"Murder, She Wrote" Shooting in Rome (TV Episode 1995) Poster

(TV Series)

(1995)

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6/10
"Young Love, Lost Love ~ Filled with Tense Emotion ~ With Feuding Folks ~ Who Share Their Deep Commotion"
WeatherViolet3 May 2010
Film Producer Boyce Brown (Mike Connors) assembles his cast and crew on location in Rome, Italy, to film the first adaptation of an unidentified J.B. Fletcher Mystery novel....

...which is set in Chicago, but the film script has undergone changes with its shift to a Texas setting, but it's more economical to film in Italy than the U.S.A., or at least it would be if there weren't corruption in the Finance Department and plenty of flaring tempers on the set....

Raimondo Bonelli (Louis Giambalvo) serves as Boyce's finance partner, to secure the necessary funds to film in Rome. But Raimondo has become involved with loan shark Tomaso Curillo (Antony Ponzini), who has ties with organized crime, and jeopardizes production in the process.

Monte Hayes (Bruce Abbott) serves as Director for the film project, he a demanding, no-nonsense, temperamental type, who doesn't relegate privileges to Mario the Italian Assistant Director (Victor Alfieri) and others around him.

This Boyce Brown production stars (the demanding, feuding ex-wife of Monte Hayes) Kate Danbury (Shawn Weatherly) and (the clueless) Rex Toland (Ben Reed), whose stunts are provided by Webb Prentiss (Sam Hennings), who opens this Western-style shoot with a leap from a railing above a saloon during an altercation with cowhand actors.

18-year-old Gary Hayes (Allen Cutler) accompanies his father, Monte, to Cinecitta Studio, which houses the offices and outdoor sets in Rome. Gary and Adrianna Bonelli (Lisa Vultaggio), the daughter of Raimondo, share small talk, which at times is interrupted by Rex Toland, who tries to charm her from Gary's affection.

Gary also tries his hardest to patch up the differences between his divorced parents, as Monte says that "at the end of the day..." Kate didn't want to return home to a headstrong director, and Monte didn't want to return home to a self-absorbed actress.

Jake Farber (Allan Miller) complicates matters, as he serves as talent agent to Kate Danbury, to make extra demands of Boyce on Kate's behalf, while behind her back tries to recast her role with one of the other actresses whom he represents, while also attempting to represent Rex Toland, and a different director than Monte, all to obtain a strong hold on the production.

Lucy Hendrix (Lisa Banes) serves as script consultant, to help performers with their lines, but the script has undergone changes and becomes unrecognizable from its original source, and so Boyce Brown invites author J.B. Fletcher (Angela Lansbury) to Cinecitta Studio to assist with re-writes, a challenge which Jessica accepts, while additional problems develop on the set.

For one thing, a rash of burglaries drains the studio of assets, as a perpetrator has been thieving important items relevant to production. For another thing, a ramp necessary to elevate a stunt automobile has been severed. And for a third thing, someone alters the bearings on the speedometer of the stunt automobile, which leads to a dangerous situation resulting in murder.

Inspector Amati (Lorenzo Caccialanza), who has recently investigated a "MSW" case in Genoa (#11.14) as Inspector Piero Amato but somehow undergoes a surname variation, arrives under his new position at the Rome Police Department, to investigate the thefts, the sabotage and the murder, with Jessica at his side.

Because there has been a last-minute substitution as to who would be driving the stunt vehicle, Jessica and Piero must figure the identity of the intended victim, and to try to patch up a few broken hearts in the process, during this "Shooting in Rome."

This episode represents the second of two "MSW" appearances each for Lorenzo Caccialanza and Louis Giambalvo, the third of three each for Bruce Abbott and Mike Connors (including his second of two as Film Producer Boyce Brown), and the fifth of five "MSW" guest roles for Allan Miller.

Antony Ponzini, who has been acting on television and in film since 1965, and appears in one of his final roles here, has unfortunately since passed.
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7/10
Do as the Romans do
bkoganbing8 March 2018
This episode of Murder She Wrote has two reappearances of characters seen in previous stories. Mike Connors returns as a harried film producer trying to get one of Jessica Fletcher's stories turned into a feature film. And Lorenzo Caccialanza returns as an Italian police inspector who is also a big fan of JB Fletcher, writer and detective.

As Angela Lansbury plods away trying to put some life back into her own story, there is a murder committed and rather cleverly of a stuntman during the shooting of the film. It might very well have passed for a tragic accident on another set. The victim Sam Hennings was not the most lovable character himself.

