy / 99 min. / Street Date August 30, 2022 / available through Kino Lorber / 24.95
Starring: Anthony Hopkins, Kristin Scott Thomas,...
- 8/27/2022
- by Glenn Erickson
- Trailers from Hell
It’s that time of year again. While some directors annually share their favorite films of the year, Steven Soderbergh lists everything he consumed, media-wise. For 2020––a year in which he not only Let Them All Talk Review: Steven Soderbergh’s Most Emotionally Resonant Film in Years”>released a new film, but No Sudden Move and Confirms The Knick Return”>shot another––he still got plenty of watching in.
His list includes months-early screenings of Mank (x4!), I’m Your Woman, Bill & Ted Face the Music, Cherry, and The Woman in the Window, as well no shortage of classics and recent favorites, including Time, Long Day’s Journey Into Night, The Assistant, two films in the Small Axe anthology, and more. After beginning production on No Sudden Move on September 28, he also screened the first cut on November 14.
Check out the list below via his official site.
01/01 Les Miserables (’19)
01/02 Cassandra at the Wedding,...
His list includes months-early screenings of Mank (x4!), I’m Your Woman, Bill & Ted Face the Music, Cherry, and The Woman in the Window, as well no shortage of classics and recent favorites, including Time, Long Day’s Journey Into Night, The Assistant, two films in the Small Axe anthology, and more. After beginning production on No Sudden Move on September 28, he also screened the first cut on November 14.
Check out the list below via his official site.
01/01 Les Miserables (’19)
01/02 Cassandra at the Wedding,...
- 1/5/2021
- by Jordan Raup
- The Film Stage
Director Carol Reed filmed his extremely well-cast adaptation of Grahame Greene’s spy novel on location in Havana only three months after Fidel Castro’s January 1959 revolution, and completed it just before Cuba aligned itself with the Soviet Union. Alberto Cavalcanti had explored the idea of directing this in the late ’40s (but set in Estonia) and Alfred Hitchcock was also interested, but former film critic Greene nixed him.
The post Our Man in Havana appeared first on Trailers From Hell.
The post Our Man in Havana appeared first on Trailers From Hell.
- 12/25/2019
- by TFH Team
- Trailers from Hell
Retitled from The Honorary Consul and sold in America with one of Paramount’s sleaziest ad campaigns, John MacKenzie and Christopher Hampton’s adaptation of a Graham Greene novel features a fine Michael Caine performance, but prefers to stress sex scenes between star Richard Gere and Elpidia Carrillo. Just call it ‘Lust in the Argentine Littoral’ — but performed in English.
Beyond the Limit (The Honorary Consul)
Der Honorarkonsul
Blu-ray
1983 / Color / 1:85 widescreen / 104 min. / Street Date January 10, 2019 / Available through Amazon.de / Eur 14,99
Starring: Michael Caine, Richard Gere, Bob Hoskins, Elpidia Carrillo, Joaquim de Almeida, A Martinez, Stephanie Cotsirilos, Domingo Ambriz, Geoffrey Palmer, Jorge Russek, Erika Carlsson, George Belanger.
Cinematography: Phil Meheux
Film Editor: Stuart Baird
Original Music: Stanley Myers
Written by Christopher Hampton from the novel by Graham Greene
Produced by Norma Heyman
Directed by John Mackenzie
Director John Mackenzie, fresh off his marvelous gift to the gangster film The Long Good Friday,...
Beyond the Limit (The Honorary Consul)
Der Honorarkonsul
Blu-ray
1983 / Color / 1:85 widescreen / 104 min. / Street Date January 10, 2019 / Available through Amazon.de / Eur 14,99
Starring: Michael Caine, Richard Gere, Bob Hoskins, Elpidia Carrillo, Joaquim de Almeida, A Martinez, Stephanie Cotsirilos, Domingo Ambriz, Geoffrey Palmer, Jorge Russek, Erika Carlsson, George Belanger.
Cinematography: Phil Meheux
Film Editor: Stuart Baird
Original Music: Stanley Myers
Written by Christopher Hampton from the novel by Graham Greene
Produced by Norma Heyman
Directed by John Mackenzie
Director John Mackenzie, fresh off his marvelous gift to the gangster film The Long Good Friday,...
- 2/5/2019
- by Glenn Erickson
- Trailers from Hell
There appear to be no rules governing tricky politics in movies — Joseph L. Mankiewicz’s adaptation of Graham Greene’s novel about terrorism in French-held Vietnam completely reverses the author’s message. Does a conspiracy theory about a movie still carry any weight, when our daily political life now plays like one giant conspiracy?
The Quiet American
Blu-ray
Twilight Time
1958 / B&W / 1:66 widescreen / 122 min. / Street Date June 13, 2017 / Available from the Twilight Time Movies Store 29.95
Starring: Audie Murphy, Michael Redgrave, Claude Dauphin, Giorgia Moll,
Bruce Cabot, Fred Sadoff, Kerima, Richard Loo.
Cinematography: Robert Krasker
Film Editor: William Hornbeck
Original Music: Mario Nascimbene
Written by Joseph L. Mankiewicz from a novel by Graham Greene
Produced and Directed by Joseph L. Mankiewicz
Fans of author Graham Greene know him for his political sophistication and his adherence to Catholic themes; he’s found holy values in a razor-wielding Spiv in Brighton Rock and...
The Quiet American
Blu-ray
Twilight Time
1958 / B&W / 1:66 widescreen / 122 min. / Street Date June 13, 2017 / Available from the Twilight Time Movies Store 29.95
Starring: Audie Murphy, Michael Redgrave, Claude Dauphin, Giorgia Moll,
Bruce Cabot, Fred Sadoff, Kerima, Richard Loo.
