Jessica McNamee stars in Heath Davis’ ‘Locusts’.
Far fewer directors in Australia get the chance to make their second feature, or more, than the global average.
According to a new, ground-breaking study of worldwide trends by UK analyst Stephen Follows, while 63.5 per cent of directors have one feature film credit, 36.5 per cent made a second feature.
Just 8.6 per cent directed more than five and only 0.1 per cent have more than 20 feature credits.
By comparison, Screen Australia’s most recent research found 62 per cent of directors had one credit in the five years to June 2017 and 44 of the 144 surveyed – 19 per cent – had made a second feature.
Broken down by gender, that equated to 42 male directors (22 per cent) and just two women (6 per cent). Some 8 per cent had three credits, 4 per cent had four and 7 per cent had 5-plus.
(Source: stephenfollows.com)
To be fair, Screen Australia’s research is a relatively...
Far fewer directors in Australia get the chance to make their second feature, or more, than the global average.
According to a new, ground-breaking study of worldwide trends by UK analyst Stephen Follows, while 63.5 per cent of directors have one feature film credit, 36.5 per cent made a second feature.
Just 8.6 per cent directed more than five and only 0.1 per cent have more than 20 feature credits.
By comparison, Screen Australia’s most recent research found 62 per cent of directors had one credit in the five years to June 2017 and 44 of the 144 surveyed – 19 per cent – had made a second feature.
Broken down by gender, that equated to 42 male directors (22 per cent) and just two women (6 per cent). Some 8 per cent had three credits, 4 per cent had four and 7 per cent had 5-plus.
(Source: stephenfollows.com)
To be fair, Screen Australia’s research is a relatively...
- 2/20/2019
- by The IF Team
- IF.com.au
"OtherLife" is the Australian science fiction thriller directed by Ben C. Lucas, starring Jessica De Gouw, T.J. Power and Thomas Cocquerel, based on the novel "Solitaire" by Kelley Eskridge:
"...the co-founder (De Gouw) of 'Otherlife' develops a form of biological virtual reality. But when her partner (Power), insists she license 'it' for unethical use, she struggles to retain control of her invention with the help of her lover (Cocquerel)...
Click the images to enlarge and Sneak Peek "Otherlife"...
"...the co-founder (De Gouw) of 'Otherlife' develops a form of biological virtual reality. But when her partner (Power), insists she license 'it' for unethical use, she struggles to retain control of her invention with the help of her lover (Cocquerel)...
Click the images to enlarge and Sneak Peek "Otherlife"...
- 3/8/2018
- by Michael Stevens
- SneakPeek
On tap right now we have the first official images from Ben C. Lucas’ film OtherLife, which had its premiere at the Sydney Film Festival in June. Check ’em out here! Jessica De Gouw, Tj Power, Thomas Cocquerel, and Liam… Continue Reading →
The post First Look at Your OtherLife appeared first on Dread Central.
The post First Look at Your OtherLife appeared first on Dread Central.
- 7/11/2017
- by Steve Barton
- DreadCentral.com
Ben C. Lucas is injecting virtual reality directly into people’s minds with OtherLife, which premiered at the Sydney Film Festival this past June. Thanks to regular tipster Fabien M., we have some new images from the sci-fi pic starring Jessica De Gouw, Thomas Cocquerel, and Liam Graham. In the film, “Ren Amari is the driven […]...
- 7/11/2017
- by Brad Miska
- bloody-disgusting.com
A stylish piece of sci-fi pulp fiction made with a sense of scale that belies its indie budget, the sophomore feature from Aussie filmmaker Ben C. Lucas consolidates the promise he showed in his debut, 2010's Wasted on the Young. That film was a memorable dissection of high school horrors set in the glass mansions of Perth, Australia's mining-enriched Western capital, with a final act that was a little too dense for its own good. OtherLife likewise boasts a non-linear structure that is just explicable enough until one too many late reversals, though its puzzles could prove catnip to genre...
