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When a man with AIDS is fired by a conservative law firm because of his condition, he hires a homophobic small time lawyer as the only willing advocate for a wrongful dismissal suit.
Director:
Jonathan Demme
Stars:
Tom Hanks,
Denzel Washington,
Roberta Maxwell
Disgruntled Korean War vet Walt Kowalski sets out to reform his neighbor, a young Hmong teenager, who tried to steal Kowalski's prized possession: his 1972 Gran Torino.
Director:
Clint Eastwood
Stars:
Clint Eastwood,
Bee Vang,
Christopher Carley
Upon admittance to a mental institution, a brash rebel rallies the patients to take on the oppressive head nurse, a woman he views as more dictator than nurse.
Director:
Milos Forman
Stars:
Jack Nicholson,
Louise Fletcher,
Michael Berryman
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
A mentally retarded man fights for custody of his 7-year-old daughter, and in the process teaches his cold-hearted lawyer the value of love and family.
Director:
Jessie Nelson
Stars:
Sean Penn,
Michelle Pfeiffer,
Dakota Fanning
Charles Sanford "Charlie" Babbit is a self-centered Los Angeles-based automobile dealer/hustler/bookie who is at war with his own life. Charlie, as a young teenager, used his father's 1948 Buick convertible without permission and as a result, he went to jail for two days on account that his father reported it stolen. It is then that Charlie learns that his estranged father died and left him from his last will and testament a huge bed of roses and the car while the remainder will of $3 Million goes into a trust fund to be distributed to someone. Charlie seemed pretty angry by this and decides to look into this matter. It seems as if that "someone" is Raymond, Charlie's unknown brother, an autistic savant who lives in a world of his own, resides at the Walbrook Institute. Charlie then kidnaps Raymond and decides to take him on a lust for life trip to the west coast as a threat to get the $3 Million inheritance. Raymond's acts and nagging, including repeated talks of "Abbott & Costello",... Written by
Christopher Howell (Ckhowell75360@aol.com)
Dustin Hoffman spent a lot of time with savant Kim Peek, the inspiration for Raymond's character. Rain Man writer Barry Morrow first met Peek in 1986, and on winning an Oscar for the screenplay of "Rain Man" in 1989, gave his Oscar trophy to Kim Peek. Hoffman he made Kim's father (the main caregiver) promise that he would "share [Kim] with the world." For nearly 20 years until his death, Kim Peek went all over the world impressing people with his incredible memory and ability to recall minute details from centuries of history. See more »
Goofs
When Charlie and Raymond are leaving Cincinnati the sun is still up. Later, when Raymond gets out of the car on the side of the highway, it appears that the sun has been down for a few hours. At this point, a sign for Interstate 275 is visible on the side of the road. I275 makes a large loop around Cincinnati area, which would suggest that they had been driving in a circle for a few hours. See more »
Quotes
[first lines]
Charlie:
[on telephone]
Now it's five and a half weeks and I'm still sitting on four Lamborghinis that can't meet spot emissions standards. Now, how many times you wash out with EPA?
Lenny:
[on a separate line]
Uh, yes sir, they're finally, uh, clearing EPA; uh, just one or two more days.
Charlie:
Three times? You're really on a roll here, my friend; four cars, three times each - that's zip for twelve. What are you, a... mechanic, or a NASA engineer? Now listen, now, I told you I've never dealt with these ...
See more »
Crazy Credits
Throughout the movie, Raymond is taking pictures. The pictures that he takes are shown as the background for the credits. See more »
Connections
Referenced in Dawson's Creek: Road Trip (1998)
Nina: Dawson, are we doing something you don't want to do? Because you're giving a pretty convincing Rain Man.
See more »
Tom Cruise stars as a used car salesman, who is angry when his father's inheritance is left to his older autistic brother (Dustin Hoffman), whose existence had not been revealed to him.
The film is built around its two assured central performances. Hoffman gives an excellent portrayal of a man with autism, totally unable to comprehend the real world around him. Cruise is no less impressive. While he is essentially playing to type, his character's attitude changes so gradually throughout the film that you barely notice, and without Cruise's subtle performance this transformation would be much less credible.
This is a highly commendable film, which, despite tackling a tricky subject, refuses to succumb to sentimentality. In giving autism such publicity, the film has hopefully helped to lessen the stigma brought on by ignorance of this condition.
Rain Man's great success is that it shows the way forward for issue driven movies in Hollywood. Its success at the box office demonstrates that taking a risk can pay off in spades, provided that the film is good enough.
39 of 53 people found this review helpful.
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Tom Cruise stars as a used car salesman, who is angry when his father's inheritance is left to his older autistic brother (Dustin Hoffman), whose existence had not been revealed to him.
The film is built around its two assured central performances. Hoffman gives an excellent portrayal of a man with autism, totally unable to comprehend the real world around him. Cruise is no less impressive. While he is essentially playing to type, his character's attitude changes so gradually throughout the film that you barely notice, and without Cruise's subtle performance this transformation would be much less credible.
This is a highly commendable film, which, despite tackling a tricky subject, refuses to succumb to sentimentality. In giving autism such publicity, the film has hopefully helped to lessen the stigma brought on by ignorance of this condition.
Rain Man's great success is that it shows the way forward for issue driven movies in Hollywood. Its success at the box office demonstrates that taking a risk can pay off in spades, provided that the film is good enough.