Death Metal (2023) Poster

(2023)

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7/10
An overall fun if slightly flawed heavy metal horror effort
kannibalcorpsegrinder21 June 2023
Trying to recover from a disastrous tour, a fledgling metal band decides to record their new album which contains a series of notes derived from a Satanic piece of music written hundreds of years ago, starting a vicious curse that traps them in a deadly nightmare they may not survive from.

This was a decidedly enjoyable heavy metal horror effort. One of the better features of this one is the enjoyable setup that takes their frustration and determination to keep the band going. With just enough hints of their disastrous tour that's supposedly filled with fighting, inner turmoil, and other controversial measures that have followed them back to the current iteration of the bad, we get a great idea of the band at the start trying to keep their careers going. This carries over into the majority of the first half where their determination and desire to keep going in the studio despite all the outside pressures from their label or the burgeoning incidents around them that suggest everything is going haywire which creates a solid setup for what's to come later. That manages to be another strong part of the film in their highly effective and enjoyable supernatural-tinged sequences of the curse coming to light. Focusing on the initial introduction of the haunted music by having the affected members freak out unnaturally, succumb to over-the-top physical transformations, and the unnatural behavior exhibited by the affected individuals allows this one to come off quite nicely at building up a rather intriguing series of setpieces throughout here. Once it gets to the second half and it becomes more about the affected minions acting as crazed followers trying to turn everyone else into their grasp through a strong series of hallucinatory visions that show their demonic state allows to play out. This keeps the pace high and the gore effects are quite nice overall which all manage to generate quite a lot to like here although this one does have a few minor drawbacks holding it down. One of the bigger issues present is the somewhat unrealistic manner this one starts to introduce supernatural elements that don't raise any kind of alarm in anyone. Despite how great it is that this is at getting the cursed nature of the original musical piece is to their career, the fact that it goes immediately into voices that aren't there, freak bloody noses that lose an unnatural amount of blood, or straight-up killing themselves in front of everyone doesn't send up any kind of alarm about the situation. It's all too much too fast without any build-up and it makes for an unnatural series of reactions to everything which can be slightly off-putting. Coupled with some bizarre usage of slow-motion sequences that don't need to be done in that manner, there's not much to dislike here.

Rated Unrated/R: Graphic Violence, Graphic Language, and Brief Nudity.
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4/10
Out of tune
louisdut17 December 2023
Death metal is an extreme subgenre of metal music. The specific sound is easily identifiable by its use of bass-heavy guitar distortions, ear-splitting, often growled or bellowed vocals, and particular brand of compositional complexity. This musical subgenre is a perfect fit, as well as having an overlapping fanbase, with horror cinema. With Death Metal, Michael Kuciak, producer and short film director, attempts to combine these genres and fanbases in a cacophony of violence and chaos.

A Death metal band, AbyssSinister, is about to be dropped from their label, after a catastrophic European tour. The group hire a legendary Producer and hole up inside a remote farm house to record a brand-new album to rejuvenate their careers. Ivan, the lead guitarist, plans to incorporate The Devil's Concerto, a demented, mythological piece of music, which drives the listener insane. The band start work on the album and quickly discover that the concerto is truly the work of pure evil.

In 2022, Dave Grohl and the rest of the Foo Fighter boys also tried to amalgamate music and horror and although this is not a new impulse, with Trick or Treat (1986), The Lords of Salem (2012) and Lords of Chaos (2018) making similar attempts, they discovered that bloodstained vinyl does not equal art. The gravest mistake a horror filmmaker can make, is taking his material too seriously when the concepts are absurd, outlandish and downright silly. Elevated Horror has garnered critical and financial success over the last decade by playing the storylines straight and serious, but the appeal of bonkers horror like Re-animator (1985), Slither (2006) and Malignant (2021) remain intact due to the undercurrent, if not blatant focus, on tongue-in-cheek humour. The filmmakers are aware of the absurd nature of their premise and give a knowing wink to their audience. Kuciak is either unaware of the ridiculousness of his material or is unable to insert any nuanced fun into his supernatural plot.

Gorehounds will find some entertainment in one singular kill, but the make-up design on the reanimated band members are top notch. The Hellraiser-esque elements are a nice touch. These elements, however, are underutilized and undercooked within the context of the storyline. There is no fun in the kills and no internal logic, with the viewer left befuddled with a number of creative decisions made by the director, including a strange extra-terrestrial, alien abduction inspired sequence that feels so out of place that its almost whiplash inducing.

That said, there is potential here. The horror-music trope is a deep well of cinematic opportunity, but the script of Death Metal is flat and uninspired, with acting performances that are forgettable. Kuciak and his crew shouldn't be too hard on themselves though, as Grohl and the boys had no better success themselves.
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8/10
A very fun, gnarly, and mostly very well made blend of horror and metal
I_Ailurophile28 October 2023
From the subject matter of lyrics and cover art, to works like 1995 amateur horror romp 'Death metal zombies' and Brendon Small's rightly celebrated series 'Metalocalypse,' the intersection of horror, metal, and cinema is an enormous one. As with horror-westerns, the chief question on hand when it comes to "metal-horror" cinema is how thoroughly the two facets will be blended. Both must be recognizable and significant on their own, yet for the combination to be meaningful it must result in a feature that couldn't exist in any other fashion. To the credit of filmmaker Michael Kuciak, he makes swift work to lay the metal foundations first and foremost - an appearance by death metal legends Incantation, references to contemporary metal web sites, allusion to "THE Fleming" (no, it's not actually Rasmussen, but fans see the wink), debates about labels of musical subgenre, and more. With those roots firmly established, the horror kicks in almost as quickly. The result isn't perfect, but the hard work and spirit that went into 2023's 'Death metal' are as apparent as the skill, intelligence, and earnestness of the participants, and this is really fun!