- 6/20/2017
- by Harry Windsor
- The Hollywood Reporter - Movie News
Ben C Lucas’s innovative rumination on the pitfalls of technology has Hollywood appeal and features a darkly charismatic performance from Jessica De Gouw
It is not uncommon for films about drug users to contain closeup shots of pupils dilating. This is hardly surprising given closeups of eyes have long been fashionable in cinema; the famous opening of Luis Buñuel’s 1929 classic Un Chien Andalou comes to mind. And after a hit of the good stuff, eyeballs look fabulous on screen, as films like Requiem for a Dream remind us.
Australian writer/director Ben C Lucas’s sophomore feature, OtherLife, joins the crazy-eyed canon in its opening moments, peppered with near full-screen vision of a narcotic-infused peeper.
Continue reading...
It is not uncommon for films about drug users to contain closeup shots of pupils dilating. This is hardly surprising given closeups of eyes have long been fashionable in cinema; the famous opening of Luis Buñuel’s 1929 classic Un Chien Andalou comes to mind. And after a hit of the good stuff, eyeballs look fabulous on screen, as films like Requiem for a Dream remind us.
Australian writer/director Ben C Lucas’s sophomore feature, OtherLife, joins the crazy-eyed canon in its opening moments, peppered with near full-screen vision of a narcotic-infused peeper.
Continue reading...
- 6/19/2017
- by Luke Buckmaster
- The Guardian - Film News
Warwick Thornton.s doco.'We Don't Need A Map' will open the 2017 Sydney Film Festival..
Warwick Thornton.s We Don.t Need A Map will open this year.s Sydney Film Festival, with the event also marking the documentary.s world premiere..
The latest film from the Samson and Delilah director explores Australia.s relationship to the Southern Cross through colonial and indigenous history through to the present day..
We Don't Need A Map will compete in the festival.s Official Competition. Among the 12 films in the running for the $60,000 prize are Aussie theatre director Benedict Andrew.s debut feature Una, which stars Ben Mendelsohn, as well as Sofia Coppola.s Beguiled.and Michael Haneke.s Happy End, both of which will come to the festival from Cannes.
Overall the festival program boasts 288 films from 59 countries, including 37 world premieres. Bookending the fest will be Korean director Bong Joon-ho.s Cannes film.Okja,...
Warwick Thornton.s We Don.t Need A Map will open this year.s Sydney Film Festival, with the event also marking the documentary.s world premiere..
The latest film from the Samson and Delilah director explores Australia.s relationship to the Southern Cross through colonial and indigenous history through to the present day..
We Don't Need A Map will compete in the festival.s Official Competition. Among the 12 films in the running for the $60,000 prize are Aussie theatre director Benedict Andrew.s debut feature Una, which stars Ben Mendelsohn, as well as Sofia Coppola.s Beguiled.and Michael Haneke.s Happy End, both of which will come to the festival from Cannes.
Overall the festival program boasts 288 films from 59 countries, including 37 world premieres. Bookending the fest will be Korean director Bong Joon-ho.s Cannes film.Okja,...
- 5/10/2017
- by Jackie Keast
- IF.com.au
(L-r): Ryan Corr, Abbey Lee and Matt Nable.
Principal photography on 1%, the feature debut of Stephen McCallum, has kicked off today..
The film is backed by Ticket to Ride, Screenwest, Spectrum Films, Red Apple Cameras and Head Gear Films..
1% is written by actor Matt Nable (Hacksaw Ridge, Arrow, Fell) and will be helmed by McCallum, who graduated from Aftrs in 2011 with an acclaimed TV spot for GetUp! under his belt, as well as shorts like Six Straws.
Jamie Hilton and Michael Pontin are producing for Perth and Sydney based See Pictures; their third film in Western Australia this year after Simon Baker's Breath and Ben C. Lucas' OtherLife..
Josh Pomeranz, Viv Scanu, Phil Hunt, Compton Ross and Stephen Boyle are Executive Producers..
1% is set in a fictional motorcycle club called The Copperheads. Joining Nable in the cast is Ryan Corr, Abbey Lee, Josh McConville, Simone Kessell and Aaron Pederson.
Principal photography on 1%, the feature debut of Stephen McCallum, has kicked off today..
The film is backed by Ticket to Ride, Screenwest, Spectrum Films, Red Apple Cameras and Head Gear Films..
