The Man Who Would Be King (1975)

Director:

John Huston

Writers:

John Huston (screenplay) and
Gladys Hill (screenplay) ...

Release Date:

17 December 1975 (USA)

Genre:

Action | Adventure

Tagline:

Adventure in all its glory!

Plot:

Two British soldiers in India decide to resign from the Army and set themselves up as deities in Kafiristan--a land where no white man has set foot since Alexander.

Plot Keywords:

India | King | Soldier | Battle | Friendship

Awards:

Nominated for 4 Oscars. Another 4 nominations

Cast

Sean Connery	...	Daniel Dravot
Michael Caine	...	Peachy Carnehan
Christopher Plummer	...	Rudyard Kipling
Saeed Jaffrey	...	Billy Fish
Doghmi Larbi	...	Ootah
Jack May	...	District Commissioner
Karroom Ben Bouih	...	Kafu Selim
Mohammad Shamsi	...	Babu
Albert Moses	...	Ghulam
Paul Antrim	...	Mulvaney
Graham Acres	...	Officer
The Blue Dancers of Goulamine	...	Dancers
Shakira Caine	...	Roxanne

Also Known As:

Rudyard Kipling's The Man Who Would Be King (UK) (complete title) (USA) (complete title)

Runtime:

129 min

Country:

UK | USA

Language:

English

Colour:

Colour (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

4-Track Stereo

Certification:

UK:A (original rating) (cut) | Australia:PG | Finland:K-16 | France:U | Iceland:12 | Netherlands:12 | Norway:15 | Sweden:15 | UK:PG | USA:PG | West Germany:12

Filming Locations:

Atlas Mountains, Morocco

Company:

Allied Artists Pictures

Trivia:

Leads Connery and Caine both later sued Allied Artists for what they felt was improper percentage profit share. They were reportedly awarded $250K each

Goofs:

Revealing mistakes: In the introductory sequence, Arabic writing is visible on a wall, betraying the fact that the scene was filmed in Morocco.

Quotes:

Daniel Dravot: Let him put *that* in his paper. If he is in need of news.

Movie Connections:

Referenced in "Galaxy High School: The Beef Who Would Be King (#1.3)" (1986)

A work of genius

Outside of the obvious reflections on the immoral and absurdly hypocritical nature of early British colonialism, it's just a damn entertaining movie.

But you have to think that Rudyard Kipling, who grew up under British rule in India, was certainly trying to shake some sensibilities when he first wrote the story as part of an 1890 package called The Man Who Would Be King and Other Stories, nearly a century before it was made into a film and during an era when the British Empire was still very much a reality.

From the perceptive realization that even the staunchly important Masonic Lodge -- which had infilitrated every aspect of Britain's upper classes -- could be easily corrupted; to the arrogance as Sean Connery's character Daniel Dravot, who elevates what he sees as mere social superiority into a god-like status; to the inevitable humbling of both men at the hands of the 'savages' they profess to rule, the film is ultimately about the humility all men should exhude, particularly in the face of the unfamiliar.

Kipling's tale also preached tolerance, though you might not consider that to be the case based on the film's climax: consider that if Daniel and Peachy had shown an iota of respect for the religion that they instead decided to fleece, how differently the tale might have played out.

The film owes much of its success to the chemistry between Caine and Connery, who regardless of later plaudits, gave the finest performances of their careers. Connery is particularly nuanced, with Daniel Dravot starting the tale as a somewhat lackwitted second fiddle to the scheming Peachy but later seeing his limited vision help him surpass his friend in terms of villainy with an equally heavy price. Caine plays, to some degree or another, the same charming British sheyster/teddy boy he popularized in the Harry Palmer films. But without a backdrop of similarly disaffected cockney bad guys, it's stunningly effective.

John Huston's direction is among the best of his career, and in terms of his ability to use both sprawling vistas and tight, almost claustrophobic photography, owes a nod to his earlier work, including The African Queen, Night of the Iguana and the Treasure of the Sierra Madre. As examples, witness the zenith of Peachy and Daniel's hazardous trek through the mountains played out in full panoramic detail, only to be followed 90 minutes later by the tight shot of Kipling's face, the revulsion fairly etched into every crease as we reach the climax.

But perhaps the true hero of this film was Boaty Boatright, who also cast Connery's classic "The Wind and The Lion." He managed to take some of the most strident, forceful personalities in the film industries, threw them together and came up with a film about humility. Magic.