Werner Herzog And Peter Zeitlinger Set For Camerimage Honors
Camerimage’s special award for cinematographer-director duos will be handed to Werner Herzog and Peter Zeitlinger. Both filmmakers will receive the award in person at Camerimage’s upcoming 31st edition, where they will meet with the festival audience in Toruń, Poland, and present a retrospective review of their films, including both feature and documentary productions. Zeitlinger and Herzog have collaborated for 30 years. Alongside their first joint venture, Death for Five Voices (1995), their productions include the documentaries Little Dieter Needs to Fly (1997), My Best Fiend (1999), Wheel of Time (2003), Grizzly Man (2005), Encounters at the End of the World (2007), Cave of Forgotten Dreams (2010), Into the Abyss (2011), From One Second to the Next (2013), Lo and Behold: Reveries of the Connected World (2016), Into the Inferno (2016), Fireball: Visitors from Darker Worlds (2020), Theatre of Thought (2022), and the feature films Invincible (2001), Rescue Dawn (2006), Bad Lieutenant: Port of Call New Orleans (2009), My Son,...
Camerimage’s special award for cinematographer-director duos will be handed to Werner Herzog and Peter Zeitlinger. Both filmmakers will receive the award in person at Camerimage’s upcoming 31st edition, where they will meet with the festival audience in Toruń, Poland, and present a retrospective review of their films, including both feature and documentary productions. Zeitlinger and Herzog have collaborated for 30 years. Alongside their first joint venture, Death for Five Voices (1995), their productions include the documentaries Little Dieter Needs to Fly (1997), My Best Fiend (1999), Wheel of Time (2003), Grizzly Man (2005), Encounters at the End of the World (2007), Cave of Forgotten Dreams (2010), Into the Abyss (2011), From One Second to the Next (2013), Lo and Behold: Reveries of the Connected World (2016), Into the Inferno (2016), Fireball: Visitors from Darker Worlds (2020), Theatre of Thought (2022), and the feature films Invincible (2001), Rescue Dawn (2006), Bad Lieutenant: Port of Call New Orleans (2009), My Son,...
- 8/24/2023
- by Zac Ntim
- Deadline Film + TV
Exclusive: Wavelength’s documentary Werner Herzog: Radical Dreamer is proving a hot property. The Emmy-winning film production company headed by Jenifer Westphal today announced Shout! Studios has acquired U.S. distribution rights to the film, and MetFilm has acquired international rights.
Thomas von Steinaecker wrote and directed the documentary about Herzog, the legendary German filmmaker who has brought to life dozens of films including Aguirre, The Wrath of God (1972), Nosferatu the Vampyre (1979), Fitzcarraldo (1982), and documentaries Grizzly Man (2005), Cave of Forgotten Dreams (2010), and Meeting Gorbachev (2018). Von Steinaecker’s film “presents a comprehensive portrait of an iconic artist of our time and features interviews with Robert Pattinson, Nicole Kidman, Chloé Zhao, Christian Bale, and more,” according to a release. “With exclusive behind-the-scenes access into Herzog’s everyday life, rare and never-before-seen archival material and in-depth interviews with the man himself and celebrated collaborators, we are given an exciting glimpse into his process and personal life.
Thomas von Steinaecker wrote and directed the documentary about Herzog, the legendary German filmmaker who has brought to life dozens of films including Aguirre, The Wrath of God (1972), Nosferatu the Vampyre (1979), Fitzcarraldo (1982), and documentaries Grizzly Man (2005), Cave of Forgotten Dreams (2010), and Meeting Gorbachev (2018). Von Steinaecker’s film “presents a comprehensive portrait of an iconic artist of our time and features interviews with Robert Pattinson, Nicole Kidman, Chloé Zhao, Christian Bale, and more,” according to a release. “With exclusive behind-the-scenes access into Herzog’s everyday life, rare and never-before-seen archival material and in-depth interviews with the man himself and celebrated collaborators, we are given an exciting glimpse into his process and personal life.
- 7/18/2023
- by Matthew Carey
- Deadline Film + TV
Exclusive: Oscar-winning filmmaker Kevin Macdonald is among the marquee names set to participate in Sheffield DocFest’s Industry Program, according to an announcement Wednesday from the UK’s leading documentary festival.
Macdonald, director of the scripted/narrative features The Last King of Scotland and The Mauritanian, and the documentaries Whitney, Marley, and Sky Ladder: The Art of Cai Guo-Qiang among other films, will serve as a mentor for the DocFest’s Filmmaker Challenge. Under the innovative program, “six early-career UK filmmakers will make a short documentary in and around Sheffield during the festival… on the fly, with a micro budget and equipment support… All filming is to be undertaken in a single day and the final work will be screened for industry and invited guests on the last day of Sheffield DocFest.”
Cutler’s Hall, one of the venues for the Sheffield DocFest Industry Program
The Filmmaker Challenge — supported by Prime,...
Macdonald, director of the scripted/narrative features The Last King of Scotland and The Mauritanian, and the documentaries Whitney, Marley, and Sky Ladder: The Art of Cai Guo-Qiang among other films, will serve as a mentor for the DocFest’s Filmmaker Challenge. Under the innovative program, “six early-career UK filmmakers will make a short documentary in and around Sheffield during the festival… on the fly, with a micro budget and equipment support… All filming is to be undertaken in a single day and the final work will be screened for industry and invited guests on the last day of Sheffield DocFest.”
Cutler’s Hall, one of the venues for the Sheffield DocFest Industry Program
The Filmmaker Challenge — supported by Prime,...
- 5/17/2023
- by Matthew Carey
- Deadline Film + TV
If the opening sequence of Bill Holderman’s “Book Club: The Next Chapter” is any indication we might have officially turned the page on psychological “lockdown despair” narratives and entered the (somewhat cringey) era of lighthearted “lockdown nostalgia.”
That’s what the leading ladies of 2018’s lovely, if not a tad underwhelming, friendship comedy “Book Club” signal in the sequel’s opening moments, reuniting for a similarly boozy and moderately engaging adventure soaked in deep Italian reds, but not enough laughs.
It’s probably easy to feel a little nostalgic for the days of lockdown. Halcyon days for those who were financially privileged, healthy and could afford to take up new interests during that low-key downtime, like pickling, playing the accordion or caring for a new pet parrot. The fabulous (and evidently wealthy) quartet consisting of Jane Fonda’s perennially independent Vivian, Mary Steenburgen’s fretting Carol, Diane Keaton’s...
That’s what the leading ladies of 2018’s lovely, if not a tad underwhelming, friendship comedy “Book Club” signal in the sequel’s opening moments, reuniting for a similarly boozy and moderately engaging adventure soaked in deep Italian reds, but not enough laughs.
It’s probably easy to feel a little nostalgic for the days of lockdown. Halcyon days for those who were financially privileged, healthy and could afford to take up new interests during that low-key downtime, like pickling, playing the accordion or caring for a new pet parrot. The fabulous (and evidently wealthy) quartet consisting of Jane Fonda’s perennially independent Vivian, Mary Steenburgen’s fretting Carol, Diane Keaton’s...
- 5/8/2023
- by Tomris Laffly
- The Wrap
Arianna Bocco, IFC Films President, is out at the distributor, Deadline has confirmed.
The shocking news to the NYC indie world comes within days after the 17-year IFC vet was feted at the New York Women in Film & Television (Nywift)’s flagship fundraising event, the annual Muse Awards gala.
Bocco will be replaced in the interim by IFC Head of Acquisitions Scott Shooman. The Sony Pictures Worldwide Acquisitions Group and CBS Films vet joined last year. The search for a new long-term replacement is underway. Talk about a revolving door at IFC.
We’re still sorting through what went down here. In the meantime, Bocco posted the following statement on social media, “I have big news to share! After much thought, I have stepped down from my post as President of IFC Films to pursue other opportunities. I’m so proud of the IFC Films team I’ve worked...
The shocking news to the NYC indie world comes within days after the 17-year IFC vet was feted at the New York Women in Film & Television (Nywift)’s flagship fundraising event, the annual Muse Awards gala.
Bocco will be replaced in the interim by IFC Head of Acquisitions Scott Shooman. The Sony Pictures Worldwide Acquisitions Group and CBS Films vet joined last year. The search for a new long-term replacement is underway. Talk about a revolving door at IFC.
We’re still sorting through what went down here. In the meantime, Bocco posted the following statement on social media, “I have big news to share! After much thought, I have stepped down from my post as President of IFC Films to pursue other opportunities. I’m so proud of the IFC Films team I’ve worked...
- 3/31/2023
- by Anthony D'Alessandro
- Deadline Film + TV
CNN Films, Points North Institute Announce 2022 American Stories Doc Fellowship Grantees (Exclusive)
Click here to read the full article.
CNN Films and Points North Institute have revealed the five recipients of the 2022 American Stories Documentary Fellowship.
The artist development program fellowship supports independent documentary filmmakers who, from diverse points of view, are exploring themes unique to American experiences. The five filmmaking teams named as this year’s fellowship recipients include Ameha Molla and Rajal Pitroda; Gabriela Díaz Arp and Karla Claudio Betancourt; Paige Bethmann and Jessica Epstein; Jordan Lord and Abby Sun; and Julie Wyman, Lindsey Dryden and Jonna McKone.
The fellows will each receive a 10,000 production grant and have costs covered to attend an immersive week-long working retreat that runs concomitantly with the annual Camden International Film Festival (Ciff) in Maine. The retreat includes feedback sessions, workshops and individual as well as group discussions with veteran filmmakers and industry professionals.
Each of the 2022 filmmaking teams were chosen from 200 applicants from across the U.
CNN Films and Points North Institute have revealed the five recipients of the 2022 American Stories Documentary Fellowship.
