Pulp Fiction (1994)

Director:

Quentin Tarantino

Writers:

Quentin Tarantino (stories) &
Roger Avary (stories) ...

Release Date:

14 October 1994 (USA)

Genre:

Crime | Thriller

Tagline:

Girls like me don't make invitations like this to just anyone!

Plot:

The lives of two mob hit men, a boxer, a gangster's wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

Plot Keywords:

Boxer | Restaurant | Briefcase | Diner | Coffee

Awards:

Won Oscar. Another 43 wins & 40 nominations

Cast

John Travolta	...	Vincent Vega
Samuel L. Jackson	...	Jules Winnfield
Tim Roth	...	Pumpkin - Ringo
Amanda Plummer	...	Honey Bunny - Yolanda
Eric Stoltz	...	Lance
Bruce Willis	...	Butch Coolidge
Ving Rhames	...	Marsellus Wallace
Phil LaMarr	...	Marvin
Maria de Medeiros	...	Fabienne
Rosanna Arquette	...	Jody
Peter Greene	...	Zed
Uma Thurman	...	Mia Wallace
Duane Whitaker	...	Maynard
Paul Calderon	...	Paul
Frank Whaley	...	Brett

Also Known As:

Black Mask (USA) (working title)

MPAA:

Rated R for strong graphic violence and drug use, pervasive strong language and some sexuality.

Runtime:

154 min | USA:168 min (special edition)

Country:

USA

Language:

English | Spanish | French

Colour:

Colour

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

Canada:18A (re-rating) | Canada:R (original rating) | Mexico:C | Singapore:R21 (re-rating) (uncut) | Australia:R | Brazil:18 | Hungary:18 | Italy:VM14 (re-rating after appeal) (1997) | Italy:VM18 (original rating) | Finland:K-16 (video rating) (1995) (cut) | Finland:K-18 (original rating) (1995) (uncut) | Philippines:R-18 | India:A | South Africa:18 | Canada:18A (Alberta) (2009) | USA:R | Argentina:18 | Canada:16+ (Quebec) | Chile:18 | Denmark:15 | France:-12 | Germany:16 | Hong Kong:III | Iceland:16 | Ireland:18 | Israel:18 | Japan:R-15 | Netherlands:16 | New Zealand:R18 | Norway:18 | Poland:15 | Portugal:M/16 | Portugal:M/18 (Qualidade) | Singapore:R(A) (original rating) (cut) | South Korea:18 | Spain:18 | Sweden:15 | Switzerland:16 | UK:18 (original rating) | UK:18 (video rating) (1995) (cut)

Filming Locations:

Hawthorne Grill - 13763 S. Hawthorne Boulevard, Hawthorne, California, USA

Company:

A Band Apart

Trivia:

It reads in the script that "The Bonnie Situation" was originally supposed to be titled "Jules, Vincent, Jimmie and The Wolf".

Goofs:

Continuity: Errors during the scene when Marsellus and Butch are trapped inside Maynard's basement: 1) When he starts sprinkling water to wake them up, Butch is seen bent further down in the back shot. 2) Maynard then sprays them upwards, but in the next shot the water is coming downwards. 3)When Maynard finishes sprinkling, Butch turns to Marsellus, but in the next shot he is facing away. 4) When Maynard goes upstairs to open the door for Zed, Marsellus's shirt is untucked covering his crotch and Butch's blood stain on his shirt looks darker. In the next shot, Marsellus's shirt has changed as well as the blood stain on Butch's shirt, which looks lighter. After Zed walks in, the shirt and the stain change back.

Quotes:

[first lines]
Pumpkin: Forget it. Too risky. I'm through doing that shit.
Yolanda: You always say that. That same thing every time, "I'm through, never again, too dangerous".
Pumpkin: I know that's what I always say. I'm always right, too.
Yolanda: But you forget about it in a day or two.
Pumpkin: Yeah, well the days of me forgetting are over, and the days of me remembering have just begun.

Movie Connections:

References Karate Kiba (1976)

Soundtrack:

Girl, You'll Be A Woman Soon

Hands down, the best film of the '90s.

Pulp Fiction, despite borrowing from just about every movie ever made, is the most invigorating cinema experience a filmgoer can ever hope for. Its hodgepodge of violence, mayhem, and generally deviant behavior is an assault on the senses, not to mention political correctness. However, despite all the film's cleverness and style, it hinges on the performance put forth by Samuel L. Jackson as Jules. The fact that he was denied an Oscar is a downright shame. Martin Landau, the best supporting actor winner that year, was terrific and funny in Ed Wood, but Jackson was perhaps the most commanding screen presence in film history as the bible-quoting, godfearing hitman. The last scene in the coffee shop with Tim Roth still sends chills down my spine, no matter how many times I've seen it. Rumors of a prequel involving Jules and Vincent (John Travolta) have been floating around lately. If Quentin Tarantino wishes to regain the fans he lost with the dissapointing (but still pretty good) Jackie Brown, he should get to work right away. I'll be the first in line to see the finished product.