Blasts of unnerving noise, flashes of nightmarish imagery, grisly practical effects and special makeup, and finely orchestrated stunts: this may not be a major production, but the imagination that went into making it a gnarly, jarring experience was no lesser for it. From superb sound design, Dan Gutschmidt's fabulously sinister original music and soundscapes, and Kuciak's sharp, precise, mindful editing, to rich, deliciously insidious tangible creations, and excellent costume design, hair, and makeup - not to mention splendid art direction - everything here looks and sounds terrific. All is bent toward shaping the picture into a serious slice of horror, something beyond the cheeky romps and horror-comedies that we often see when metal adjoins cinema. And as far as I'm concerned, it's a fantastic success! To my great pleasure, I'm hard-pressed to identify especial points of criticism. The production values may be a tad bare-faced, lending to a flat, sterile image, and there are moments when the most substantial effects betray the artifice; then again, the latter is nothing that we don't also see in big studio fare. Otherwise the contributions that everyone made here are sincere and stupendous, and 'Death metal' is truly much better than I could have hoped.

I'm not saying this is a top-of-the-line must-see. Purists might well point out nuances that show this is no project of Rick Baker or Stan Winston. The most visible names in the cast are musicians from a real-life band that won't be known to anyone who hasn't already had exposure to the underground scene in at least some small measure; for all the credits under Kuciak's belt, none necessarily claim household recognition. Yet the physical fabrications really are marvelous, and they far outnumber those instances of post-production wizardry (which aren't the best, but not the worst, either). There comes a point where some of the underlying ideas of those visuals recalls 'Hellraiser,' and specifically 'Hell on Earth,' which is a high compliment if you ask me. Not all the actors are on the same level, but all give honest performances, and for the most part I'm genuinely impressed with what they offer in these eighty-three minutes. Shadia Martin definitely stands out most to me with a strong, dynamic portrayal of real range, yet KateLynn E. Newberry, Nico Zahniser, Stefanie Barber, and Ray Goodwin, among others, all fully and wholeheartedly embrace the wicked extravaganza of the movie, and I can only congratulate them. And while Kuciak can't boast of any broad renown, nevertheless I think his direction is rather outstanding - very smart and professional, and molding 'Death metal' into a full-fledged, honest-to-goodness, highly entertaining trip of metal-horror that's sick and twisted in all the ways that metal heads and horror buffs alike want.

The tale stirs together notions we've seen before, yet whips them into a form that's undeniably its own creation. A complete, compelling narrative is rounded out with characters that are reasonably well written, some well-considered dialogue, and robust scene writing that may be the real key here as it lays the groundwork for the violence, imagery, and committed intense acting to follow. Well and truly, for my part I'm delighted by just how good this film is. The proliferation of film-making technology and streaming sites on the Internet have led to a glut of titles in the past fifteen years or so, some of it so desperately lacking in any apparent effort or care that one is led to fear for the future of the medium. Under such circumstances it's only reasonable to be very cautious in 2023 about a niche project like 'Death metal,' and my expectations were mixed to low when I sat to watch. Happily, those expectations have been handily surpassed, for Kuciak, his cast, and his crew put together a reverent, respectable piece that reflects how much they all believed in the affair, and how much energy they poured into it. The results speak for themselves, for as far as I'm concerned this is among the better horror flicks I've watched this year. It may not wholly demand viewership, and I can appreciate that it won't appeal to all comers. Yet whether one enjoys metal music, or horror, or is just looking for a good time, I'm well of the mind that this is a feature well worth checking out. My glad, hearty recommendation!
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8/10
The Devil's Concerto...
DBlackthorne19 August 2023
On the verge of breakup and even receiving a heckler, ABYSSINISTER features Katon on vocals, Ivan on guitar, Devin on bass, & Baphomet on drums; decide to make a Hell of an effort or bust. So when an opportunity presents itself to record at a studio free of charge, they jump at the chance! So the band take their girlfriends to the styx to record.

Katon acquires & decides to incorporate The Devil's Concerto* into the album {makes for atmospheric intro & background}, yet any who hear it become immediately cursed, and the environment turns into a nightmare. Derives from a witch decomposer in league with The Devil centuries ago - her ghost makes appearances here and there to guide victims along to their doom. Smacks a bit of Deathgasm in this sense.

Highlights: Mutilation hanging results in spine with head attached pulled from body. Enucleation. Zombification. Cannibalism. Succubus vampire. Full frontal Nudity. Everybody goes to Hell!

Overall, great camera angles, indie production, good special effects.

Factoids: The term Death Metal was coined by POSSESSED on the album 7 Churches with the song by the same name. While VENOM coined the term BLACK METAL on the album & song by that name.

_____________

* Folklore to The Devil's Trill by Tartini. {Classical}
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