The artist development program fellowship supports independent documentary filmmakers who, from diverse points of view, are exploring themes unique to American experiences. The five filmmaking teams named as this year’s fellowship recipients include Ameha Molla and Rajal Pitroda; Gabriela Díaz Arp and Karla Claudio Betancourt; Paige Bethmann and Jessica Epstein; Jordan Lord and Abby Sun; and Julie Wyman, Lindsey Dryden and Jonna McKone.
The fellows will each receive a 10,000 production grant and have costs covered to attend an immersive week-long working retreat that runs concomitantly with the annual Camden International Film Festival (Ciff) in Maine. The retreat includes feedback sessions, workshops and individual as well as group discussions with veteran filmmakers and industry professionals.
Each of the 2022 filmmaking teams were chosen from 200 applicants from across the U.
- 9/13/2022
- by Abbey White
- The Hollywood Reporter - Movie News
When Werner Herzog makes a new documentary, you can always count on one of the most satisfyingly strange occurrences in nonfiction filmmaking: the dulcet Germanic tones of Mr. Herzog making odd connections and going deep into the mystic, even when he’s talking about science.
His new doc, “Theater of Thought,” doesn’t contain anything as wonderful as Herzog’s musings on prehistoric radioactive crocodiles in “Cave of Forgotten Dreams” or his dismissal of dogs too stupid to know about geologic history in “Fireball: Visitors From Darker Worlds.” But letting the 80-year-old Herzog loose to explore the human mind is predictably fertile territory, in which serious scientific inquiry must make room for questions like these, posed to various scientists and researchers by our director and interlocutor:
“Do fish have souls?”
“How stupid is Siri?”
“Does a mouse suspend disbelief?”
“Could a dying man send a message (through a computer-brain interface) that there is a heaven?...
His new doc, “Theater of Thought,” doesn’t contain anything as wonderful as Herzog’s musings on prehistoric radioactive crocodiles in “Cave of Forgotten Dreams” or his dismissal of dogs too stupid to know about geologic history in “Fireball: Visitors From Darker Worlds.” But letting the 80-year-old Herzog loose to explore the human mind is predictably fertile territory, in which serious scientific inquiry must make room for questions like these, posed to various scientists and researchers by our director and interlocutor:
“Do fish have souls?”
“How stupid is Siri?”
“Does a mouse suspend disbelief?”
“Could a dying man send a message (through a computer-brain interface) that there is a heaven?...
- 9/4/2022
- by Steve Pond
- The Wrap
Four documentary filmmakers were invited to participate in the Sundance Institute’s newly created Indigenous non-fiction intensive program that concludes July 29.
The three-day program was created to identify Indigenous artists creating formally bold and personal work and to uplift them with a small grant and mentorship on a current edit of their short-form documentary films.
The four filmmakers selected to partake in the new initiative are: Sarah Liese (“Coming In”), Sean Connelly (“A Justice Advancing Architecture Tour”), Olivia Camfield and Woodrow Hunt (“If You Look Under There You’ll Find It”). The advisors for the inaugural program include Emmy award-winning filmmaker Colleen Thurston, filmmaker-editor Maya Daisy Hawke (“Cave of Forgotten Dreams”), and filmmaker Darol Olu Kae (“I Ran From It and Was Still in It”).
Each participant will receive year-round creative support from Sundance’s Indigenous program staffers as they work to complete their films.
Indigenous program director Adam Piron...
The three-day program was created to identify Indigenous artists creating formally bold and personal work and to uplift them with a small grant and mentorship on a current edit of their short-form documentary films.
The four filmmakers selected to partake in the new initiative are: Sarah Liese (“Coming In”), Sean Connelly (“A Justice Advancing Architecture Tour”), Olivia Camfield and Woodrow Hunt (“If You Look Under There You’ll Find It”). The advisors for the inaugural program include Emmy award-winning filmmaker Colleen Thurston, filmmaker-editor Maya Daisy Hawke (“Cave of Forgotten Dreams”), and filmmaker Darol Olu Kae (“I Ran From It and Was Still in It”).
Each participant will receive year-round creative support from Sundance’s Indigenous program staffers as they work to complete their films.
Indigenous program director Adam Piron...
- 7/29/2022
- by Addie Morfoot
- Variety Film + TV
Neon has promoted Jeff Deutchman to be its new president of acquisitions and production, Tom Quinn’s arthouse distributor announced Tuesday.
Deutchman has been with Neon since its founding five years ago, and in that time he has been instrumental in landing some of the distributors biggest acquisitions, including last year negotiating deals for “The Worst Person in the World,” “Flee,” “Spencer,” “Pig,” “Memoria” and “Petite Maman.”
Deutchman also helped to grow Neon’s production slate, launching projects such as Tilman Singer’s “Cuckoo” starring Hunter Schafer, Joshua Oppenheimer’s musical “The End” with Tilda Swinton, Brandon Cronenberg’s “Infinity Pool” starring Alexander Skarsgård and Ben Wheatley’s horror film “In the Earth,” which was one of the first fully completed productions of the pandemic.
Also Read:
Anne Hathaway and Jessica Chastain’s ‘Mothers’ Instinct’ Heads to Neon for U.S. Rights
“Jeff has been here from the beginning and...
Deutchman has been with Neon since its founding five years ago, and in that time he has been instrumental in landing some of the distributors biggest acquisitions, including last year negotiating deals for “The Worst Person in the World,” “Flee,” “Spencer,” “Pig,” “Memoria” and “Petite Maman.”
Deutchman also helped to grow Neon’s production slate, launching projects such as Tilman Singer’s “Cuckoo” starring Hunter Schafer, Joshua Oppenheimer’s musical “The End” with Tilda Swinton, Brandon Cronenberg’s “Infinity Pool” starring Alexander Skarsgård and Ben Wheatley’s horror film “In the Earth,” which was one of the first fully completed productions of the pandemic.
Also Read:
Anne Hathaway and Jessica Chastain’s ‘Mothers’ Instinct’ Heads to Neon for U.S. Rights
“Jeff has been here from the beginning and...
- 5/18/2022
- by Brian Welk
- The Wrap
Directors James Lee Hernandez and Brian Lazarte discuss the movies that inspired them while making The Big Conn.
Show Notes: Movies Referenced In This Episode
The Big Lebowski (1998)
Boogie Nights (1997)
Saturday Night Fever (1977)
Happiness (1998)
World’s Greatest Dad (2009)
Windy City Heat (2003)
Ocean’s 11 (1960)
Ocean’s Eleven (2001)
Pulp Fiction (1994)
Reservoir Dogs (1992)
Bad Boys (1995)
Kill Bill: Vol. 1 (2003)
Kill Bill: Vol. 2 (2004)
Munich (2005)
Fargo (1996)
Catch Me If You Can (2002)
Delicatessen (1991)
The Young and Prodigious T.S. Spivet (2013)
The Hole (2009) – Joe Dante’s U.S. trailer commentary, Joe Dante’s Italian trailer commentary, Joe Dante’s British trailer commentary, Dennis Cozzalio’s review
Dial M For Murder (1954) – Mark Pellington’s trailer commentary
Jaws 3D (1983)
Cave Of Forgotten Dreams (2010)
Katy Perry: Part of Me (2012)
U2 3D (2008)
The Pink Panther (1963) – Dan Ireland’s trailer commentary
Goodfellas (1990) – Allan Arkush’s trailer commentary
Children of Men (2006)
The Imposter (2012)
Other Notable Items
The Big Conn podcast (2022)
The Big Conn docuseries (2022)
Bronzeville...
Show Notes: Movies Referenced In This Episode
The Big Lebowski (1998)
Boogie Nights (1997)
Saturday Night Fever (1977)
Happiness (1998)
World’s Greatest Dad (2009)
Windy City Heat (2003)
Ocean’s 11 (1960)
Ocean’s Eleven (2001)
Pulp Fiction (1994)
Reservoir Dogs (1992)
Bad Boys (1995)
Kill Bill: Vol. 1 (2003)
Kill Bill: Vol. 2 (2004)
Munich (2005)
Fargo (1996)
Catch Me If You Can (2002)
Delicatessen (1991)
The Young and Prodigious T.S. Spivet (2013)
The Hole (2009) – Joe Dante’s U.S. trailer commentary, Joe Dante’s Italian trailer commentary, Joe Dante’s British trailer commentary, Dennis Cozzalio’s review
Dial M For Murder (1954) – Mark Pellington’s trailer commentary
Jaws 3D (1983)
Cave Of Forgotten Dreams (2010)
Katy Perry: Part of Me (2012)
U2 3D (2008)
The Pink Panther (1963) – Dan Ireland’s trailer commentary
Goodfellas (1990) – Allan Arkush’s trailer commentary
Children of Men (2006)
The Imposter (2012)
Other Notable Items
The Big Conn podcast (2022)
The Big Conn docuseries (2022)
Bronzeville...
- 5/17/2022
- by Kris Millsap
- Trailers from Hell
Feature documentary “The Fire Within: A Requiem for Katia and Maurice Krafft,” directed by German filmmaker Werner Herzog and distributed by Abacus Media Rights, has been acquired by Arte for France and Germany.
In addition, ahead of its official launch at MipTV in Cannes, Amr has pre-sold the feature, about French volcanologists Maurice and Katia Krafft, to BBC Storyville for the U.K., Dr in Denmark, Svt in Sweden and Nrk in Norway.
Written, directed and narrated by Herzog, “The Fire Within” pays homage to the Kraffts, who left an archive of more than 200 hours of footage.
Herzog has produced, written and directed more than 60 narrative and documentary feature films, including “Grizzly Man,” “Invincible,” “Encounters at the End of the World” and “Cave of Forgotten Dreams.” He was named one of the world’s 100 most influential people by Time magazine in 2009.
The film is produced by Brian Leith Productions, Bonne Pioche and Titan Films.
In addition, ahead of its official launch at MipTV in Cannes, Amr has pre-sold the feature, about French volcanologists Maurice and Katia Krafft, to BBC Storyville for the U.K., Dr in Denmark, Svt in Sweden and Nrk in Norway.
