"Infernal Affairs" is the Hong-Kong based crime movie that eventually led to the birth of the "The Departed" by Martin Scorsese. The film certainly has its own merits, but also its own faults. The story is centered on two moles: one of them infiltrates the mob and the other infiltrates the police force. When both parties become aware of the infiltration, a game of cat and mouse (or should I say mouse and mouse?) ensues, as each try to uncover the other one first.
For the most part, "Infernal Affairs" relies on its strong and intriguing premise to keep the viewer hooked and succeeds. It's a competent crime film, but if you begin to scrape the surface it quickly gives in. While the two main characters are reasonably interesting, their love interests are extremely underdeveloped and lack any of the emotional depth of the characters in "The Departed". The direction is also far from brilliant. "Infernal Affairs" tries too hard to be stylish, cramming obnoxious fade-outs and pointless slow motion shots in many scenes. Still, I could have let all of this go, were it not for the most annoying fault of the entire film: an atrocious soundtrack, which isn't only incredibly cheesy, but intrusive as well. I admit I had seen Scorsese's remake prior to "Infernal Affairs" and, no matter how hard I tried not to compare the two, the superior work is obvious.
If you are looking for a decent crime film, "Infernal Affairs" will meet most of your expectations. However, if you are hoping for something more, I strongly recommend Scorsese's version.
For the most part, "Infernal Affairs" relies on its strong and intriguing premise to keep the viewer hooked and succeeds. It's a competent crime film, but if you begin to scrape the surface it quickly gives in. While the two main characters are reasonably interesting, their love interests are extremely underdeveloped and lack any of the emotional depth of the characters in "The Departed". The direction is also far from brilliant. "Infernal Affairs" tries too hard to be stylish, cramming obnoxious fade-outs and pointless slow motion shots in many scenes. Still, I could have let all of this go, were it not for the most annoying fault of the entire film: an atrocious soundtrack, which isn't only incredibly cheesy, but intrusive as well. I admit I had seen Scorsese's remake prior to "Infernal Affairs" and, no matter how hard I tried not to compare the two, the superior work is obvious.
If you are looking for a decent crime film, "Infernal Affairs" will meet most of your expectations. However, if you are hoping for something more, I strongly recommend Scorsese's version.