1% is written by actor Matt Nable (Hacksaw Ridge, Arrow, Fell) and will be helmed by McCallum, who graduated from Aftrs in 2011 with an acclaimed TV spot for GetUp! under his belt, as well as shorts like Six Straws.
Jamie Hilton and Michael Pontin are producing for Perth and Sydney based See Pictures; their third film in Western Australia this year after Simon Baker's Breath and Ben C. Lucas' OtherLife..
Josh Pomeranz, Viv Scanu, Phil Hunt, Compton Ross and Stephen Boyle are Executive Producers..
1% is set in a fictional motorcycle club called The Copperheads. Joining Nable in the cast is Ryan Corr, Abbey Lee, Josh McConville, Simone Kessell and Aaron Pederson.
- 11/14/2016
- by Harry Windsor
- IF.com.au
Stephen McCallum.
Screenwest has announced that 1%, debut feature of director Stephen McCallum, is the recipient of this year.s $750,000 West Coast Visions funding.
West Coast Visions is one of Screenwest.s largest funds, aimed to .uncover, inspire and develop. local talent and skills.
1%, written by actor Matt Nable (Hacksaw Ridge, Arrow, Barracuda), is a set within the primal underworld of outlaw motorcycle club gangs. It follows the heir to the throne of a motorcycle club who has to betray his president to save his brother.s life.
McCallum, who has previously directed a variety of shorts, music videos and commercials, says he was attracted to the Shakespearean undertones of the story. He calls it one of .father versus son, tradition versus ambition, and brotherhood..
.The main question that draws me to the script that Matt wrote is: what.s the cost of loyalty when it makes you turn against your own blood?...
Screenwest has announced that 1%, debut feature of director Stephen McCallum, is the recipient of this year.s $750,000 West Coast Visions funding.
West Coast Visions is one of Screenwest.s largest funds, aimed to .uncover, inspire and develop. local talent and skills.
1%, written by actor Matt Nable (Hacksaw Ridge, Arrow, Barracuda), is a set within the primal underworld of outlaw motorcycle club gangs. It follows the heir to the throne of a motorcycle club who has to betray his president to save his brother.s life.
McCallum, who has previously directed a variety of shorts, music videos and commercials, says he was attracted to the Shakespearean undertones of the story. He calls it one of .father versus son, tradition versus ambition, and brotherhood..
.The main question that draws me to the script that Matt wrote is: what.s the cost of loyalty when it makes you turn against your own blood?...
- 7/15/2016
- by Jackie Keast
- IF.com.au
Sam Neill and Adrien Brody in Backtrack.
After making his name in the early noughties producing hundreds of music videos, See Pictures. Jamie Hilton is now one of Australia.s most prominent producers with an impressive slate including Breath, Flammable Children and OtherLife.
His recent Australian release, Backtrack, directed by Michael Petroni, starring Adrien Brody and Sam Neill, is also set for a limited theatrical run at Palace Cinemas after playing internationally at festivals including Tribeca Film Festival.
Hilton tells If distributor, Madman, had decided it was the best path to commercialise the film in Australia.
.I believe that means we have shorter windows to go to premium VOD and cable television and free to air faster than the normal 120 days required than if you do a full scale release,. he said.
.We are really looking forward to it coming to Palace Cinemas and to a wider variety of platforms as shortly after as we can manage. That strategy is to get it to a wide as possible audience. We think the film will have a strong and long life on lots of platforms and it.s great that Palace has partnered with us for a bit of an exclusive theatrical run before we get the movie out there to a wider audience on visual platforms..
Backtrack has been sold in more than 60 countries. Hilton also is now nearing the end of the Breath shoot (with two weeks to go),.Flammable Children (Guy Pearce, Radha Mitchell)..is in pre-production and OtherLife is in post.
Despite Hilton.s seemingly swift rise to the top of the Australian film producer pile, it was music which kickstarted his career.
Simon Baker as Sando with Samsom Coulter (Pikelet) and Ben Spence (Loonie) in Breath.
.I went to university, to Uts,. he said. .There was a lot of people who wanted to be directors and there was a lot of people who wanted to be cinematographers and I guess I was lucky enough to be able to pick the directors that I thought were the most talented and I got quite a lot made when I was at university outside of the university slate.