Written, directed and narrated by Herzog, “The Fire Within” pays homage to the Kraffts, who left an archive of more than 200 hours of footage.
Herzog has produced, written and directed more than 60 narrative and documentary feature films, including “Grizzly Man,” “Invincible,” “Encounters at the End of the World” and “Cave of Forgotten Dreams.” He was named one of the world’s 100 most influential people by Time magazine in 2009.
The film is produced by Brian Leith Productions, Bonne Pioche and Titan Films.
- 4/5/2022
- by Leo Barraclough
- Variety Film + TV
Exclusive: UTA has signed award-winning filmmaker Erik Nelson (Terror and Glory: 1945) and his production company Creative Differences for worldwide representation in all areas.
Nelson is an IDA Award winner who most recently directed and produced the Discovery+ feature documentary Terror and Glory: 1945, which focused on the final months of World War II and its consequences. He previously wrote, directed and produced the World War II documentary The Cold Blue for HBO Max—also helming A Gray State, a prescient true-crime look at the culture of conspiracy, released in 2017. All three films hold a 100% rating on Rotten Tomatoes.
Nelson is otherwise best known for his collaborations with Oscar-nominated filmmaker Werner Herzog. The duo produced four films together including the Oscar-nominated Encounters at the End of the World, Grizzly Man, Cave of Forgotten Dreams and Into The Abyss, with Herzog narrating Nelson’s animated feature Dinotasia and exec producing A Gray State.
Nelson is an IDA Award winner who most recently directed and produced the Discovery+ feature documentary Terror and Glory: 1945, which focused on the final months of World War II and its consequences. He previously wrote, directed and produced the World War II documentary The Cold Blue for HBO Max—also helming A Gray State, a prescient true-crime look at the culture of conspiracy, released in 2017. All three films hold a 100% rating on Rotten Tomatoes.
Nelson is otherwise best known for his collaborations with Oscar-nominated filmmaker Werner Herzog. The duo produced four films together including the Oscar-nominated Encounters at the End of the World, Grizzly Man, Cave of Forgotten Dreams and Into The Abyss, with Herzog narrating Nelson’s animated feature Dinotasia and exec producing A Gray State.
- 3/9/2022
- by Matt Grobar
- Deadline Film + TV
Writer, producer, director Lee Daniels discusses some of his favorite films with Josh & Joe.
Show Notes: Movies Referenced In This Episode
Infested (2002)
Shadowboxer (2005)
The United States Vs. Billie Holiday (2021)
A Star Is Born (1937)
Lee Daniels’ The Butler (2013)
Dawn of the Planet of the Apes (2014)
Lady Sings The Blues (1972)
Island In The Sun (1957)
Carmen Jones (1954)
Claudine (1974)
Mandingo (1975)
Drum (1976)
Caligula (1979)
Gloria (1980)
The Exorcist (1973)
Abby (1974)
Blacula (1972)
Scream Blacula Scream (1973)
Cabaret (1972)
Lenny (1974)
Sounder (1972)
All That Jazz (1979)
I Am A Camera (1955)
Travels With My Aunt (1972)
The Emigrants (1971)
Star 80 (1983)
Harold And Maude (1971)
The Godfather (1972)
The Godfather Part II (1974)
Pickup On South Street (1953)
In The Mood For Love (2000)
Leave Her To Heaven (1945)
Laura (1944)
Dragonwyck (1946)
The Baron of Arizona (1950)
His Kind of Woman (1951)
Explorers (1985)
Innerspace (1987)
Jack Reacher (2012)
Them (1954)
Revenge of the Creature (1955)
Tarantula! (1955)
Coogan’s Bluff (1968)
Going In Style (1979)
Going In Style (2017)
Judas And The Black Messiah (2021)
Stroszek (1977)
Fitzcarraldo (1982)
Land of Silence and Darkness (1971)
Cave Of Forgotten Dreams...
Show Notes: Movies Referenced In This Episode
Infested (2002)
Shadowboxer (2005)
The United States Vs. Billie Holiday (2021)
A Star Is Born (1937)
Lee Daniels’ The Butler (2013)
Dawn of the Planet of the Apes (2014)
Lady Sings The Blues (1972)
Island In The Sun (1957)
Carmen Jones (1954)
Claudine (1974)
Mandingo (1975)
Drum (1976)
Caligula (1979)
Gloria (1980)
The Exorcist (1973)
Abby (1974)
Blacula (1972)
Scream Blacula Scream (1973)
Cabaret (1972)
Lenny (1974)
Sounder (1972)
All That Jazz (1979)
I Am A Camera (1955)
Travels With My Aunt (1972)
The Emigrants (1971)
Star 80 (1983)
Harold And Maude (1971)
The Godfather (1972)
The Godfather Part II (1974)
Pickup On South Street (1953)
In The Mood For Love (2000)
Leave Her To Heaven (1945)
Laura (1944)
Dragonwyck (1946)
The Baron of Arizona (1950)
His Kind of Woman (1951)
Explorers (1985)
Innerspace (1987)
Jack Reacher (2012)
Them (1954)
Revenge of the Creature (1955)
Tarantula! (1955)
Coogan’s Bluff (1968)
Going In Style (1979)
Going In Style (2017)
Judas And The Black Messiah (2021)
Stroszek (1977)
Fitzcarraldo (1982)
Land of Silence and Darkness (1971)
Cave Of Forgotten Dreams...
- 3/2/2021
- by Kris Millsap
- Trailers from Hell
Werner Herzog’s “Fireball: Visitors From Darker Worlds” is an aptly meditative travelogue from the philosophical German director. In the last decade or so, Herzog’s documentary output has focused on, among other topics, volcanoes (“Into the Inferno”), prehistoric paintings (“Cave of Forgotten Dreams”) and Antarctica (“Encounters at the End of the World”). In “Fireball,” co-directed by Clive Oppenheimer and available now on AppleTV+, he turns his attention to meteors and comets.
Herzog and Oppenheimer jet to all corners of the globe to engage with astrologists, geologists, religious leaders, self-made scientists, space rock collectors, and people in communities living around some of the world’s largest craters.
In one of the film’s most intriguing scenes, Herzog offers a tribute to Hollywood’s contribution to the subject. He shows us a slightly abridged version of the climactic comet strike in Mimi Leder’s 1998 disaster flick “Deep Impact.”
“Deep Impact” is a movie that,...
Herzog and Oppenheimer jet to all corners of the globe to engage with astrologists, geologists, religious leaders, self-made scientists, space rock collectors, and people in communities living around some of the world’s largest craters.
In one of the film’s most intriguing scenes, Herzog offers a tribute to Hollywood’s contribution to the subject. He shows us a slightly abridged version of the climactic comet strike in Mimi Leder’s 1998 disaster flick “Deep Impact.”
“Deep Impact” is a movie that,...
- 12/4/2020
- by Joe McGovern
- The Wrap
AMC Networks on Wednesday said that longtime film executive Arianna Bocco has been named president of its IFC Films division. Bocco was previously EVP of Acquisitions and Production. She replaces departing IFC Films Co-President Lisa Schwartz. Schwartz had served as Co-President with Jonathan Sehring who retired at the end of 2018.
Bocco has spent more than a decade overseeing acquisitions and productions for IFC Films as well as genre label IFC Midnight.
In her new role, Bocco will continue to oversee acquisitions, production, marketing and publicity, while adding oversight of theatrical film distribution and the fast-growing IFC Films Unlimited subscription streaming service. Bocco will report to Miguel Penella, AMC Networks’ president of SVOD, who oversees the company’s new premium subscription bundled offering AMC+, which includes IFC Films Unlimited; its portfolio of subscription video on demand services Acorn TV, Shudder, Sundance Now, and Umc; as well as Rlje Films. Penella reports to Ed Carroll,...
Bocco has spent more than a decade overseeing acquisitions and productions for IFC Films as well as genre label IFC Midnight.
In her new role, Bocco will continue to oversee acquisitions, production, marketing and publicity, while adding oversight of theatrical film distribution and the fast-growing IFC Films Unlimited subscription streaming service. Bocco will report to Miguel Penella, AMC Networks’ president of SVOD, who oversees the company’s new premium subscription bundled offering AMC+, which includes IFC Films Unlimited; its portfolio of subscription video on demand services Acorn TV, Shudder, Sundance Now, and Umc; as well as Rlje Films. Penella reports to Ed Carroll,...
- 12/2/2020
- by Anthony D'Alessandro
- Deadline Film + TV
Arianna Bocco has been named president of IFC Films. Her promotion comes after more than a decade at the indie studio, where Bocco oversaw acquisitions and productions for IFC Films as well as for its genre label IFC Midnight.
Bocco is stepping into the role after Lisa Schwartz announced in November that she was stepping down as co-president of the studio. Jonathan Sehring, who served as co-president of IFC Films for decades, left the company in 2018.
In her new role, Bocco will continue to oversee acquisitions, production, marketing and publicity, while adding oversight of theatrical film distribution. She will also be tasked with continuing to grow its subscription streaming service, IFC Films Unlimited.
IFC Films is owned by AMC Networks. Bocco will now report to Miguel Penella, AMC Networks’ president of SVOD. He, in turn, reports to Ed Carroll, AMC Networks’ COO.
“Arianna is a talented and respected executive who...
Bocco is stepping into the role after Lisa Schwartz announced in November that she was stepping down as co-president of the studio. Jonathan Sehring, who served as co-president of IFC Films for decades, left the company in 2018.
In her new role, Bocco will continue to oversee acquisitions, production, marketing and publicity, while adding oversight of theatrical film distribution. She will also be tasked with continuing to grow its subscription streaming service, IFC Films Unlimited.
IFC Films is owned by AMC Networks. Bocco will now report to Miguel Penella, AMC Networks’ president of SVOD. He, in turn, reports to Ed Carroll, AMC Networks’ COO.
“Arianna is a talented and respected executive who...
