Mompelaar (2007) Poster

(2007)

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8/10
Come to Daddy, all you corn-chewing bleaters . . .
Chris_Docker26 June 2008
Warning: Spoilers
Sometimes I want a nice warm story with an undercurrent of horror. Other days I want a Mumbler.

Think Blue Velvet without all the nice romance. Let's get down to stomach-churning nastiness. Stuff to freak me out, if you please. I can think of no better commendation for Mumbler than that given by two ladies on the way out of the screening. "That was really horrible!" They didn't like it. I did. I must be one sick puppy.

There's a bit of story. But as Mumbler edges on surrealism you can add several explanations later. Just enjoy it. Watch this middle-aged pleasant looking man with a bald patch. His overbearing mother reminds me of an overweight transvestite. He has either a speech or a brain impediment, I can't decide which. But I can't take my eyes off him.

The film opens with middle-aged mumbler man warbling incoherently into a tape recorder. Then he plays it back to himself appreciatively. Mummy lets him go out to 'play' in the woods and countryside roundabout. He hits things with his stick or pokes them (if they're covered with maggots for instance). Full of the mucous laden joys of a leaden spring, he prances in the trash as a woman's dead body lies face down somewhere less interesting. A dappled cow looks like it was abandoned from an Atom Heart Mother set.

Let me emphasise that Mumbler is posh stuff. Beethoven's 7th and 9th blare ominously (remember the music of the head-gouging trip from hell in Irreversible?) Not to mention a bit of Die Walkurie or Mozart's D minor Requiem. This elevates things nicely thank you. We don't want you getting the wrong idea. As we dwell on a child's blood-stained playsuit or a tasty chunk of cow poo.

Somewhere an apparently normal guide is giving a countryside lecture to a group of people. They stand with their mouths open as you hope that their mindless intentions are not too harmful. But such a rapt audience can throw the most intrepid speakers off-balance, and this one soon goes rampaging in the woods.

Mr Mumbler sensibly hides in the bushes as speaker-man starts stripping off and cooing, "Come to Daddy!" I won't spoil the next bit – it is tooooooooooooo good! The Mindless Ones (yeah, more mindless than Mumbler) see the nice baldy-head man as a sort of saviour maybe. Sod that. He deserts them to their own bloody end.

If you are sick to the teeth of cutesy little 'horror' films where the monster has an E.T. makeover and turns out to be a lovable 12-year old all along, pine in your deserted dumptruck of a rat-infested geek-room no longer. Mumbler will hit all the right nasty notes for you. And if a blood-stained disembodied head whispers in your dreams, "Can Daddy have a kiss?" you'll know what to do. Take a plastic bag and don't use it to upchuck.

This is an outstanding short film. Fantastic timing, creative use of low-budget special effects, brilliantly playing on subconscious fears. The low-key performances are spot-on. Lighting and sets flawless in creating an atmosphere quickly and effectively. Inventive and fearless.

ps to all the friends of these filmmakers – Can someone please give them enough money to make a feature length. Soon. Before Daddy gets you.
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Very odd darkly comic horror short which works despite the content
bob the moo5 April 2014
Mompelaar is a man who lives with his ever present and overbearing mother; he appears to be entirely introverted and have a speech impediment that sees him entirely incomprehensible. He heads out into the woods and finds himself at the place where several brutal murders appear to have occurred. He tides up a bit and carries on, coming across a group out for a nature talk which descends quickly into horror and religion.

I've had a go with the plot summary but to be honest this is a very hard film to describe. The plot is nonsense but somehow it works because it draws you in. The direction seems to use nothing but longer takes where the camera doesn't move and the look is very natural and peaceful throughout. It is an incredibly odd feeling because it has a natural look but yet the on screen action is extreme and makes no sense whatsoever. In addition to this a lot of the action plays out under Beethoven's Symphony No 7, which again gives a very serene feeling to the film which contrasts nicely with the horror.

Buyse's restrained and awkward performance cements it all together as we wonder what is going on but yet cannot look away from it. I'll be honest and say I have no idea what the content means or specifically what was going on, but I loved how this made me feel and I loved the combination of the peacefully static (giving the film a calm, normal feel) with the gruesome and senseless horror). Very odd indeed but very much worth a look.
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