.I never really wanted to get into advertising, but I loved music so I got into music videos and made about 120 music clips for some of the biggest bands in Australia and a couple of international ones.
Hilton said his company was one of the biggest music video companies in Australia between 2002 and 2006.
.I was chasing my tail doing music clips,. he said. .I felt like I was going to work in the morning, I was doing two music clips a week. I thought it.s time to move on and make a film..
In 2007, Hilton took a chance and threw himself into producing his first film, Waiting City, starring Joel Edgerton, Radha Mitchell and directed by Claire McCarthy with an estimated budget of $3 million.
.Waiting City was the jump to film. We got it up and shot it. I had been working towards it for a long time. Same as it is now, you try and find the most talented people that you know and support them to tell their stories and tell stories with them. In this case Claire McCarthy was a good friend of mine.
.I just thought: .who is the most talented person I know that is likely to get a movie up?. and Claire was the first phone call.
.I think a lot of emerging producers try to think of it like a business and it is but when you.re doing your first movie you really have to focus, you really have to pick a horse that you believe is going to run and just focus on it.
.Just get one made. Because once you get once made, you know how to do it and then you can start thinking about it like a business. Claire and I teamed up and we worked pretty tirelessly on that project for a couple of years and it.s hard to make a living but we managed to both focus exclusively on that project for a couple of years and we got it up and both of us are doing fairly well now..
McCarthy has just signed on to direct Ophelia, starring Daisy Ridley(Star Wars: The Force Awakens), while Hilton has executive producer credits on.Wyrmwood and Sleeping Beauty.
Jamie Hilton.
He also produced The Little Death and is in development on Sierra — the story of Greenpeace co-founder, Paul Watson, who breaks from the organization and takes to the high seas in an attempt to sink the notorious whaling ship, the Sierra, by any means necessary.
.Linking up with Petroni for Backtrack was another step forward for Hilton.s production ambitions.
.I started working with Michael in 2009,. he said. .I actually made a short film with Michael in 2002 and had been hassling Michael for a long time. I had to make my first feature Waiting City before he actually thought it was a good idea to team up and he had Backtrack in his top drawer.
.I read the script in 2009 when I started working with Michael. We were going to set it up back then and we got busy with Narnia and his other movie the Book Thief and we had to wait until he finished both of those films before we could set it up here. It was pretty easy to put together because his reputation precedes him and the script was very strong.
.It was taut and intense and intelligent. It was just a really new twist on a genre I hadn.t seen before and I thought it was a very intelligent screenplay..
The development phase was also relatively painless on Backtrack, according to Hilton.
.When you have a really talented director like Michael involved it.s certainly less hands on for a producer,. he said.
.We did a little bit of development as far as setting the movie here in Australia, but nothing substantial, the bones of the screenplay were already there.
.His first movie was about the ghosts from the past that haunt us and I guess Backtrack was almost a scary version of similar material about the past coming back to haunt us. It.s seemed to be a different take or lens for similar material that he explored in his first movie.
The film was originally set in North America but was reset to Melbourne and shot in Sydney and regional Nsw.
It was funded by Screen Australia, Headgear Films (UK), Bankside, Deluxe and Screen Nsw.
.Backtrack came together relatively quickly once we had a window where Michael was available to do it,. Hilton said.
.We were already financed before we had Adrien so securing him was a real boon. It all came together relatively smoothly. Everybody responded really positively to the script. People often talk about how difficult the filmmaking process can be. It was a real pleasure to work on Backtrack. Michael has very clear of vision. He knew what he wanted, he.s a great communicator and we assembled a great team of crew and cast and I think it went very well..
He said Oscar winner, Brody, was a true artist.
.He is very nuanced, he.s a lovely guy as well. For him he takes his work very seriously. I think he did a really wonderful Australian accent and I think he played the subtleties.. he is just so easy to watch.
.The premise of the movie is about a guy trying to remember what happened and you need a face that you can really hold on to and obviously he has got a lot going on behind his eyes. I think he.s immensely watchable and it was a real pleasure to watch him work..
The shoot was six weeks, three days and a lot of nights.
.There.s always major challenges if you are always trying to get it done in the time that you have in the budget that you have. We were able to deliver it on time and on budget..
Producer Mark Johnson.