- 12/2/2020
- by Brent Lang
- Variety Film + TV
In the world of nonfiction filmmaking, few things are as simultaneously comforting and provocative as the voice of Werner Herzog philosophizing and rhapsodizing about the implications of one thing or another. He’s been doing it for decades now in his documentaries, and in recent years he’s specialized in musings about the wonders of science and the natural world: caves in “Cave of Forgotten Dreams,” volcanoes in “Into the Inferno,” Antarctica in “Encounters at the End of the World.”
Herzog’s new film, “Fireball: Visitors From Darker Worlds,” fits right into that continuum – and like “Into the Inferno,” it’s co-directed with Clive Oppenheimer, a Cambridge professor and scientist who in many ways serves as Herzog’s tour guide into this world. The new film has a bit of the feel of “Werner Herzog’s Greatest Hits” to it, because it goes back into caves and to a volcanic...
Herzog’s new film, “Fireball: Visitors From Darker Worlds,” fits right into that continuum – and like “Into the Inferno,” it’s co-directed with Clive Oppenheimer, a Cambridge professor and scientist who in many ways serves as Herzog’s tour guide into this world. The new film has a bit of the feel of “Werner Herzog’s Greatest Hits” to it, because it goes back into caves and to a volcanic...
- 9/10/2020
- by Steve Pond
- The Wrap
Exclusive: Discovery and Abramorama are teaming for a virtual theatrical and broadcast rollout of Apocalypse ‘45, a documentary from Erik Nelson that recounts the harrowing end of World War II through the eyes of 24 men who lived through the events and using never-before-seen footage. The documentary will get a two-week exclusive virtual cinema run beginning August 14, leading into the the film’s Labor Day Weekend broadcast on Discovery Channel.
The timing coincides with the 75th anniversary of VJ Day on August 15, when the Japanese forces surrendered to the Allies, with the National WW II Museum in New Orleans and the Intrepid Sea, Air & Space Museum in New York among those participating in screening events. An invite-only premiere is set for Thursday.
Nelson, a longtime collaborator of Werner Herzog has followed up his previous archival feature The Cold Blue with this doc, for which the National Archives allowed previously denied access to more than 700 reels of footage, covering the harrowing expanse of the final months of WWII in the Pacific that culminated in the dropping of atomic bombs on Hiroshima and Nagasaki. The footage, which includes film shot by director John Ford capturing the ruins of the Pacific Fleet after the attack on Pearl Harbor, has been digitally restored in 4K and in color.
Interviews with the two dozen men who lived through the events make up the film’s narration, guiding viewers from the flag-raising at Iwo Jima in February 1945, Okinawa in April, the New Mexico desert bomb tests in July and the air war over Japan in the summer.
Check out the trailer here:
“This was an important time in our nation’s history, and it is vital that we never forget the sacrifices of the people who lived through it,” said Nancy Daniels, Chief Brand Officer at Discovery and Factual. “Erik’s documentary delivers their stories with stunning, never-before-seen footage and raw emotion. With the 75th anniversary, it is the perfect opportunity to bring this timely film to Discovery audiences in multiple ways.”
Said Abramorama principals Richard Abramowitz and Karol Martesko-Fenster: “We are honored to be partnering with Discovery to release Erik’s astonishing film to mark this momentous time in our history. Now more than ever we need the kind of heroes who understand the consequences of their actions.”
Apocalypse 45 is produced by Peter Hankoff and Elisabeth M. Hartjens, with Clark Bunting, Daniels, Dave Harding and Howard Swartz executive producers.
Here’s the poster:...
The timing coincides with the 75th anniversary of VJ Day on August 15, when the Japanese forces surrendered to the Allies, with the National WW II Museum in New Orleans and the Intrepid Sea, Air & Space Museum in New York among those participating in screening events. An invite-only premiere is set for Thursday.
Nelson, a longtime collaborator of Werner Herzog has followed up his previous archival feature The Cold Blue with this doc, for which the National Archives allowed previously denied access to more than 700 reels of footage, covering the harrowing expanse of the final months of WWII in the Pacific that culminated in the dropping of atomic bombs on Hiroshima and Nagasaki. The footage, which includes film shot by director John Ford capturing the ruins of the Pacific Fleet after the attack on Pearl Harbor, has been digitally restored in 4K and in color.
Interviews with the two dozen men who lived through the events make up the film’s narration, guiding viewers from the flag-raising at Iwo Jima in February 1945, Okinawa in April, the New Mexico desert bomb tests in July and the air war over Japan in the summer.
Check out the trailer here:
“This was an important time in our nation’s history, and it is vital that we never forget the sacrifices of the people who lived through it,” said Nancy Daniels, Chief Brand Officer at Discovery and Factual. “Erik’s documentary delivers their stories with stunning, never-before-seen footage and raw emotion. With the 75th anniversary, it is the perfect opportunity to bring this timely film to Discovery audiences in multiple ways.”
Said Abramorama principals Richard Abramowitz and Karol Martesko-Fenster: “We are honored to be partnering with Discovery to release Erik’s astonishing film to mark this momentous time in our history. Now more than ever we need the kind of heroes who understand the consequences of their actions.”
Apocalypse 45 is produced by Peter Hankoff and Elisabeth M. Hartjens, with Clark Bunting, Daniels, Dave Harding and Howard Swartz executive producers.
Here’s the poster:...
- 8/3/2020
- by Patrick Hipes
- Deadline Film + TV
Apple has acquired rights to Werner Herzog’s astronomy documentary “Fireball” for its Apple Original film slate and will premiere the film on Apple TV Plus in more than 100 territories.
Herzog collaborated with British professor Clive Oppenheimer on the project. The duo teamed on the Academy Award-nominated Antarctic documentary “Encounters at the End of the World” and the Emmy-nominated “Into the Inferno.“
“Fireball” explores how shooting stars, meteorites and deep impacts have focused the human imagination on other realms and worlds, and on our past and our future. It’s a Werner Herzog Film production from Spring Films. The film is produced by André Singer & Lucki Stipetić, executive produced by Richard Melman and made with the help and support of Sandbox Films.
Apple Original’s documentaries include “Boys State”; “The Elephant Queen”; “Beastie Boys Story” and docuseries “Visible: Out On Television.” “Boys State” won the U.S. documentary competition at...
Herzog collaborated with British professor Clive Oppenheimer on the project. The duo teamed on the Academy Award-nominated Antarctic documentary “Encounters at the End of the World” and the Emmy-nominated “Into the Inferno.“
“Fireball” explores how shooting stars, meteorites and deep impacts have focused the human imagination on other realms and worlds, and on our past and our future. It’s a Werner Herzog Film production from Spring Films. The film is produced by André Singer & Lucki Stipetić, executive produced by Richard Melman and made with the help and support of Sandbox Films.
Apple Original’s documentaries include “Boys State”; “The Elephant Queen”; “Beastie Boys Story” and docuseries “Visible: Out On Television.” “Boys State” won the U.S. documentary competition at...
- 7/24/2020
- by Dave McNary
- Variety Film + TV
Apple announced Friday that it will release a new Werner Herzog documentary, “Fireball,” on its Apple TV+ platform. The film explores how shooting stars, meteorites, and deep impacts on Earth have shaped human mythology and focused our attention on other realms and worlds.
“Fireball” will mark the third collaboration between the legendary director and geoscientist Clive Oppenheimer, who is co-directing the doc.
Oppenheimer, a professor of volcanology at the University of Cambridge, appeared in Herzog’s 2007 Antarctica-set Oscar-nominated “Encounters at the End of the World,” and again in Netflix’s 2016 doc “Into the Inferno.” That most recent film earned an Emmy nomination and followed the pair as they traveled the world to explore various volcanic sites. Much like “Fireball,” that film also drew connections between natural phenomena and its impact on humankind.
“Fireball” will also reunite Herzog with “Inferno” producers André Singer and Lucki Stipetić. Werner Herzog Film is producing alongside Spring Films,...
“Fireball” will mark the third collaboration between the legendary director and geoscientist Clive Oppenheimer, who is co-directing the doc.
Oppenheimer, a professor of volcanology at the University of Cambridge, appeared in Herzog’s 2007 Antarctica-set Oscar-nominated “Encounters at the End of the World,” and again in Netflix’s 2016 doc “Into the Inferno.” That most recent film earned an Emmy nomination and followed the pair as they traveled the world to explore various volcanic sites. Much like “Fireball,” that film also drew connections between natural phenomena and its impact on humankind.
“Fireball” will also reunite Herzog with “Inferno” producers André Singer and Lucki Stipetić. Werner Herzog Film is producing alongside Spring Films,...
- 7/24/2020
- by Chris Lindahl
- Indiewire
Josh Braun, producer of some of the best documentaries in the world, joins Josh and Joe to discuss the movies that have influenced him throughout his life.
Show Notes: Movies Referenced In This Episode
Man On Wire (2008)
The Cove (2009)
Cave of Forgotten Dreams (2010)
Encounters At The End of the World (2007)
Winnebago Man (2009)
Spellbound (2002)
Supersize Me (2004)
Tell Me Who I Am (2019)
Apollo 11 (2019)
The Edge of Democracy (2019)
Finding Vivian Maier (2013)
Searching For Sugarman (2012)
Dear Zachary: A Letter to a Son About His Father (2008)
A History Of Violence (2005)
Frat House (1998)
Easy Riders, Raging Bulls: How the Sex, Drugs and Rock ‘N’ Roll Generation Saved Hollywood (2003)
The Exorcist (1973)
Go West (1940)
A Night In Casablanca (1946)
Hello Down There (1974)
What’s Up Doc? (1972)
El Topo (1970)
Pink Flamingos (1972)
Female Trouble (1974)
The Rocky Horror Picture Show (1975)
Bambi Meets Godzilla (1969)
Gimme Shelter (1970)
Monterey Pop (1968)
Grey Gardens (1975)
Grey Gardens (2009)
Titicut Follies (1967)
To Have And Have Not (1944)
All About Eve...
