The Spy Who Came in from the Cold (1965)

Director:

Martin Ritt

Writers:

John le Carré (novel)
Paul Dehn (screenplay) ...

Release Date:

16 December 1965 (USA)

Genre:

Drama | Thriller

Tagline:

BRACE YOURSELF FOR GREATNESS

Plot:

British agent Alec Leamas refuses to come in from the cold war during the 1960s, choosing to face another mission, which may prove to be his final one.

Plot Keywords:

Spy | Cold War | Atheist | Reference To Karl Marx | Counter Espionage

Awards:

Nominated for 2 Oscars. Another 8 wins & 3 nominations

Cast

Richard Burton	...	Alec Leamas
Claire Bloom	...	Nan Perry
Oskar Werner	...	Fiedler
Sam Wanamaker	...	Peters
George Voskovec	...	East German Defense Attorney
Rupert Davies	...	George Smiley
Cyril Cusack	...	Control
Peter van Eyck	...	Hans-Dieter Mundt (as Peter Van Eyck)
Michael Hordern	...	Ashe
Robert Hardy	...	Dick Carlton
Bernard Lee	...	Patmore
Beatrix Lehmann	...	Tribunal President
Esmond Knight	...	Old Judge
Tom Stern	...	CIA Agent
Niall MacGinnis	...	German Checkpoint Guard

Runtime:

112 min

Country:

UK

Language:

English

Colour:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

UK:A (original rating) | Australia:M | Norway:16 | Netherlands:12 | West Germany:12 (f) (cut version) | West Germany:16 (f) (original rating) | Finland:K-16 | Sweden:15 | Canada:PG | UK:PG | USA:Unrated

Filming Locations:

Amsterdam Airport Schiphol, Schiphol, Haarlemmermeer, Noord-Holland, Netherlands

Company:

Salem Films Limited

Trivia:

The phrase "Number 11 bus", which is heard a few times, is British slang for walking; your two legs look like the number 11.

Quotes:

Alec Leamas: What the hell do you think spies are? Moral philosophers measuring everything they do against the word of God or Karl Marx? They're not! They're just a bunch of seedy, squalid bastards like me: little men, drunkards, queers, hen-pecked husbands, civil servants playing cowboys and Indians to brighten their rotten little lives. Do you think they sit like monks in a cell, balancing right against wrong?

Movie Connections:

Referenced in "The Red Skelton Show: The Bum Who Came in from the Cold (#15.27)" (1966)

Richard Burton was nominated, but he was not an Oskar Werner.9/10.

The Spy Who Came In From The Cold. 9/10.

For those of you who haven't seen this movie and are looking for a review, well….. This is a movie I had to watch twice. The first time I saw it, many years ago; I didn't like it at all. It was on broadcast television and it was live, no tape, no tivo, just straight through. I couldn't make out what the big deal was about this film. I had some difficulty understanding the dialog and I also had some trouble in putting names with faces. I was more than a little bit frustrated with not having enjoyed it when so many others had.

Cut to ten years and one tivo later.

I love this movie.

This is a movie that will stay with you long after the credits have finished. If after one viewing you feel that you didn't like the movie, don't abandon it quite yet. I realize it's not the kind of movie you'll want to watch back to back, especially if you didn't like it the first time, but take some time away from it and then watch it again. I believe after a couple of viewings you'll really start pick up on a lot of nuance around the characters. And you'll start to understand the dialog better; at least this is how it has played out for me.

For those who have seen this movie, and are looking for a review to see what others may have picked up on…..check out the IMDb review from Richard Tunnah or burgbob975. I liked their reviews for this movie the best.

I don't feel I can add too much more to this review that others haven't already written, other than just pointing out the performances from Richard Burton, Claire Bloom, Cyril Cusack and Oskar Werner as being absolutely magnificent. I especially liked Oskar Werner.

My Favorite scene from the film happens towards the end when Leamas and Nan Perry are driving to meet up in a rendezvous with a person who is to help them escape the occupied territory. While in the car Leamas spills out to Perry all of his pent up venom for his profession and self-loathing. He describes his profession as people who are just a lot of "drunkards, queers and hen-pecked husbands" who protect the "moronic masses". It's the one scene where you feel a genuine release from the tension that has built up through the movie.

Unlike Alec Leamas, you won't be on the fence for this one. You'll either hate it or you'll love it. After two viewings, I've come back to loving it. 9/10.

Clark Richards