An excellent episode with claustrophobia and creepiness. After five previous stories, you might have an idea as to where this might be heading but you could also get blindsided.
The director makes very good use of the interior sets and the actors deliver. Steel with the direct approach. Sapphire uses her colour coordinated sultriness on the man.
We do not know the names of the man and the woman. Only that they are running away to get married.
It something all three realise, they know nothing about this couple. They also compare notes as to what exactly is their assignment and how they got here.
Silver is a specialist yet he was here first not the operators. Maybe there is mistrust brewing against each other.
They also meet the old man who owns the garage but he is in the 1920s. Sapphire, Steel and Silver look like ghosts to him.
Then time jumps again. It looks like something malevolent is brewing and it might be more than the approaching footsteps.
The director makes very good use of the interior sets and the actors deliver. Steel with the direct approach. Sapphire uses her colour coordinated sultriness on the man.
We do not know the names of the man and the woman. Only that they are running away to get married.
It something all three realise, they know nothing about this couple. They also compare notes as to what exactly is their assignment and how they got here.
Silver is a specialist yet he was here first not the operators. Maybe there is mistrust brewing against each other.
They also meet the old man who owns the garage but he is in the 1920s. Sapphire, Steel and Silver look like ghosts to him.
Then time jumps again. It looks like something malevolent is brewing and it might be more than the approaching footsteps.