Show Notes: Movies Referenced In This Episode
Man On Wire (2008)
The Cove (2009)
Cave of Forgotten Dreams (2010)
Encounters At The End of the World (2007)
Winnebago Man (2009)
Spellbound (2002)
Supersize Me (2004)
Tell Me Who I Am (2019)
Apollo 11 (2019)
The Edge of Democracy (2019)
Finding Vivian Maier (2013)
Searching For Sugarman (2012)
Dear Zachary: A Letter to a Son About His Father (2008)
A History Of Violence (2005)
Frat House (1998)
Easy Riders, Raging Bulls: How the Sex, Drugs and Rock ‘N’ Roll Generation Saved Hollywood (2003)
The Exorcist (1973)
Go West (1940)
A Night In Casablanca (1946)
Hello Down There (1974)
What’s Up Doc? (1972)
El Topo (1970)
Pink Flamingos (1972)
Female Trouble (1974)
The Rocky Horror Picture Show (1975)
Bambi Meets Godzilla (1969)
Gimme Shelter (1970)
Monterey Pop (1968)
Grey Gardens (1975)
Grey Gardens (2009)
Titicut Follies (1967)
To Have And Have Not (1944)
All About Eve...
- 7/21/2020
- by Kris Millsap
- Trailers from Hell
Werner Herzog has long had an interest in the interplay between fact and fiction and an individual's personal interpretation of those entities, with films including Cave Of Forgotten Dreams and Encounters At The End Of The World often revealing unexpected truths about the participants that go beyond the surface, while others like the tragic Grizzly Man highlight the folly of allowing belief to triumph over empirical evidence.
All of which means a company like Family Romance LLC - a real-life Japanese firm that specialises in hiring out people to pretend to be family members - is the perfect venture around which Herzog constructs a narrative to explore some of the things that make the modern world tick. Yorgos Lanthimos fans might remember he took on a similar concept with Alps, but Herzog's approach is, unsurprisingly, considerably more ruminative and less downbeat.
Yuichi Ishii is the boss of the film and plays a version of.
All of which means a company like Family Romance LLC - a real-life Japanese firm that specialises in hiring out people to pretend to be family members - is the perfect venture around which Herzog constructs a narrative to explore some of the things that make the modern world tick. Yorgos Lanthimos fans might remember he took on a similar concept with Alps, but Herzog's approach is, unsurprisingly, considerably more ruminative and less downbeat.
Yuichi Ishii is the boss of the film and plays a version of.
- 7/15/2020
- by Amber Wilkinson
- eyeforfilm.co.uk
London-based production, finance and sales company Film Constellation and the global curated streaming service Mubi have partnered to host an exclusive premiere of Werner Herzog’s “Family Romance, LLC” on July 3 in the U.S., featuring an exclusive introduction and interview with Herzog.
In other international territories, the company is collaborating with the local theatrical distributor, including U.K. distributor Modern Films, Artplex in Brazil, PVR in India, I Wonder in Italy, who will participate in the preview event for their local release.
Herzog, who not only directed but also served as writer and cinematographer, will introduce the virtual premiere and conclude with an exclusive 15 minute Q&a.
The special preview will be hosted on Mubi and will be available to stream for free for 24-hours in more than 150 countries, including the U.S. and Canada.
“Family Romance, LLC” is the latest feature from Herzog. Receiving its premiere at the 2019 Cannes Film Festival,...
In other international territories, the company is collaborating with the local theatrical distributor, including U.K. distributor Modern Films, Artplex in Brazil, PVR in India, I Wonder in Italy, who will participate in the preview event for their local release.
Herzog, who not only directed but also served as writer and cinematographer, will introduce the virtual premiere and conclude with an exclusive 15 minute Q&a.
The special preview will be hosted on Mubi and will be available to stream for free for 24-hours in more than 150 countries, including the U.S. and Canada.
“Family Romance, LLC” is the latest feature from Herzog. Receiving its premiere at the 2019 Cannes Film Festival,...
- 6/29/2020
- by Leo Barraclough
- Variety Film + TV
In an aim to help now-shuttered independent theaters, IFC Films will allow cinemas to screen 200 of its library titles for free once they open back up. The distributor hopes that favorites like “Frances Ha,” “Y Tu Mamá También,” and even “The Human Centipede” will help drive audiences back to theaters in the coming months, a time when fewer and fewer new releases are being scheduled.
The Indie Theater Revival Project‘s offerings will be available to theaters beginning May 29, with traditional rental fees for library titles waived for theaters in the first 30 days that they’re open, starting from whatever date they reopen their doors. That means more money in the pockets in the form of ticket sales for local theater owners who have been faced with a near-zero revenue stream after closing their doors last month.
More from IndieWireHow France Is Supporting Its Film Industry During a Global CrisisWhy...
The Indie Theater Revival Project‘s offerings will be available to theaters beginning May 29, with traditional rental fees for library titles waived for theaters in the first 30 days that they’re open, starting from whatever date they reopen their doors. That means more money in the pockets in the form of ticket sales for local theater owners who have been faced with a near-zero revenue stream after closing their doors last month.
More from IndieWireHow France Is Supporting Its Film Industry During a Global CrisisWhy...
- 4/21/2020
- by Chris Lindahl
- Indiewire
Curated retrospectives include Cannes winners, genre, family documentaries.
IFC Films has launched The Indie Theater Revival Project and curated 20 retrospective programmes for Us theatres when they emerge from lockdown, offering library titles for free during the first month they open.
The selections comprise approximately 200 films spanning IFC Films’ 20-year history – the company celebrates its anniversary this year – and IFC Films said on Tuesday (21) it will make them available to cinemas starting on May 29.
Theatres will be able to book any number of the retrospective programmes, in part or in total, any time through the first month after they reopen. No...
IFC Films has launched The Indie Theater Revival Project and curated 20 retrospective programmes for Us theatres when they emerge from lockdown, offering library titles for free during the first month they open.
The selections comprise approximately 200 films spanning IFC Films’ 20-year history – the company celebrates its anniversary this year – and IFC Films said on Tuesday (21) it will make them available to cinemas starting on May 29.
Theatres will be able to book any number of the retrospective programmes, in part or in total, any time through the first month after they reopen. No...
- 4/21/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
Curated retrospectives to be made available for participating theatres.
IFC Films announced on Tuesday (21) The Indie Theater Revival Project and has curated 20 retrospective programmes for Us theatres to screen when they reopen in the weeks and months ahead.
The selections comprise approximately 200 films spanning IFC Films’ 20-year history – the company celebrates its anniversary this year – and will make them available to cinemas starting on May 29.
Theatres will be able to book any number of the retrospective programmes, in part or in total, any time through the first month after they reopen. No film rental will be due for any of...
IFC Films announced on Tuesday (21) The Indie Theater Revival Project and has curated 20 retrospective programmes for Us theatres to screen when they reopen in the weeks and months ahead.
The selections comprise approximately 200 films spanning IFC Films’ 20-year history – the company celebrates its anniversary this year – and will make them available to cinemas starting on May 29.
Theatres will be able to book any number of the retrospective programmes, in part or in total, any time through the first month after they reopen. No film rental will be due for any of...
- 4/21/2020
- ScreenDaily
In an effort to help independently-owned movie theaters recover from the coronavirus pandemic, IFC Films announced on Tuesday that it will offer over 200 of its films to those theaters without any rental fees. This will help give those theaters some classic films to screen when they reopen while they wait for new films to be released.
“Independent theaters across the country have been essential partners for us at IFC Films, and we would not be where we are today without their support,” the distributor announced in a statement. “We wanted to take the first step and let theaters know that we are committed to helping them reopen their doors by providing a selection of films to program while the new release landscape gets back to normal.”
Dubbed “The Indie Revival Project,” the program will offer selections from IFC’s catalog in various curated packs, including a “Yes We Cannes!” program...
“Independent theaters across the country have been essential partners for us at IFC Films, and we would not be where we are today without their support,” the distributor announced in a statement. “We wanted to take the first step and let theaters know that we are committed to helping them reopen their doors by providing a selection of films to program while the new release landscape gets back to normal.”
Dubbed “The Indie Revival Project,” the program will offer selections from IFC’s catalog in various curated packs, including a “Yes We Cannes!” program...
- 4/21/2020
- by Jeremy Fuster
- The Wrap
IFC Films is offering embattled indie theaters hundreds of films from its library to screen when they re-open from their mass Covid-19 related shutdown.
The movies, which include such IFC classics as “Y Tu Mama Tambien” and “Boyhood,” will be made available to cinemas without any rental fees. The retrospective program boasts roughly 200 films. Theaters will not be charged any film rental.
“We are honoring the partnership we’ve had with theaters over the last 20 years and we’re sending them a message of solidarity and gratefulness,” said Lisa Schwartz, co-president of IFC Films. “They’ve been with us since beginning and when they come back, we want to be there with them.”
The indie studio is currently celebrating its 20th anniversary and had been putting together programming to honor the occasion. After coronavirus closed most theaters in March, IFC began to rethink its plans.
“This was a positive way...
The movies, which include such IFC classics as “Y Tu Mama Tambien” and “Boyhood,” will be made available to cinemas without any rental fees. The retrospective program boasts roughly 200 films. Theaters will not be charged any film rental.
“We are honoring the partnership we’ve had with theaters over the last 20 years and we’re sending them a message of solidarity and gratefulness,” said Lisa Schwartz, co-president of IFC Films. “They’ve been with us since beginning and when they come back, we want to be there with them.”
The indie studio is currently celebrating its 20th anniversary and had been putting together programming to honor the occasion. After coronavirus closed most theaters in March, IFC began to rethink its plans.
“This was a positive way...
- 4/21/2020
- by Brent Lang
- Variety Film + TV
The American Society of Cinematographers said Thursday that it will give this year’s Board of Governors Award to Werner Herzog. The prolific writer-director and occasional actor (Disney+’s The Mandalorian) will be honored January 25 at the 34th annual Asc Awards for Outstanding Achievement at Hollywood & Highland’s Ray Dolby Ballroom.