Cinematography: Robert Krasker
Film Editor: William Hornbeck
Original Music: Mario Nascimbene
Written by Joseph L. Mankiewicz from a novel by Graham Greene
Produced and Directed by Joseph L. Mankiewicz
Fans of author Graham Greene know him for his political sophistication and his adherence to Catholic themes; he’s found holy values in a razor-wielding Spiv in Brighton Rock and...
- 7/18/2017
- by Glenn Erickson
- Trailers from Hell
Given the (justly) hallowed place that Carol Reed’s 1949 thriller The Third Man occupies in the hearts and minds of most cineastes, I’ve always been a little mystified by the comparative obscurity of his subsequent collaboration with screenwriter Graham Greene, the delightful satire Our Man in Havana (1959). I can only assume that the bleak, wintry setting of postwar Vienna that gives The Third Man its haunting effects also gives it a slight edge in the critical consciousness over Havana’s sunny, tropical effervescence. Yet in Reed and Greene’s skilled hands, the breezy charm of Havana just before the revolution only […]...
- 5/17/2017
- by Jim Hemphill
- Filmmaker Magazine - Blog
It’s Obi-Wan versus Fidel! Well, not really. The pre-Bond espionage genre lights up with cool intrigues and comic absurdities, as a Brit vacuum salesman in Havana is recruited to spy for Her Majesty’s Secret Service. The filmmakers and stars are all top caliber, and the location is legendary: Castro’s Cuba, immediately after the revolution.
Our Man in Havana
Blu-ray
Twilight Time
1959 / B&W / 2:35 widescreen / 107 min. / Street Date March 14, 2017 / Available from the Twilight Time Movies Store 29.95
Starring: Alec Guinness, Burl Ives, Maureen O’Hara, Ernie Kovacs, Noël Coward, Ralph Richardson, Jo Morrow, Gregoire Aslan.
Cinematography: Oswald Morris
Music Score: Frank and Laurence Deniz
Art Direction: John Box
Film Editor: Bert Bates
Written by Graham Greene from his novel
Produced and Directed by Carol Reed
One of the best pre-James Bond spy pictures is this brilliant, yet lumpy adventure with an historically unique setting — it was filmed in Castro’s Cuba,...
Our Man in Havana
Blu-ray
Twilight Time
1959 / B&W / 2:35 widescreen / 107 min. / Street Date March 14, 2017 / Available from the Twilight Time Movies Store 29.95
Starring: Alec Guinness, Burl Ives, Maureen O’Hara, Ernie Kovacs, Noël Coward, Ralph Richardson, Jo Morrow, Gregoire Aslan.
Cinematography: Oswald Morris
Music Score: Frank and Laurence Deniz
Art Direction: John Box
Film Editor: Bert Bates
Written by Graham Greene from his novel
Produced and Directed by Carol Reed
One of the best pre-James Bond spy pictures is this brilliant, yet lumpy adventure with an historically unique setting — it was filmed in Castro’s Cuba,...
- 3/18/2017
- by Glenn Erickson
- Trailers from Hell
Ray Harryhausen eases up for his second color Dynamation feature, restricting the stop-motion and instead utilizing traveling mattes to make a more juvenile adventure movie for smaller kiddies. The big draw is the beautiful music score by fantasy favorite Bernard Herrmann.
The 3 Worlds of Gulliver
Blu-ray
Twilight Time
1960 / Color / 1:66 & 1:78 widescreen / 99 min. / Street Date December 13, 2016 / Available from the Twilight Time Movies Store 29.95
Starring Kerwin Matthews, Jo Morrow, June Thorburn, Sherry Alberoni, Lee Patterson, Gregoire Aslan, Basil Sydney, Peter Bull, Charles Lloyd Pack, Martin Benson, Alec Mango, Doris Lloyd, Joan Hickson, Noel Purcell.
Cinematography Wilkie Cooper
Original Music Bernard Herrmann
Creator of Special Visual Effects Ray Harryhausen
Written by Arthur Ross, Jack Sher based on the book by Jonathan Swift
Produced by Charles H. Schneer
Directed by Jack Sher
Reviewed by Glenn Erickson
In The 3 Worlds of Gulliver Ray Harryhausen, Charles H. Schneer and Dynamation go tame — unlike...
The 3 Worlds of Gulliver
Blu-ray
Twilight Time
1960 / Color / 1:66 & 1:78 widescreen / 99 min. / Street Date December 13, 2016 / Available from the Twilight Time Movies Store 29.95
Starring Kerwin Matthews, Jo Morrow, June Thorburn, Sherry Alberoni, Lee Patterson, Gregoire Aslan, Basil Sydney, Peter Bull, Charles Lloyd Pack, Martin Benson, Alec Mango, Doris Lloyd, Joan Hickson, Noel Purcell.
Cinematography Wilkie Cooper
Original Music Bernard Herrmann
Creator of Special Visual Effects Ray Harryhausen
Written by Arthur Ross, Jack Sher based on the book by Jonathan Swift
Produced by Charles H. Schneer
Directed by Jack Sher
Reviewed by Glenn Erickson
In The 3 Worlds of Gulliver Ray Harryhausen, Charles H. Schneer and Dynamation go tame — unlike...
- 12/19/2016
- by Glenn Erickson
- Trailers from Hell
Displaying a transparency that few filmmakers of his fame and / or caliber would even bother with, Steven Soderbergh has, for a couple of years, been keen on releasing lists of what he watched and read during the previous twelve months. If you’re at all interested in this sort of thing — and why not? what else are you even doing with your day? — the 2015 selection should be of strong interest, this being a time when he was fully enmeshed in the world of creating television.