When selecting a project, Hilton said there were a few things he looks for.
.In the first instance it.s qualitative. Is this material of a high quality and are the people involved, are they either the right emerging talent to support or are they experienced and would I like to work with them? The second is can I get this made?
.You spend a long time developing something and you certainly don.t want to put too much time into developing things that you don.t feel like you can get financed in the marketplace, so it.s a combination of those two things.
.Story is also very important, as producers and anyone involved in film really, we are storytellers and we.re trying to get a sense of both qualitative and what the substance or the essence of the story is. Those are the three things that are important for me..
With Breath in mid-flight and OtherLife set for release later this year, Hilton is excited about the future.
.eOne will release OtherLife in Australia and we are just in the final stages of post-production and I.m a huge Ben Lucas fan and looking forward to bringing that out.
.Flammable Children - obviously Stephan Elliott and Al Clarke, Colin Gibson, who is the recent production designer on Mad Max just and won the Oscar; Lizzie Gardner who won her Academy Award for Priscilla. It.s a pretty experienced team and we.re the new kids on the block so it.s great to be working with those people..
Hilton is producing the adaptation of Tim Winton.s novel Breath, shot in Denmark, Western Australia, with Oscar winning producer Mark Johnson (Breaking Bad, The Notebook, Rain Man).
.That.s one of the most exciting parts, working with Mark and his development team,. he said. .It.s been a real privilege and something I would like to repeat..
.
.
.
After making his name in the early noughties producing hundreds of music videos, See Pictures. Jamie Hilton is now one of Australia.s most prominent producers with an impressive slate including Breath, Flammable Children and OtherLife.
His recent Australian release, Backtrack, directed by Michael Petroni, starring Adrien Brody and Sam Neill, is also set for a limited theatrical run at Palace Cinemas after playing internationally at festivals including Tribeca Film Festival.
Hilton tells If distributor, Madman, had decided it was the best path to commercialise the film in Australia.
.I believe that means we have shorter windows to go to premium VOD and cable television and free to air faster than the normal 120 days required than if you do a full scale release,. he said.
.We are really looking forward to it coming to Palace Cinemas and to a wider variety of platforms as shortly after as we can manage. That strategy is to get it to a wide as possible audience. We think the film will have a strong and long life on lots of platforms and it.s great that Palace has partnered with us for a bit of an exclusive theatrical run before we get the movie out there to a wider audience on visual platforms..
Backtrack has been sold in more than 60 countries. Hilton also is now nearing the end of the Breath shoot (with two weeks to go),.Flammable Children (Guy Pearce, Radha Mitchell)..is in pre-production and OtherLife is in post.
Despite Hilton.s seemingly swift rise to the top of the Australian film producer pile, it was music which kickstarted his career.
Simon Baker as Sando with Samsom Coulter (Pikelet) and Ben Spence (Loonie) in Breath.
.I went to university, to Uts,. he said. .There was a lot of people who wanted to be directors and there was a lot of people who wanted to be cinematographers and I guess I was lucky enough to be able to pick the directors that I thought were the most talented and I got quite a lot made when I was at university outside of the university slate.
.I never really wanted to get into advertising, but I loved music so I got into music videos and made about 120 music clips for some of the biggest bands in Australia and a couple of international ones.
Hilton said his company was one of the biggest music video companies in Australia between 2002 and 2006.
.I was chasing my tail doing music clips,. he said. .I felt like I was going to work in the morning, I was doing two music clips a week. I thought it.s time to move on and make a film..
In 2007, Hilton took a chance and threw himself into producing his first film, Waiting City, starring Joel Edgerton, Radha Mitchell and directed by Claire McCarthy with an estimated budget of $3 million.
.Waiting City was the jump to film. We got it up and shot it. I had been working towards it for a long time. Same as it is now, you try and find the most talented people that you know and support them to tell their stories and tell stories with them. In this case Claire McCarthy was a good friend of mine.
.I just thought: .who is the most talented person I know that is likely to get a movie up?. and Claire was the first phone call.
.I think a lot of emerging producers try to think of it like a business and it is but when you.re doing your first movie you really have to focus, you really have to pick a horse that you believe is going to run and just focus on it.