The Asc Board of Governors Award is given to industry stalwarts whose body of work has made significant and indelible contributions to cinema. It is reserved for filmmakers who have been champions for directors of photography and the visual art form.
The German-born Herzog has produced, written, and directed more than 70 feature and documentary films, with Oscar nominations for his documentary Encounters at the End of the World (2009) and an Emmy nom for Little Dieter Needs to Fly (1997).
His credits at the vanguard of German cinema along with fellow filmmakers Rainer Werner Fassbinder and Volker Schlöndorff include Aguirre, the Wrath of God...
The Asc Board of Governors Award is given to industry stalwarts whose body of work has made significant and indelible contributions to cinema. It is reserved for filmmakers who have been champions for directors of photography and the visual art form.
The German-born Herzog has produced, written, and directed more than 70 feature and documentary films, with Oscar nominations for his documentary Encounters at the End of the World (2009) and an Emmy nom for Little Dieter Needs to Fly (1997).
His credits at the vanguard of German cinema along with fellow filmmakers Rainer Werner Fassbinder and Volker Schlöndorff include Aguirre, the Wrath of God...
- 1/9/2020
- by Patrick Hipes
- Deadline Film + TV
Legendary director Werner Herzog, one of the founders of the German New Wave, whose films embrace obsessive quests and maddening conflicts with nature, will receive the American Society of Cinematographers’ Board of Governors Award at the 34th annual Asc Awards on January 25 (at Hollywood & Highland’s Ray Dolby Ballroom).
“Werner Herzog is truly a unique storyteller, and we are honored to recognize him for his prolific contributions to cinema,” said Asc President Kees van Oostrum.
Herzog has produced, written, and directed more than 70 feature and documentary films. His volatile, love-hate relationship with actor Klaus Kinski resulted in such powerful films as “Aguirre, the Wrath of God,” “Fitzcarraldo,” “Nosferatu the Vampyre,” and “Woyzeck.” Other masterpieces include “Stroszek” and “The Enigma of Kaspar Hauser,” both starring street musician-turned actor Bruno S.
Herzog received an Oscar nomination for Best Documentary Feature for “Encounters at the End of the World,” while “Little Dieter Needs to Fly...
“Werner Herzog is truly a unique storyteller, and we are honored to recognize him for his prolific contributions to cinema,” said Asc President Kees van Oostrum.
Herzog has produced, written, and directed more than 70 feature and documentary films. His volatile, love-hate relationship with actor Klaus Kinski resulted in such powerful films as “Aguirre, the Wrath of God,” “Fitzcarraldo,” “Nosferatu the Vampyre,” and “Woyzeck.” Other masterpieces include “Stroszek” and “The Enigma of Kaspar Hauser,” both starring street musician-turned actor Bruno S.
Herzog received an Oscar nomination for Best Documentary Feature for “Encounters at the End of the World,” while “Little Dieter Needs to Fly...
- 1/9/2020
- by Bill Desowitz
- Indiewire
Werner Herzog has a near-mythic presence in world cinema. The 76-year-old German director makes brutally authentic features — Aguirre, the Wrath of God, The Enigma of Kaspar Hauser, Fitzcarraldo — and, with the likes of Grizzly Man and Cave of Forgotten Dreams, fantastically imaginative documentaries. "They are often fictions in disguise," Herzog says, in that ponderous Germanic monotone familiar from the countless voiceovers on his films that has become almost as famous as the filmmaker himself.
The fuzzy and fluid border between the real and the imagined has been a constant in Herzog’s work — as it is in his new ...
The fuzzy and fluid border between the real and the imagined has been a constant in Herzog’s work — as it is in his new ...
- 5/19/2019
- The Hollywood Reporter - Movie News
Werner Herzog has a near-mythic presence in world cinema. The 76-year-old German director makes brutally authentic features — Aguirre, the Wrath of God, The Enigma of Kaspar Hauser, Fitzcarraldo — and, with the likes of Grizzly Man and Cave of Forgotten Dreams, fantastically imaginative documentaries. "They are often fictions in disguise," Herzog says, in that ponderous Germanic monotone familiar from the countless voiceovers on his films that has become almost as famous as the filmmaker himself.
The fuzzy and fluid border between the real and the imagined has been a constant in Herzog’s work — as it is in his new ...
The fuzzy and fluid border between the real and the imagined has been a constant in Herzog’s work — as it is in his new ...
- 5/19/2019
- The Hollywood Reporter - Film + TV
Film Bridge International has entered into a two-picture production deal with Dublin-based Merlin Films headed by Kieran Corrigan and Deliverance director, John Boorman. Film Bridge founder and CEO Ellen Wander will partner with Corrigan and Boorman to produce two features, heist thriller Underground and gritty action thriller Assassins Club. Boorman, whose latest work as director was 2015’s Queen & Country, will helm the former with Stephen Saint Leger (Vikings) on the latter. Worldwide sales will be handled by Wander in Cannes. Underground is set in Boston where an Irish mob family is struggling to get out of the business, but is tempted by the discovery of an abandoned tunnel beneath Tiffany & Co. Assassins Club centers on a man offered a contract to kill seven people from around the globe. The targets, in turn, are also assassins with contracts to kill him. The only way out is to leave a...
- 5/14/2019
- by Nancy Tartaglione
- Deadline Film + TV
Molly Thompson has joined Apple’s upcoming streaming service as its head of documentaries.
Thompson previously founded A&E Indie Films, the feature film production unit of A+E Networks. She was also previously the head of documentary films for A+E Networks. Recent documentaries she has executive produced include “The Clinton Affair,” Charles Ferguson’s “Watergate” docuseries, “Studio 54,” and “City of Ghosts.” She was also an executive producer on celebrated documentaries like “Life, Animated,” “Cartel Land,” “Murderball,” and “Jesus Camp.”
She also executive produced Amir Bar-Lev’s “The Tillman Story” and Bart Layton’s “The Imposter,” as well as two narrative features for Lifetime Films. Those were “Lila & Eve,” starring Viola Davis and Jennifer Lopez, and “Paris Can Wait,” starring Diane Lane and Alec Baldwin.
Additionally, Thompson served as executive producer on all feature films produced under the History Films banner, including Werner Herzog’s “Meeting Gorbachev” and “Cave of Forgotten Dreams,...
Thompson previously founded A&E Indie Films, the feature film production unit of A+E Networks. She was also previously the head of documentary films for A+E Networks. Recent documentaries she has executive produced include “The Clinton Affair,” Charles Ferguson’s “Watergate” docuseries, “Studio 54,” and “City of Ghosts.” She was also an executive producer on celebrated documentaries like “Life, Animated,” “Cartel Land,” “Murderball,” and “Jesus Camp.”
She also executive produced Amir Bar-Lev’s “The Tillman Story” and Bart Layton’s “The Imposter,” as well as two narrative features for Lifetime Films. Those were “Lila & Eve,” starring Viola Davis and Jennifer Lopez, and “Paris Can Wait,” starring Diane Lane and Alec Baldwin.
Additionally, Thompson served as executive producer on all feature films produced under the History Films banner, including Werner Herzog’s “Meeting Gorbachev” and “Cave of Forgotten Dreams,...
- 4/15/2019
- by Joe Otterson
- Variety Film + TV
Apple has hired A&E IndieFilms founder Molly Thompson as Head of Documentaries.
Thompson, who also served as Head of Documentary films for A+E Networks, has executive produced such projects as The Clinton Affair; the docuseries Watergate; City of Ghosts; Life, Animated; Cartel Land; Murderball; and Jesus Camp.
Thompson served as executive producer on all feature films produced under the History Films banner, including Werner Herzog’s Meeting Gorbachev — which will have its premiere at the Tribeca Film Festival — and Cave of Forgotten Dreams, Janet Tobias’ No Place on Earth, Errol Morris’ The Unknown Known: The Life and Times of Donald Rumsfeld, Douglas Tirola’s Drunk Stoned Brilliant Dead: The Story of the National Lampoon and the Johnny Knoxville-produced Being Evel.
Among other projects, Thompson also Ep’d Amir Bar-Lev’s Emmy-winning The Tillman Story, Bart Layton’s BAFTA-winning The Imposter and two narrative features for Lifetime Films: Lila & Eve,...
Thompson, who also served as Head of Documentary films for A+E Networks, has executive produced such projects as The Clinton Affair; the docuseries Watergate; City of Ghosts; Life, Animated; Cartel Land; Murderball; and Jesus Camp.
Thompson served as executive producer on all feature films produced under the History Films banner, including Werner Herzog’s Meeting Gorbachev — which will have its premiere at the Tribeca Film Festival — and Cave of Forgotten Dreams, Janet Tobias’ No Place on Earth, Errol Morris’ The Unknown Known: The Life and Times of Donald Rumsfeld, Douglas Tirola’s Drunk Stoned Brilliant Dead: The Story of the National Lampoon and the Johnny Knoxville-produced Being Evel.
Among other projects, Thompson also Ep’d Amir Bar-Lev’s Emmy-winning The Tillman Story, Bart Layton’s BAFTA-winning The Imposter and two narrative features for Lifetime Films: Lila & Eve,...
- 4/15/2019
- by Erik Pedersen
- Deadline Film + TV
A film memoir of former Soviet Union leader Mikhail Gorbachev featuring exclusive interviews has had its North American rights acquired by distributor The Orchard from History Films.
Meeting Gorbachev is a documentary directed by Werner Herzog and André Singer for Spring Films and Werner Herzog Film. The behind-the-scenes look at the eighth and last leader of the Soviet Union features interviews of Gorbachev by Herzog on three occasions across a six-month period, capturing a unique look at a politician who changed the world.
“Meeting Gorbachev is an enthralling look back at a fascinating leader and diplomat, all the more impactful based on what the world looks like today,” said Paul Davidson, The Orchard’s Evp film and television. “Werner and Andre’s own sensibilities make the film engaging and personal in a way no other filmmakers could.”