He’s clearly observing the medium with a close eye, be it what’s on air or what his friends (specifically David Fincher and his stillborn projects) show him, and how that might relate to his apparent love of 48 Hours Mystery or approach to a comparatively light slate of cinematic assignments — specifically: it seems odd that the last time he watched Magic Mike Xxl, a...
He’s clearly observing the medium with a close eye, be it what’s on air or what his friends (specifically David Fincher and his stillborn projects) show him, and how that might relate to his apparent love of 48 Hours Mystery or approach to a comparatively light slate of cinematic assignments — specifically: it seems odd that the last time he watched Magic Mike Xxl, a...
- 1/6/2016
- by Nick Newman
- The Film Stage
Maureen O'Hara: Queen of Technicolor. Maureen O'Hara movies: TCM tribute Veteran actress and Honorary Oscar recipient Maureen O'Hara, who died at age 95 on Oct. 24, '15, in Boise, Idaho, will be remembered by Turner Classic Movies with a 24-hour film tribute on Friday, Nov. 20. At one point known as “The Queen of Technicolor” – alongside “Eastern” star Maria Montez – the red-headed O'Hara (born Maureen FitzSimons on Aug. 17, 1920, in Ranelagh, County Dublin) was featured in more than 50 movies from 1938 to 1971 – in addition to one brief 1991 comeback (Chris Columbus' Only the Lonely). Maureen O'Hara and John Wayne Setting any hint of modesty aside, Maureen O'Hara wrote in her 2004 autobiography (with John Nicoletti), 'Tis Herself, that “I was the only leading lady big enough and tough enough for John Wayne.” Wayne, for his part, once said (as quoted in 'Tis Herself): There's only one woman who has been my friend over the...
- 10/29/2015
- by Andre Soares
- Alt Film Guide
Maureen O'Hara in Our Man In Havana with Alec Guinness. Photo: Courtesy of London Film Festival Miracle On 34th Street star Maureen O'Hara has died at age 95.
The Irish-born redhead – whose films included How Green Was My Valley, Our Man In Havana Jamaica Inn and The Quiet Man - died in her sleep her home in Boise, Idaho, her manager Johnny Nicoletti said.
O'Hara made a move to Hollywood in 1939 after success in Britain and became known for starring alongside John Wayne, who said of the actress: "She's a great guy. I've had many friends, and I prefer the company of men. Except for Maureen O'Hara."
O'Hara - who wrote a biography entitled 'Tis Herself - was awarded an honorary Oscar earlier this year.
Her family said in a statement: "Her characters were feisty and fearless, just as she was in real life. She was also proudly Irish and spent...
The Irish-born redhead – whose films included How Green Was My Valley, Our Man In Havana Jamaica Inn and The Quiet Man - died in her sleep her home in Boise, Idaho, her manager Johnny Nicoletti said.
O'Hara made a move to Hollywood in 1939 after success in Britain and became known for starring alongside John Wayne, who said of the actress: "She's a great guy. I've had many friends, and I prefer the company of men. Except for Maureen O'Hara."
O'Hara - who wrote a biography entitled 'Tis Herself - was awarded an honorary Oscar earlier this year.
Her family said in a statement: "Her characters were feisty and fearless, just as she was in real life. She was also proudly Irish and spent...
- 10/24/2015
- by Amber Wilkinson
- eyeforfilm.co.uk
The 59Th BFI London Film Festival Announces Full 2015 Programme
You can peruse the programme at your leisure here.
The programme for the 59th BFI London Film Festival in partnership launched today, with Festival Director Clare Stewart presenting this year’s rich and diverse selection of films and events. BFI London Film Festival is Britain’s leading film event and one of the world’s oldest film festivals. It introduces the finest new British and international films to an expanding London and UK-wide audience. The Festival provides an essential platform for films seeking global success; and promotes the careers of British and international filmmakers through its industry and awards programmes. With this year’s industry programme stronger than ever, offering international filmmakers and leaders a programme of insightful events covering every area of the film industry Lff positions London as the world’s leading creative city.
The Festival will screen a...
You can peruse the programme at your leisure here.
The programme for the 59th BFI London Film Festival in partnership launched today, with Festival Director Clare Stewart presenting this year’s rich and diverse selection of films and events. BFI London Film Festival is Britain’s leading film event and one of the world’s oldest film festivals. It introduces the finest new British and international films to an expanding London and UK-wide audience. The Festival provides an essential platform for films seeking global success; and promotes the careers of British and international filmmakers through its industry and awards programmes. With this year’s industry programme stronger than ever, offering international filmmakers and leaders a programme of insightful events covering every area of the film industry Lff positions London as the world’s leading creative city.
The Festival will screen a...
- 9/1/2015
- by John
- SoundOnSight
Vivien Leigh ca. late 1940s. Vivien Leigh movies: now controversial 'Gone with the Wind,' little-seen '21 Days Together' on TCM Vivien Leigh is Turner Classic Movies' star today, Aug. 18, '15, as TCM's “Summer Under the Stars” series continues. Mostly a stage actress, Leigh was seen in only 19 films – in about 15 of which as a leading lady or star – in a movie career spanning three decades. Good for the relatively few who saw her on stage; bad for all those who have access to only a few performances of one of the most remarkable acting talents of the 20th century. This evening, TCM is showing three Vivien Leigh movies: Gone with the Wind (1939), 21 Days Together (1940), and A Streetcar Named Desire (1951). Leigh won Best Actress Academy Awards for the first and the third title. The little-remembered film in-between is a TCM premiere. 'Gone with the Wind' Seemingly all...