.Just get one made. Because once you get once made, you know how to do it and then you can start thinking about it like a business. Claire and I teamed up and we worked pretty tirelessly on that project for a couple of years and it.s hard to make a living but we managed to both focus exclusively on that project for a couple of years and we got it up and both of us are doing fairly well now..
McCarthy has just signed on to direct Ophelia, starring Daisy Ridley(Star Wars: The Force Awakens), while Hilton has executive producer credits on.Wyrmwood and Sleeping Beauty.
Jamie Hilton.
He also produced The Little Death and is in development on Sierra — the story of Greenpeace co-founder, Paul Watson, who breaks from the organization and takes to the high seas in an attempt to sink the notorious whaling ship, the Sierra, by any means necessary.
.Linking up with Petroni for Backtrack was another step forward for Hilton.s production ambitions.
.I started working with Michael in 2009,. he said. .I actually made a short film with Michael in 2002 and had been hassling Michael for a long time. I had to make my first feature Waiting City before he actually thought it was a good idea to team up and he had Backtrack in his top drawer.
.I read the script in 2009 when I started working with Michael. We were going to set it up back then and we got busy with Narnia and his other movie the Book Thief and we had to wait until he finished both of those films before we could set it up here. It was pretty easy to put together because his reputation precedes him and the script was very strong.
.It was taut and intense and intelligent. It was just a really new twist on a genre I hadn.t seen before and I thought it was a very intelligent screenplay..
The development phase was also relatively painless on Backtrack, according to Hilton.
.When you have a really talented director like Michael involved it.s certainly less hands on for a producer,. he said.
.We did a little bit of development as far as setting the movie here in Australia, but nothing substantial, the bones of the screenplay were already there.
.His first movie was about the ghosts from the past that haunt us and I guess Backtrack was almost a scary version of similar material about the past coming back to haunt us. It.s seemed to be a different take or lens for similar material that he explored in his first movie.
The film was originally set in North America but was reset to Melbourne and shot in Sydney and regional Nsw.
It was funded by Screen Australia, Headgear Films (UK), Bankside, Deluxe and Screen Nsw.
.Backtrack came together relatively quickly once we had a window where Michael was available to do it,. Hilton said.
.We were already financed before we had Adrien so securing him was a real boon. It all came together relatively smoothly. Everybody responded really positively to the script. People often talk about how difficult the filmmaking process can be. It was a real pleasure to work on Backtrack. Michael has very clear of vision. He knew what he wanted, he.s a great communicator and we assembled a great team of crew and cast and I think it went very well..
He said Oscar winner, Brody, was a true artist.
.He is very nuanced, he.s a lovely guy as well. For him he takes his work very seriously. I think he did a really wonderful Australian accent and I think he played the subtleties.. he is just so easy to watch.
.The premise of the movie is about a guy trying to remember what happened and you need a face that you can really hold on to and obviously he has got a lot going on behind his eyes. I think he.s immensely watchable and it was a real pleasure to watch him work..
The shoot was six weeks, three days and a lot of nights.
.There.s always major challenges if you are always trying to get it done in the time that you have in the budget that you have. We were able to deliver it on time and on budget..
Producer Mark Johnson.
When selecting a project, Hilton said there were a few things he looks for.
.In the first instance it.s qualitative. Is this material of a high quality and are the people involved, are they either the right emerging talent to support or are they experienced and would I like to work with them? The second is can I get this made?
.You spend a long time developing something and you certainly don.t want to put too much time into developing things that you don.t feel like you can get financed in the marketplace, so it.s a combination of those two things.
.Story is also very important, as producers and anyone involved in film really, we are storytellers and we.re trying to get a sense of both qualitative and what the substance or the essence of the story is. Those are the three things that are important for me..
With Breath in mid-flight and OtherLife set for release later this year, Hilton is excited about the future.
.eOne will release OtherLife in Australia and we are just in the final stages of post-production and I.m a huge Ben Lucas fan and looking forward to bringing that out.
.Flammable Children - obviously Stephan Elliott and Al Clarke, Colin Gibson, who is the recent production designer on Mad Max just and won the Oscar; Lizzie Gardner who won her Academy Award for Priscilla. It.s a pretty experienced team and we.re the new kids on the block so it.s great to be working with those people..