The documentary is produced by Lucki Stipetic and Svetlana Palmer. The executive producers...
Meeting Gorbachev is a documentary directed by Werner Herzog and André Singer for Spring Films and Werner Herzog Film. The behind-the-scenes look at the eighth and last leader of the Soviet Union features interviews of Gorbachev by Herzog on three occasions across a six-month period, capturing a unique look at a politician who changed the world.
“Meeting Gorbachev is an enthralling look back at a fascinating leader and diplomat, all the more impactful based on what the world looks like today,” said Paul Davidson, The Orchard’s Evp film and television. “Werner and Andre’s own sensibilities make the film engaging and personal in a way no other filmmakers could.”
The documentary is produced by Lucki Stipetic and Svetlana Palmer. The executive producers...
- 12/8/2018
- by Bruce Haring
- Deadline Film + TV
It’s a meeting for the ages. In one corner, the architect of Perestroika. In the other, the director who nearly tamed Klaus Kinski.
“Meeting Gorbachev,” a nonfiction film documenting a series of interviews between filmmaker Werner Herzog and Mikhail Gorbachev, has been acquired by the Orchard. The indie distributor plans to release the film theatrically in 2019. “Meeting Gorbachev” premiered at the 2018 Telluride Film Festival and played at the Toronto International Film Festival. It is directed by Herzog and his longtime collaborator André Singer.
Herzog, famous for “Fitzcarraldo” and “Aguirre, the Wrath of God,” interviewed Gorbachev on three separate occasions over six months. He captured the last leader of the Soviet Union’s thoughts on peace and history.
“’Meeting Gorbachev’ is an enthralling look back at a fascinating leader and diplomat, all the more impactful based on what the world looks like today,” said Paul Davidson, the Orchard’s Evp of film and television.
“Meeting Gorbachev,” a nonfiction film documenting a series of interviews between filmmaker Werner Herzog and Mikhail Gorbachev, has been acquired by the Orchard. The indie distributor plans to release the film theatrically in 2019. “Meeting Gorbachev” premiered at the 2018 Telluride Film Festival and played at the Toronto International Film Festival. It is directed by Herzog and his longtime collaborator André Singer.
Herzog, famous for “Fitzcarraldo” and “Aguirre, the Wrath of God,” interviewed Gorbachev on three separate occasions over six months. He captured the last leader of the Soviet Union’s thoughts on peace and history.
“’Meeting Gorbachev’ is an enthralling look back at a fascinating leader and diplomat, all the more impactful based on what the world looks like today,” said Paul Davidson, the Orchard’s Evp of film and television.
- 12/7/2018
- by Brent Lang
- Variety Film + TV
Werner Herzog has re-entered the zeitgeist in a big way over the last several years thanks to directing stirring movies like Rescue Dawn, and documentaries like Cave Of Forgotten Dreams and Into The Inferno. But every now and again he gets to bring that gruff, German persona and voice to an acting role, and the legendary filmmaker recently teased a new acting gig in a major blockbuster movie – of...
- 9/11/2018
- by Matt Rooney
- JoBlo.com
Tonight, A&E IndieFilms’ latest documentary, Matt Tyrnauer’s “Studio 54,” opens Outfest in Los Angeles before hitting theaters via Zeitgeist Films and Kino Lorber in October. Unusually, A&E IndieFilms senior VP Molly Thompson believes in theatrical play for her documentaries as a way to build awareness before they hit the air.
With streaming, she said, “it’s harder for the films to stand out. Theatrical is good for films. You have a whole year to go out to festivals and theaters before they come to A&E. We’re the opposite of HBO and Netflix.”
All these funding and distribution options make it “a great time for documentary filmmakers,” she said. “Even seven years ago people were starving. It was a difficult time. We were a big whale for filmmakers. Now they have so many options, and people are able to pay their bills.”
Thompson’s first job was...
With streaming, she said, “it’s harder for the films to stand out. Theatrical is good for films. You have a whole year to go out to festivals and theaters before they come to A&E. We’re the opposite of HBO and Netflix.”
All these funding and distribution options make it “a great time for documentary filmmakers,” she said. “Even seven years ago people were starving. It was a difficult time. We were a big whale for filmmakers. Now they have so many options, and people are able to pay their bills.”
Thompson’s first job was...
- 7/12/2018
- by Anne Thompson
- Indiewire
Tonight, A&E IndieFilms’ latest documentary, Matt Tyrnauer’s “Studio 54,” opens Outfest in Los Angeles before hitting theaters via Zeitgeist Films and Kino Lorber in October. Unusually, A&E IndieFilms senior VP Molly Thompson believes in theatrical play for her documentaries as a way to build awareness before they hit the air.
With streaming, she said, “it’s harder for the films to stand out. Theatrical is good for films. You have a whole year to go out to festivals and theaters before they come to A&E. We’re the opposite of HBO and Netflix.”
All these funding and distribution options make it “a great time for documentary filmmakers,” she said. “Even seven years ago people were starving. It was a difficult time. We were a big whale for filmmakers. Now they have so many options, and people are able to pay their bills.”
Thompson’s first job was...
With streaming, she said, “it’s harder for the films to stand out. Theatrical is good for films. You have a whole year to go out to festivals and theaters before they come to A&E. We’re the opposite of HBO and Netflix.”
All these funding and distribution options make it “a great time for documentary filmmakers,” she said. “Even seven years ago people were starving. It was a difficult time. We were a big whale for filmmakers. Now they have so many options, and people are able to pay their bills.”
Thompson’s first job was...
- 7/12/2018
- by Anne Thompson
- Thompson on Hollywood
It’s a credit to TV’s greater curiosity and openmindedness that when I beheld the four stars of “Book Club” — actresses ranging in age from 65 to 80 — my thoughts turned to how recently I’d seen them on their respective shows or in headlines about their upcoming series.
The ensemble romantic comedy benefits enormously from Diane Keaton, Jane Fonda and Mary Steenburgen keeping their comedic and dramatic muscles warmed up. None of the women are asked to do anything too strenuous in “Book Club,” but their collective charisma — along with their male co-stars’ — add up to an irresistible charmfest.
The premise of “Book Club” sounds, to be honest, excruciatingly dumb: A quartet of elderly friends are inspired by the “50 Shades of Grey” books to spice up their sex lives. But first-time director Bill Holderman, who penned the script with Erin Simms, smartly adds a pinch of salt to the sweetness...
The ensemble romantic comedy benefits enormously from Diane Keaton, Jane Fonda and Mary Steenburgen keeping their comedic and dramatic muscles warmed up. None of the women are asked to do anything too strenuous in “Book Club,” but their collective charisma — along with their male co-stars’ — add up to an irresistible charmfest.
The premise of “Book Club” sounds, to be honest, excruciatingly dumb: A quartet of elderly friends are inspired by the “50 Shades of Grey” books to spice up their sex lives. But first-time director Bill Holderman, who penned the script with Erin Simms, smartly adds a pinch of salt to the sweetness...
- 5/16/2018
- by Inkoo Kang
- The Wrap
3D was a fad, and it’s on the way out. There were a couple of films (Gravity, Life of Pi, Coraline, Cave of Forgotten Dreams and, of course, Avatar) for which it seemed absolutely crucial, but for the most part, it adds nothing to a movie other than the annoyance of having to wear silly plastic glasses.
Frankly, the novelty wore off a pretty long time ago, something borne out by the death of 3D televisions and the gradual reduction in 3D screenings for major blockbusters. All this makes the news that Shane Black’s take on the galaxy’s fiercest big game hunter – The Predator – is due to get a 3D post-conversion a bit underwhelming.
I guess the Predator’s signature triple-laser sight sweeping through the smoky night could look pretty cool in 3D, and it might make some of the action scenes a little more visceral – especially...
Frankly, the novelty wore off a pretty long time ago, something borne out by the death of 3D televisions and the gradual reduction in 3D screenings for major blockbusters. All this makes the news that Shane Black’s take on the galaxy’s fiercest big game hunter – The Predator – is due to get a 3D post-conversion a bit underwhelming.
I guess the Predator’s signature triple-laser sight sweeping through the smoky night could look pretty cool in 3D, and it might make some of the action scenes a little more visceral – especially...
- 3/22/2018
- by David James
- We Got This Covered
(Aotn) You’ve never seen the undead like you’ll see them in Asylum’s “Zoombies”! Shamblers, streakers and crawlers got nothing on these guys. This edition of Smt seems to be going to the dogs…
Check out the trailer and find your Cinemark theater for your Thursday 10/19 showing:
Zoombies Starring Marcus Anderson, Kaiwi Lyman, Kim Nielsen Playing Exclusively At Cinemark Theaters On October 19, 2017 When a strange virus quickly spreads through a safari park and turns all the zoo animals undead, those left in the park must stop the creatures before they escape and zombify the whole city. Zoombies Directed by: Glenn R. Miller Writer: Scotty Mullen Cast: Marcus Anderson, Kaiwi Lyman, Kim Nielsen Language: English Genre: Horror
Zoombies Theater Listings: Thursday, October 19 (One Night Only!)
Movies 16 + Xd (Lubbock, TX) Hollywood 17 (Mcallen, TX) College Station + Xd (College Station, TX) Tinseltown 17 (Erie, Pa) Cinemark Movies 16 + Xd (Somerdale, NJ) Movies 14 (Mishawaka, In) Cinemark Tinseltown 17 + Xd (Grapevine,...
Check out the trailer and find your Cinemark theater for your Thursday 10/19 showing:
Zoombies Starring Marcus Anderson, Kaiwi Lyman, Kim Nielsen Playing Exclusively At Cinemark Theaters On October 19, 2017 When a strange virus quickly spreads through a safari park and turns all the zoo animals undead, those left in the park must stop the creatures before they escape and zombify the whole city. Zoombies Directed by: Glenn R. Miller Writer: Scotty Mullen Cast: Marcus Anderson, Kaiwi Lyman, Kim Nielsen Language: English Genre: Horror
Zoombies Theater Listings: Thursday, October 19 (One Night Only!)