- 8/19/2015
- by Andre Soares
- Alt Film Guide
Ron Moody in 'Oliver!' movie. Ron Moody: 'Oliver!' actor nominated for an Oscar dead at 91 (Note: This Ron Moody article is currently being revised.) Two well-regarded, nonagenarian British performers have died in the last few days: 93-year-old Christopher Lee (June 7, '15), best known for his many portrayals of Dracula and assorted movie villains and weirdos, from the title role in The Mummy to Dr. Catheter in Gremlins 2: The New Batch. 91-year-old Ron Moody (yesterday, June 11), among whose infrequent film appearances was the role of Fagin, the grotesque adult leader of a gang of boy petty thieves, in the 1968 Best Picture Academy Award-winning musical Oliver!, which also earned him a Best Actor nomination. Having been featured in nearly 200 movies and, most importantly, having had his mainstream appeal resurrected by way of the villainous Saruman in Peter Jackson's The Lord of the Rings and The Hobbit movies (and various associated merchandising,...
- 6/12/2015
- by Andre Soares
- Alt Film Guide
The 6th Annual Governors Awards took place on Saturday, November 8, 2014 in The Ray Dolby Ballroom at Hollywood & Highland Center in Hollywood, CA.
Jean Hersholt Humanitarian Award recipient Harry Belafonte, Honorary Award recipient Hayao Miyazaki, Honorary Award recipient Jean-Claude Carrière and Honorary Award recipient Maureen O’Hara were honored by their peers during the evening.
The Honorary Award, an Oscar statuette, is given “to honor extraordinary distinction in lifetime achievement, exceptional contributions to the state of motion picture arts and sciences, or for outstanding service to the Academy.”
The Jean Hersholt Humanitarian Award, also an Oscar statuette, is given “to an individual in the motion picture industry whose humanitarian efforts have brought credit to the industry.”
Pictured (left to right): Jean Hersholt Humanitarian Award recipient Harry Belafonte, Honorary Award recipient Hayao Miyazaki, Honorary Award recipient Jean-Claude Carrière and Honorary Award recipient Maureen O’Hara
Academy President Cheryl Boone Isaacs introduces the 2014 Governors Awards
Carrière,...
Jean Hersholt Humanitarian Award recipient Harry Belafonte, Honorary Award recipient Hayao Miyazaki, Honorary Award recipient Jean-Claude Carrière and Honorary Award recipient Maureen O’Hara were honored by their peers during the evening.
The Honorary Award, an Oscar statuette, is given “to honor extraordinary distinction in lifetime achievement, exceptional contributions to the state of motion picture arts and sciences, or for outstanding service to the Academy.”
The Jean Hersholt Humanitarian Award, also an Oscar statuette, is given “to an individual in the motion picture industry whose humanitarian efforts have brought credit to the industry.”
Pictured (left to right): Jean Hersholt Humanitarian Award recipient Harry Belafonte, Honorary Award recipient Hayao Miyazaki, Honorary Award recipient Jean-Claude Carrière and Honorary Award recipient Maureen O’Hara
Academy President Cheryl Boone Isaacs introduces the 2014 Governors Awards
Carrière,...
- 11/10/2014
- by Michelle McCue
- WeAreMovieGeeks.com
Maureen O'Hara movies: 2014 Honorary Oscar for Hollywood legend (photo: Maureen O'Hara at the 2014 Governors Awards) In the photo above, the movies' Maureen O'Hara, 2014 Honorary Oscar recipient for her body of work, arrives with a couple of guests at the Academy of Motion Picture Arts and Sciences' 2014 Governors Awards. This year's ceremony is being held this Saturday evening, November 8, in the Ray Dolby Ballroom at Hollywood & Highland Center in Hollywood. For the last couple of years, Maureen O'Hara has been a Boise, Idaho, resident. Before that, the 94-year-old movie veteran -- born Maureen FitzSimons, on August, 17, 1920, in Dublin -- had been living in Ireland. Below is a brief recap of her movies. Maureen O'Hara movies: From Charles Laughton to John Wayne Following her leading-lady role in Alfred Hitchcock's British-made Jamaica Inn, starring Charles Laughton, Maureen O'Hara arrived in Hollywood in 1939 to play the gypsy Esmeralda opposite Laughton in William Dieterle...
- 11/9/2014
- by Andre Soares
- Alt Film Guide
The Board of Governors of the Academy of Motion Picture Arts and Sciences voted Tuesday night (August 26) to present Honorary Awards to Jean-Claude Carrière, Hayao Miyazaki and Maureen O’Hara, and the Jean Hersholt Humanitarian Award to Harry Belafonte.
All four awards will be presented at the Academy’s 6th Annual Governors Awards on Saturday, November 8, at the Ray Dolby Ballroom at Hollywood & Highland Center.
“The Governors Awards allow us to reflect upon not the year in film, but the achievements of a lifetime,” said Academy President Cheryl Boone Isaacs. “We’re absolutely thrilled to honor these outstanding members of our global filmmaking community and look forward to celebrating with them in November.”
Carrière, who began his career as a novelist, was introduced to screenwriting by French comedian and filmmaker Pierre Étaix, with whom he shared an Oscar for the live action short subject “Heureux Anniversaire (Happy Anniversary)” in 1962. He...
All four awards will be presented at the Academy’s 6th Annual Governors Awards on Saturday, November 8, at the Ray Dolby Ballroom at Hollywood & Highland Center.
“The Governors Awards allow us to reflect upon not the year in film, but the achievements of a lifetime,” said Academy President Cheryl Boone Isaacs. “We’re absolutely thrilled to honor these outstanding members of our global filmmaking community and look forward to celebrating with them in November.”