Hilton is producing the adaptation of Tim Winton.s novel Breath, shot in Denmark, Western Australia, with Oscar winning producer Mark Johnson (Breaking Bad, The Notebook, Rain Man).
.That.s one of the most exciting parts, working with Mark and his development team,. he said. .It.s been a real privilege and something I would like to repeat..
.
.
.
- 5/12/2016
- by Brian Karlovsky
- IF.com.au
Filming has started in Western Australia on the new Ben C. Lucas science fiction thriller, Other Life,.
The film, starring Jessica De Gouw, Thomas Cocquerel, and Tj Power, will be shot of five weeks, with Entertainment One taking care of the release in Australia and New Zealand.
This is the second feature for Lucas, whose debut, Wasted on the Young, was acquired by Paramount in Australia and nominated for an Aacta Award after a successful festival circuit including Sydney Film Festival, Toronto International Film Festival, Pusan International Film Festival, South By Southwest Film Festival, and Torino Film Festival.
Otherlife will be produced by Jamie Hilton, Michael Pontin, Janelle Landers, Aidan O.Bryan, Marco Mehlitz,Tommaso Fiacchino, and Bo Hyde. Executive producers include Phil Hunt, Compton Ross, Kendal Morgan Rhodes,Josh Pomeranz, Viv Scanu, and Stephen Boyle.
OtherLife is based on the popular novel, Solitaire, by Kelley Eskridge. The screenplay has...
The film, starring Jessica De Gouw, Thomas Cocquerel, and Tj Power, will be shot of five weeks, with Entertainment One taking care of the release in Australia and New Zealand.
This is the second feature for Lucas, whose debut, Wasted on the Young, was acquired by Paramount in Australia and nominated for an Aacta Award after a successful festival circuit including Sydney Film Festival, Toronto International Film Festival, Pusan International Film Festival, South By Southwest Film Festival, and Torino Film Festival.
Otherlife will be produced by Jamie Hilton, Michael Pontin, Janelle Landers, Aidan O.Bryan, Marco Mehlitz,Tommaso Fiacchino, and Bo Hyde. Executive producers include Phil Hunt, Compton Ross, Kendal Morgan Rhodes,Josh Pomeranz, Viv Scanu, and Stephen Boyle.
OtherLife is based on the popular novel, Solitaire, by Kelley Eskridge. The screenplay has...
- 8/23/2015
- by Brian Karlovsky
- IF.com.au
Anzac Girls. Sara West and Mystery Road.s Samara Weaving head the cast of Bad Girl, writer-director Fin Edquist.s psychological thriller which starts shooting in Perth on August 31.
West plays 16-year-old Amy, the title character who has to fight for her adoptive parents when her new best friend Chloe (Weaving) tries to supplant her.
Playing the parents are Felicity Price, who stars in Joel Edgerton.s Us thriller The Gift and her partner Kieran Darcy-Smith.s upcoming Western By Way of Helena, and Benjamin Winspear (House of Hancock, Rake, The Babadook).
The film marks a departure in tone for Edquist, who scripted the animated family pics Maya the Bee and Blinky Bill: The Movie, which opens in cinemas on September 10.
The producers are Steve Kearney (Oddball, My Mistress), Bruno Charlesworth (Good Vibrations, The Extra) and Tenille Kennedy. This is the feature producing debut for Kennedy, who co-produced three...
West plays 16-year-old Amy, the title character who has to fight for her adoptive parents when her new best friend Chloe (Weaving) tries to supplant her.
Playing the parents are Felicity Price, who stars in Joel Edgerton.s Us thriller The Gift and her partner Kieran Darcy-Smith.s upcoming Western By Way of Helena, and Benjamin Winspear (House of Hancock, Rake, The Babadook).
The film marks a departure in tone for Edquist, who scripted the animated family pics Maya the Bee and Blinky Bill: The Movie, which opens in cinemas on September 10.
The producers are Steve Kearney (Oddball, My Mistress), Bruno Charlesworth (Good Vibrations, The Extra) and Tenille Kennedy. This is the feature producing debut for Kennedy, who co-produced three...
- 8/16/2015
- by Don Groves
- IF.com.au
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