Movies 16 + Xd (Lubbock, TX) Hollywood 17 (Mcallen, TX) College Station + Xd (College Station, TX) Tinseltown 17 (Erie, Pa) Cinemark Movies 16 + Xd (Somerdale, NJ) Movies 14 (Mishawaka, In) Cinemark Tinseltown 17 + Xd (Grapevine,...
- 10/12/2017
- by Jason Stewart
- Age of the Nerd
Ryan Lambie Oct 2, 2017
We talk to director Ridley Scott about Blade Runner 2049, the lasting influence of the 1982 original, ancient aliens, flutes, and more...
It's mid-September, and a rug-thick layer of secrecy lies over Blade Runner 2049, the belated sequel to Ridley Scott's 1982 classic. Before our interview with Scott, who executive produces, we're shown approximately half an hour of footage: Ryan Gosling trudging moodily through futuristic landscapes as a new Replicant hunter, K; glimpses of Jared Leto as a new creator of artificial life, named Niander Wallace.
See related Bunny And The Bull interview with Paul King, Simon Farnaby and Edward Hogg Brendan Gleeson interview: The Guard, Don Cheadle, Crocodile Dundee and more
Directed by Denis Villeneuve (Prisoners, Sicario, Arrival), Blade Runner 2049 looks spectacular, with the same measured, ethereal pace that made the original film such a masterpiece. Exactly what K's mission is - and how it ties...
We talk to director Ridley Scott about Blade Runner 2049, the lasting influence of the 1982 original, ancient aliens, flutes, and more...
It's mid-September, and a rug-thick layer of secrecy lies over Blade Runner 2049, the belated sequel to Ridley Scott's 1982 classic. Before our interview with Scott, who executive produces, we're shown approximately half an hour of footage: Ryan Gosling trudging moodily through futuristic landscapes as a new Replicant hunter, K; glimpses of Jared Leto as a new creator of artificial life, named Niander Wallace.
See related Bunny And The Bull interview with Paul King, Simon Farnaby and Edward Hogg Brendan Gleeson interview: The Guard, Don Cheadle, Crocodile Dundee and more
Directed by Denis Villeneuve (Prisoners, Sicario, Arrival), Blade Runner 2049 looks spectacular, with the same measured, ethereal pace that made the original film such a masterpiece. Exactly what K's mission is - and how it ties...
- 9/18/2017
- Den of Geek
So exactly what is a Solutrean? With the possible September 15 release date of Albert Hughes' The Solutrean approaching — late summer/early fall plans are still in flux across Hollywood — it's worth pausing to ponder the historical, or rather pre-historical, context of a film that promises to combine the chilly solitude of The Revenant with the mysterious antiquity of Werner Herzog's Cave of Forgotten Dreams and a proposed title as challenging as any since Comancheria…...
- 5/9/2017
- Deadline
There ain’t no party like a Werner Herzog party. His latest, Salt and Fire, feels like a mashup of his current preoccupations – combining philosophical volcanology (Into the Inferno and Encounters at the End of the World), ecological apocalypticism (Lessons of Darkness), historical/cultural analysis (Cave of Forgotten Dreams), and his penchant for having very intense men delivering very cryptic dialogue (basically everything he’s ever done).
The narrative centres on a team of scientists travelling to Chile to deliver a report on an ongoing ecological disaster. They’re Professor Laura Sommerfeld (Veronica Ferres), Doctor Cavani (Gael Garcia Bernal), and Doctor Meier (Volker Michalowski), who are on a Un mission and are expecting to be met by government officials once they land.
Unfortunately for them, they’re actually met by a team of black-clad paramilitary soldiers who kidnap them and whisk them away to an isolated villa. They’re led...
The narrative centres on a team of scientists travelling to Chile to deliver a report on an ongoing ecological disaster. They’re Professor Laura Sommerfeld (Veronica Ferres), Doctor Cavani (Gael Garcia Bernal), and Doctor Meier (Volker Michalowski), who are on a Un mission and are expecting to be met by government officials once they land.
Unfortunately for them, they’re actually met by a team of black-clad paramilitary soldiers who kidnap them and whisk them away to an isolated villa. They’re led...
- 4/6/2017
- by David James
- We Got This Covered
Dan Winters for Rolling Stone
Not far from the big round dome atop the Griffith Observatory, leaning on a railing that overlooks the Greater Los Angeles sinkhole, the German director Werner Herzog, 74, removes a tissue from his pocket and dabs at his eyes. His eyes are leaking. They've been leaking for the past hour or so. The tear fluid builds up in the corner of one of his blue eyes, then starts to cascade down his cheeks, halted only when he dab, dab, dabs.
He does not explain this. In fact,...
Not far from the big round dome atop the Griffith Observatory, leaning on a railing that overlooks the Greater Los Angeles sinkhole, the German director Werner Herzog, 74, removes a tissue from his pocket and dabs at his eyes. His eyes are leaking. They've been leaking for the past hour or so. The tear fluid builds up in the corner of one of his blue eyes, then starts to cascade down his cheeks, halted only when he dab, dab, dabs.
He does not explain this. In fact,...
- 3/23/2017
- Rollingstone.com
MaryAnn’s quick take… Skips away every time it seems like it’s about to delve deeply into something odd and fascinating. Feels like teases from a slew of other Herzog films. I’m “biast” (pro): adore Werner Herzog; huge Internet nerd
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
I love Werner Herzog. I love his unique perspective on the world. I love how, in the opening moments of Lo and Behold, Reveries of the Connected World — his stream-of-consciousness documentary look at the Internet, what it hath wrought, and what it may yet bring — he chooses to describe as “repulsive” the university corridor that leads to the room where the very first computer on the Internet still stands today. (That’s the machine pictured above, with Internet pioneer Leonard Kleinrock. That node of the Net is no longer active. Kleinrock is still a prof at UCLA.
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
I love Werner Herzog. I love his unique perspective on the world. I love how, in the opening moments of Lo and Behold, Reveries of the Connected World — his stream-of-consciousness documentary look at the Internet, what it hath wrought, and what it may yet bring — he chooses to describe as “repulsive” the university corridor that leads to the room where the very first computer on the Internet still stands today. (That’s the machine pictured above, with Internet pioneer Leonard Kleinrock. That node of the Net is no longer active. Kleinrock is still a prof at UCLA.
- 11/29/2016
- by MaryAnn Johanson
- www.flickfilosopher.com
The distributor has acquired Us rights to Werner Herzog’s drama starring Nicole Kidman and James Franco and will release in spring 2017.
Benaroya Pictures financed Queen Of The Desert and Michael Benaroya produced with Cassian Elwes and Nick Raslan.
Robert Pattinson and Damian Lewis also star in the Berlin 2015 world premiere about British explorer, cartographer and archaeologist Gertrude Bell on an epic odyssey to chart the borders of the modern Middle East.
Jonathan Debin, Cathy Gesualdo, James Lejsek, Ben Sachs, D. Todd Shepherd, Shelley Madison, Harmon Kaslow and John Aglialoro served as executive producers on Queen Of The Desert.
“The entire team at IFC Films is thrilled to be working once more with Werner Herzog who is undoubtedly a modern master of cinema,” said IFC, which brokered the deal with Elwes, Lawrence Kopeikin and CAA on behalf of the filmmakers.
“Having previously worked with him on his award-winning Cave Of Forgotten Dreams, Werner continues...
Benaroya Pictures financed Queen Of The Desert and Michael Benaroya produced with Cassian Elwes and Nick Raslan.
Robert Pattinson and Damian Lewis also star in the Berlin 2015 world premiere about British explorer, cartographer and archaeologist Gertrude Bell on an epic odyssey to chart the borders of the modern Middle East.
Jonathan Debin, Cathy Gesualdo, James Lejsek, Ben Sachs, D. Todd Shepherd, Shelley Madison, Harmon Kaslow and John Aglialoro served as executive producers on Queen Of The Desert.
“The entire team at IFC Films is thrilled to be working once more with Werner Herzog who is undoubtedly a modern master of cinema,” said IFC, which brokered the deal with Elwes, Lawrence Kopeikin and CAA on behalf of the filmmakers.
“Having previously worked with him on his award-winning Cave Of Forgotten Dreams, Werner continues...
- 11/1/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Cinema Eye has named 10 filmmakers and 20 films that have been voted as the top achievements in documentary filmmaking during the past 10 years. Founded in 2007 to “recognize and honor exemplary craft and innovation in nonfiction film,” Cinema Eye polled 110 members of the documentary community to determine the winning films and filmmakers just as the organization kicks off its tenth year.
Read More: Behind the Scenes of Cinema Eye’s Secret Field Trip for Nominees
Among the films chosen are Joshua Oppenheimer’s “The Act of Killing,” Laura Poitras’ Oscar-winning “Citizenfour” and Banksy’s “Exit Through the Gift Shop.” Poitras and Oppenheimer were both also named to the list of the top documentary filmmakers, joining Alex Gibney, Werner Herzog and Frederick Wiseman, who recently won an honorary Oscar and will be saluted at the annual Governors Awards on November 12.
“It’s fantastic that he is being recognized by the Academy for a...
Read More: Behind the Scenes of Cinema Eye’s Secret Field Trip for Nominees
Among the films chosen are Joshua Oppenheimer’s “The Act of Killing,” Laura Poitras’ Oscar-winning “Citizenfour” and Banksy’s “Exit Through the Gift Shop.” Poitras and Oppenheimer were both also named to the list of the top documentary filmmakers, joining Alex Gibney, Werner Herzog and Frederick Wiseman, who recently won an honorary Oscar and will be saluted at the annual Governors Awards on November 12.
“It’s fantastic that he is being recognized by the Academy for a...
- 9/21/2016
- by Graham Winfrey
- Indiewire
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