Carrière, who began his career as a novelist, was introduced to screenwriting by French comedian and filmmaker Pierre Étaix, with whom he shared an Oscar for the live action short subject “Heureux Anniversaire (Happy Anniversary)” in 1962. He...
- 8/28/2014
- by Michelle McCue
- WeAreMovieGeeks.com
Harry Belafonte will receive the Jean Hersholt Humanitarian Award and Jean-Claude Carrière, Hayao Miyazaki and Maureen O’Hara will receive Honorary Awards at the Academy’s 6th Annual Governors Awards November 8 at the Ray Dolby Ballroom at Hollywood & Highland. The Academy’s Board of Governors did not award the Irving G. Thalberg Memorial Award, which is given out periodically. The last recipient was Francis Ford Coppola in 2010. Deadline’s Pete Hammond will give his take later today. The full release follows:
Los Angeles, CA —The Board of Governors of the Academy of Motion Picture Arts and Sciences voted Tuesday night (August 26) to present Honorary Awards to Jean-Claude Carrière, Hayao Miyazaki and Maureen O’Hara, and the Jean Hersholt Humanitarian Award to Harry Belafonte. All four awards will be presented at the Academy’s 6th Annual Governors Awards on Saturday, November 8, at the Ray Dolby Ballroom at Hollywood & Highland Center®.
“The...
Los Angeles, CA —The Board of Governors of the Academy of Motion Picture Arts and Sciences voted Tuesday night (August 26) to present Honorary Awards to Jean-Claude Carrière, Hayao Miyazaki and Maureen O’Hara, and the Jean Hersholt Humanitarian Award to Harry Belafonte. All four awards will be presented at the Academy’s 6th Annual Governors Awards on Saturday, November 8, at the Ray Dolby Ballroom at Hollywood & Highland Center®.
“The...
- 8/28/2014
- by The Deadline Team
- Deadline
Oscar-winning British cinematographer who worked on a wide range of film classics
The Oscar-winning British cinematographer Oswald Morris, who has died aged 98, will be remembered for many classics, including Moulin Rouge, Fiddler on the Roof, Moby Dick and Lolita. He worked with some of the great directors, John Huston, Sidney Lumet, Carol Reed, Stanley Kubrick and Franco Zeffirelli. Many of Morris's films are landmarks in the history of colour cinematography. For Moulin Rouge (1952) he used filters to create a style reminiscent of paintings by Toulouse-Lautrec. For Fiddler on the Roof (1971), which won him an Oscar, he filmed with a silk stocking over the lens to give a sepia effect.
Morris also shot popular favourites such as The Guns of Navarone (1961), Oliver! (1968), The Spy Who Came in from the Cold (1965) and The Man Who Would Be King (1975), and photographed acting luminaries: Elizabeth Taylor, Richard Burton, Gregory Peck and Humphrey Bogart.
The Oscar-winning British cinematographer Oswald Morris, who has died aged 98, will be remembered for many classics, including Moulin Rouge, Fiddler on the Roof, Moby Dick and Lolita. He worked with some of the great directors, John Huston, Sidney Lumet, Carol Reed, Stanley Kubrick and Franco Zeffirelli. Many of Morris's films are landmarks in the history of colour cinematography. For Moulin Rouge (1952) he used filters to create a style reminiscent of paintings by Toulouse-Lautrec. For Fiddler on the Roof (1971), which won him an Oscar, he filmed with a silk stocking over the lens to give a sepia effect.
Morris also shot popular favourites such as The Guns of Navarone (1961), Oliver! (1968), The Spy Who Came in from the Cold (1965) and The Man Who Would Be King (1975), and photographed acting luminaries: Elizabeth Taylor, Richard Burton, Gregory Peck and Humphrey Bogart.
- 3/20/2014
- by Brian Baxter
- The Guardian - Film News
Actor who played many major Shakespearean roles on the stage
Few actors played as many major Shakespearean roles as did Paul Rogers, a largely forgotten and seriously underrated performer, who has died aged 96. It was as though he was barnacled in those parts, undertaken at the Old Vic in the 1950s, by the time he played his most famous role, the vicious paterfamilias Max in Harold Pinter's The Homecoming at the Aldwych theatre in 1965 (and filmed in 1973).
Staunch, stolid and thuggish, with eyes that drilled through any opposition, Rogers's Max was a grumpy old block of granite, hewn on an epic scale, despite the flat cap and plimsolls – horribly real. Peter Hall's production for the Royal Shakespeare Company was monumental; everything was grey, chill and cheerless in John Bury's design, set off firstly by a piquant bowl of green apples and then by the savage acting.
The Homecoming...
Few actors played as many major Shakespearean roles as did Paul Rogers, a largely forgotten and seriously underrated performer, who has died aged 96. It was as though he was barnacled in those parts, undertaken at the Old Vic in the 1950s, by the time he played his most famous role, the vicious paterfamilias Max in Harold Pinter's The Homecoming at the Aldwych theatre in 1965 (and filmed in 1973).
Staunch, stolid and thuggish, with eyes that drilled through any opposition, Rogers's Max was a grumpy old block of granite, hewn on an epic scale, despite the flat cap and plimsolls – horribly real. Peter Hall's production for the Royal Shakespeare Company was monumental; everything was grey, chill and cheerless in John Bury's design, set off firstly by a piquant bowl of green apples and then by the savage acting.
The Homecoming...
- 10/15/2013
- by Michael Coveney
- The Guardian - Film News
Thirty-six years ago today, on April 25th, 1976, filmmaker Carol Reed passed away. One of the greatest directors ever to come out of the U.K., Reed started out as an actor, but gained fame as a writer-director in the late 1930s and 1940s, thanks to films like "Night Train To Munich," and the outstanding "Odd Man Out" and "The Fallen Idol." Later, he'd also find success with films like "Trapeze," "Our Man In Havana," "The Agony and the Ecstasy" and "Oliver!," for which he won the Academy Award for Best Director, beating out Stanley Kubrick's "2001" and Gillo Pontecorvo's "The Battle of Algiers."
But Reed's undisputed masterpiece is "The Third Man," a 1949 film noir based on a screenplay by the great British writer Graham Greene. The film involves a writer of Westerns, Holly Martins (Joseph Cotten), who comes to post-war Vienna after being promised a job by his childhood friend Harry Lime.
But Reed's undisputed masterpiece is "The Third Man," a 1949 film noir based on a screenplay by the great British writer Graham Greene. The film involves a writer of Westerns, Holly Martins (Joseph Cotten), who comes to post-war Vienna after being promised a job by his childhood friend Harry Lime.
- 4/25/2012
- by Oliver Lyttelton
- The Playlist
Production designer behind the deadly gadgets used by James Bond – and his foes
The production designer Syd Cain, who has died aged 93, was one of many behind-the-scenes professionals elevated to something like prominence by the worldwide interest in the James Bond films. An industry veteran who began work in British cinema as a draughtsman in 1947, contributing to the look of the gothic melodrama Uncle Silas, Cain is credited on a range of film and television projects, but remains best known for his work in various design capacities on the 007 series, from Dr No in 1962 to GoldenEye in 1995.
Born in Grantham, Lincolnshire, Cain served in the armed forces in the second world war, surviving a plane crash and recovering from a broken back. Working at Denham Studios in Buckinghamshire in the 1940s and 50s, he moved up from uncredited draughtsman (on Adam and Evelyne, The Interrupted Journey, You Know What Sailors Are...
The production designer Syd Cain, who has died aged 93, was one of many behind-the-scenes professionals elevated to something like prominence by the worldwide interest in the James Bond films. An industry veteran who began work in British cinema as a draughtsman in 1947, contributing to the look of the gothic melodrama Uncle Silas, Cain is credited on a range of film and television projects, but remains best known for his work in various design capacities on the 007 series, from Dr No in 1962 to GoldenEye in 1995.
Born in Grantham, Lincolnshire, Cain served in the armed forces in the second world war, surviving a plane crash and recovering from a broken back. Working at Denham Studios in Buckinghamshire in the 1940s and 50s, he moved up from uncredited draughtsman (on Adam and Evelyne, The Interrupted Journey, You Know What Sailors Are...
- 12/2/2011
- by Kim Newman
- The Guardian - Film News
Gary Oldman gives us a Smiley to equal Alec Guinness's in this triumphant adaptation of John le Carré's masterpiece
Directed by Tomas Alfredson, who made the subtly suggestive Swedish vampire movie Let the Right One In, and adapted by the British husband and wife team, Peter Straughan and the late Bridget O'Connor, this is as lucid and accomplished a screen version of a long, complicated novel as I have seen. John le Carré is still best known for The Spy Who Came in From the Cold, his realistic 1963 riposte to the then burgeoning cult of James Bond, the title of which immediately entered the language alongside Graham Greene's The Third Man and Our Man in Havana.
But the book that changed the course of espionage fiction came 11 years later. Following his single excursion into conventional psychological fiction (The Naive and Sentimental Lover), le Carré's Tinker, Tailor, Soldier,...
Directed by Tomas Alfredson, who made the subtly suggestive Swedish vampire movie Let the Right One In, and adapted by the British husband and wife team, Peter Straughan and the late Bridget O'Connor, this is as lucid and accomplished a screen version of a long, complicated novel as I have seen. John le Carré is still best known for The Spy Who Came in From the Cold, his realistic 1963 riposte to the then burgeoning cult of James Bond, the title of which immediately entered the language alongside Graham Greene's The Third Man and Our Man in Havana.
But the book that changed the course of espionage fiction came 11 years later. Following his single excursion into conventional psychological fiction (The Naive and Sentimental Lover), le Carré's Tinker, Tailor, Soldier,...
- 9/17/2011
- by Philip French
- The Guardian - Film News
"What a pity that one ever has to come out of doors. Inside, with the curtains closed, it's possible to forget the present, turn your back to the future and face the past with hope and confidence."
The familiar post-war Berlin ruins—hollowed-out buildings like melting fudge dripping up into the sky. But what makes the shot is the tiny foreground pair, man and boy, setting off the desolation with a spark of humanity. Life goes on, but interrupted: for the man walks very slowly, a grandfather not a father. There's a whole missing generation in between.
A shot like this displays the artistry of Carol Reed in a film that's not quite able to contain it. The Man Between (1952) is all too self-consciously an attempt to re-bottle the lightning of Odd Man Out and The Third Man, the first of a series of attempts in this line: Our Man in Havana...
The familiar post-war Berlin ruins—hollowed-out buildings like melting fudge dripping up into the sky. But what makes the shot is the tiny foreground pair, man and boy, setting off the desolation with a spark of humanity. Life goes on, but interrupted: for the man walks very slowly, a grandfather not a father. There's a whole missing generation in between.
A shot like this displays the artistry of Carol Reed in a film that's not quite able to contain it. The Man Between (1952) is all too self-consciously an attempt to re-bottle the lightning of Odd Man Out and The Third Man, the first of a series of attempts in this line: Our Man in Havana...
- 8/25/2011
- MUBI
Another week, another recap. Find out if you missed anything!
Trailers
On Monday, June 13, we let loose Brian Trenchard-Smith to regale us about James Bond in From Russia With Love.
On Tuesday, June 15, Mr. John Landis brought us tales of the Cuban revolution and the spy work of Our Man in Havana.
And on Friday, June 17, Josh Olson took us off into the desert ranges where The Hills Have Eyes.
Residuals
Elsewhere on the blog, Joe Dante brought the latest in TCM’s Thursday-nights-in-June double features.
We told you of the imminent DVD release of a great William Castle documentary, featuring many of your favorite gurus.
A hippo attacked in another Stills We Love.
The Guru Blotter dug around the web and came up with John Sayles, Mary Lambert and Howard Rodman news, while Joe Dante found a cool old Hitchcock video.
Then there was the first of my two...
Trailers
On Monday, June 13, we let loose Brian Trenchard-Smith to regale us about James Bond in From Russia With Love.
On Tuesday, June 15, Mr. John Landis brought us tales of the Cuban revolution and the spy work of Our Man in Havana.
And on Friday, June 17, Josh Olson took us off into the desert ranges where The Hills Have Eyes.
Residuals
Elsewhere on the blog, Joe Dante brought the latest in TCM’s Thursday-nights-in-June double features.
We told you of the imminent DVD release of a great William Castle documentary, featuring many of your favorite gurus.
A hippo attacked in another Stills We Love.
The Guru Blotter dug around the web and came up with John Sayles, Mary Lambert and Howard Rodman news, while Joe Dante found a cool old Hitchcock video.
Then there was the first of my two...
- 6/19/2011
- by Danny
- Trailers from Hell
John Landis King Faisal tells us about Havana, about Graham Greene, about auteurism, and about Carol Reed’s Our Man In Havana.
Director Carol Reed filmed his extremely well-cast adaptation of Grahame Greene’s spy novel on location in Havana only three months after Fidel Castro’s January 1959 revolution, and completed it just before Cuba aligned itself with the Soviet Union. Alberto Cavalcanti had explored the idea of directing this in the late ’40s (but set in Estonia) and Alfred Hitchcock was also interested, but former film critic Greene nixed him.
Click here to watch the trailer, then come along for some bonus material.
Really interesting stuff from Mr. Landis here and love that he mentions how good the Cuba stuff in The Godfather Part II is. (You know, the stuff that almost featured Sam Fuller.) And, of course, why wouldn’t it be interesting?
Graham Greene is one of...
Director Carol Reed filmed his extremely well-cast adaptation of Grahame Greene’s spy novel on location in Havana only three months after Fidel Castro’s January 1959 revolution, and completed it just before Cuba aligned itself with the Soviet Union. Alberto Cavalcanti had explored the idea of directing this in the late ’40s (but set in Estonia) and Alfred Hitchcock was also interested, but former film critic Greene nixed him.
Click here to watch the trailer, then come along for some bonus material.
Really interesting stuff from Mr. Landis here and love that he mentions how good the Cuba stuff in The Godfather Part II is. (You know, the stuff that almost featured Sam Fuller.) And, of course, why wouldn’t it be interesting?
Graham Greene is one of...
- 6/15/2011
- by Danny
- Trailers from Hell
An eclectic gathering of trailers, that will surely make sense as we dig into them, are up this week. Get ready for this week’s preview.
On Monday, June 13, Brian Trenchard-Smith sends a letter From Russia With Love.
The success of Dr. No proved to be no fluke when its more adventurous followup became one of the biggest international boxoffice hits of the decade and set in motion a worldwide avalanche of 007 imitations. John F. Kennedy’s favorite spy went on to spearhead the longest lasting movie franchise in history, though Kennedy didn’t live to see the next installment, Goldfinger.
On Wednesday, June 15, John Landis becomes Our Man in Havana.
Director Carol Reed filmed his extremely well-cast adaptation of Grahame Greene’s spy novel on location in Havana only three months after Fidel Castro’s January 1959 revolution, and completed it just before Cuba aligned itself with the Soviet Union.
On Monday, June 13, Brian Trenchard-Smith sends a letter From Russia With Love.
The success of Dr. No proved to be no fluke when its more adventurous followup became one of the biggest international boxoffice hits of the decade and set in motion a worldwide avalanche of 007 imitations. John F. Kennedy’s favorite spy went on to spearhead the longest lasting movie franchise in history, though Kennedy didn’t live to see the next installment, Goldfinger.
On Wednesday, June 15, John Landis becomes Our Man in Havana.
Director Carol Reed filmed his extremely well-cast adaptation of Grahame Greene’s spy novel on location in Havana only three months after Fidel Castro’s January 1959 revolution, and completed it just before Cuba aligned itself with the Soviet Union.
- 6/12/2011
- by Danny
- Trailers from Hell
Rating: 0.5 out of 5 stars
In the same month that the Coen Brothers are re-imagining a somewhat uninspired American novel with great success and class, we Brits are managing to butcher another bona fide masterwork from one of our greatest scribes of the 20th century. Though, I guess, an interesting idea to set Greene 30’s set Brighton Rock in the 1960’s with a backdrop of the rise of ‘the unruly youth’ culture – it is never fully utilised; a huge shame because of the way it perfectly compliments the core story of orphaned street hood Pinkie’s ill-fated attempt to seize power in the Brighton underworld.
Bright Rock circa 2011 is such a failure on so many levels, which raises questions as to why the Film Council and the BBC would green light a clearly underdeveloped script and place it in the hands of a rookie director, who does nothing here to convince...
In the same month that the Coen Brothers are re-imagining a somewhat uninspired American novel with great success and class, we Brits are managing to butcher another bona fide masterwork from one of our greatest scribes of the 20th century. Though, I guess, an interesting idea to set Greene 30’s set Brighton Rock in the 1960’s with a backdrop of the rise of ‘the unruly youth’ culture – it is never fully utilised; a huge shame because of the way it perfectly compliments the core story of orphaned street hood Pinkie’s ill-fated attempt to seize power in the Brighton underworld.
Bright Rock circa 2011 is such a failure on so many levels, which raises questions as to why the Film Council and the BBC would green light a clearly underdeveloped script and place it in the hands of a rookie director, who does nothing here to convince...
- 2/3/2011
- by Adam Rayner
- Obsessed with Film
Shout! Factory is a DVD company that puts out some absolutely great stuff (they're recently responsible for the release of Dark Skies). Here's the press release for their latest endeavor:
Celebrating the Unsung Hero of Television Comedy…At Last
The Ernie Kovacs Collection
featuring more than 13 hours of Kovacs’ original classic television content,
unforgettable characters and a treasure trove of genuine rarities
all collected in a lavishly packaged 6-dvd box set!
Vast Majority Of This Content Has Not Been Seen In Over 50 Years
Own It On DVD April 19, 2011 From Shout! Factory
Los Angeles, CA (January 10, 2011) With a gift for inventive comedy that was alternately cerebral, goofy and just plain absurd, Ernie Kovacs (www.erniekovacs.com) transformed television’s early era into his own personal playground---and invited viewers to enjoy every sight gag and loony character.
Produced and distributed by Shout! Factory in association with Ediad Productions, Inc., the long-awaited The...
Celebrating the Unsung Hero of Television Comedy…At Last
The Ernie Kovacs Collection
featuring more than 13 hours of Kovacs’ original classic television content,
unforgettable characters and a treasure trove of genuine rarities
all collected in a lavishly packaged 6-dvd box set!
Vast Majority Of This Content Has Not Been Seen In Over 50 Years
Own It On DVD April 19, 2011 From Shout! Factory
Los Angeles, CA (January 10, 2011) With a gift for inventive comedy that was alternately cerebral, goofy and just plain absurd, Ernie Kovacs (www.erniekovacs.com) transformed television’s early era into his own personal playground---and invited viewers to enjoy every sight gag and loony character.
Produced and distributed by Shout! Factory in association with Ediad Productions, Inc., the long-awaited The...
- 1/10/2011
- by Sam McPherson
- TVovermind.com
London -- British movie producer Duncan Kenworthy is donating $1 million to the National Film And Television School to help pay for a new campus teaching building, the school said.
Kenworthy, whose credits include "Four Weddings And A Funeral," "Notting Hill" and "Love, Actually," will attend an opening ceremony at the Nfts site in Beaconsfield on the outskirts of London on June 11.
At Kenworthy's request, the building will be named after 93-year-old British cinematographer Oswald Morris, whose credits include "Oliver!," "The Man Who Would Be King," "Our Man In Havana," "Fiddler On the Roof" and "The Guns of Navarone." Morris continues to attend the Nfts as a guest lecturer on photography in film.
The dollar donation comes at a challenging time for the Nfts, as some of its broadcaster-funders cut their support.
Kenworthy told THR he wanted to encourage the next generation of filmmakers to have an opportunity to learn the craft.
Kenworthy, whose credits include "Four Weddings And A Funeral," "Notting Hill" and "Love, Actually," will attend an opening ceremony at the Nfts site in Beaconsfield on the outskirts of London on June 11.
At Kenworthy's request, the building will be named after 93-year-old British cinematographer Oswald Morris, whose credits include "Oliver!," "The Man Who Would Be King," "Our Man In Havana," "Fiddler On the Roof" and "The Guns of Navarone." Morris continues to attend the Nfts as a guest lecturer on photography in film.
The dollar donation comes at a challenging time for the Nfts, as some of its broadcaster-funders cut their support.
Kenworthy told THR he wanted to encourage the next generation of filmmakers to have an opportunity to learn the craft.
- 6/9/2009
- by By Stuart Kemp
- The Hollywood Reporter - Movie News
By Michael Atkinson
Filmmaking is all about collaboration and fortuity, as much as we genuflect faithfully to the sacredness of the auteur. Take Carol Reed -- a career that spanned almost four decades, encompassing 33 features, and yet only a few are memorable (not, God knows, his late-career Oscar-winner "Oliver!"). Essentially, Reed finds his way onto the pantheon's higher shelves on the strength of only a handful of films, starting with the trio of startling, precise, infinitely rich features he made in the late '40s, one after the other -- "Odd Man Out" (1947), "The Fallen Idol" (1948) and "The Third Man" (1949) -- and ending a little less auspiciously with "Our Man in Havana" (1959). The rogue factor here is that three out of the four were written by Graham Greene, whose particular ironic-tension story skills gave many a medium-boil filmmaker his best shot at sublimity. The first three -- certainly one of...
Filmmaking is all about collaboration and fortuity, as much as we genuflect faithfully to the sacredness of the auteur. Take Carol Reed -- a career that spanned almost four decades, encompassing 33 features, and yet only a few are memorable (not, God knows, his late-career Oscar-winner "Oliver!"). Essentially, Reed finds his way onto the pantheon's higher shelves on the strength of only a handful of films, starting with the trio of startling, precise, infinitely rich features he made in the late '40s, one after the other -- "Odd Man Out" (1947), "The Fallen Idol" (1948) and "The Third Man" (1949) -- and ending a little less auspiciously with "Our Man in Havana" (1959). The rogue factor here is that three out of the four were written by Graham Greene, whose particular ironic-tension story skills gave many a medium-boil filmmaker his best shot at sublimity. The first three -- certainly one of...
- 2/3/2009
- by Michael Atkinson
- ifc.com
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