I will say this you will hope the perpetrator gets a sympathetic jury when the individual comes to trial. As JB Fletcher chalks another one up for justice.
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7/10
Shooting in Rome
coltras3510 August 2022
When a stuntman dies in a routine car stunt during the filming of one of Jessica's novels, the writer suspects foul play. A good episode, however as normal it's mystery, the most interesting bit is film set, how the stunts are arranged, and the conflict between the producer and actress.
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7/10
They're making a movie out of one of Jessica's books...so you know the project will have serious problems AND murder!
planktonrules9 September 2023
Several times during the run of "Murder, She Wrote", various folks tried making movies out of J. B. Fletcher's novels. And, in each case, there are huge problems with the scrips, so Jessica is called in to fix the script...and around this same time someone is murdered! In this case, the only big difference is that the movie is being made in Italy (or at least they SAY the story is taking place in Italy...it's actually filmed in the USA like all the other episodes set abroad).

The story is good, not great, because it's so familiar. And, like you'd expect, the murderer betrays themselves when Jessica sets up a trap. Not terrible, not bad, not great...just pretty average for this series.
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8/10
Filmed in the Cinecittà of Angels
feindlicheubernahme31 October 2023
Warning: Spoilers
An episode set in Italy but shot in America about a movie set in America but shot in Italy - whoa, mama (mia!) I felt like I was watching Inception again.

"Shooting in Rome" is my favourite episode of season 12 so far. For once, the identity of the victim wasn't telegraphed from the very beginning. I did guess who the killer would be before the murder, but if you've seen enough episodes you do get to recognise the oft-used "MSW style" of having the murderer be the amiable person who seems to get along with everyone and who's present in a few too many scenes where they don't really have anything to do.

The "simple policeman from a mountain village" is a really likeable character, and it was good to see him back for his second appearance. And, luckily, by now the writers have learned not to lean so hard into the Italian stereotypes. There wasn't even any mention of opera, let alone the Mafia. Bravi, scrittori!

The murder method was one of the more ingenious in the show's history, as was Jessica's solving of it. The accusation that the father had deliberately sabotaged his own son's stunt car just to hurt his ex-wife was pretty silly though, especially after he'd already given a far more logical and believable reason for his actions.

The killer ended up winning our sympathy, as it turned out that the victim was a far worse human being than we'd had the chance to see. Lastly, I didn't even mind the feuding family subplot, which is a very rare thing for me to say. Maybe I'm becoming more forgiving as I approach the end of the series. That will be a sad day.

8 stars, dispersed throughout ever-deepening levels of reality.
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3/10
A murderous stunt
TheLittleSongbird26 December 2017
Have always been quite fond of 'Murder She Wrote'. It is a fun and relaxing watch that makes you think as you try to unwind in the evening. If one wants more complex, twisty mysteries with lots of tension and suspense 'Murder She Wrote' may not be for you, but if you want something light-hearted and entertaining but still provide good mysteries 'Murder She Wrote' fits the bill just fine.

After the excellent "Nan's Ghost", it is sad that one of 'Murder She Wrote's' weaker and most inconsistent seasons continues with one of its lesser episodes. An episode that is several steps down from "Nan's Ghost" and to me it's around the bottom when ranking the 'Murder She Wrote' episodes. Not an unwatchable episode by all means, but a long way from a good one.

There are a few good things. The production values are slick and stylish with great use of the setting, anybody who's never been to Rome will find themselves wanting to go. The music has energy and has presence but also not making the mistake of over-scoring, while it is hard to forget or resist the theme tune.

Can't fault Angela Lansbury, who can still deliver even when the material is beneath her like it is here. The other good performance is the charming one of Lorenzo Caccialanza.

Other than those two, the rest of the acting falls completely flat. Allen Cutler's performance is one of the particularly bad ones with a lack of screen presence. Some of the actors have done decent work elsewhere but "Shooting in Rome" brings the worst out of them.

"Shooting in Rome's" very stock characterisation works against the actors, as do a script that's both contrived and stale and lots of melodramatic soap opera that's not worth investing in (could care less for the whole reconciliation plotting, which came over as silly). We have to wade through all that before finding anything resembling much of a mystery, which is neither very clever or compelling.

Generally, the story and mystery for "Shooting in Rome" is rather dull and is disadvantaged too by its predictability, due to being filled with elements done so many times before and far better. Very little engages and very little surprises, while not blatantly obvious the final solution is one of the season's least surprising and worst acted.

Overall, very weak and one of Season 12's and 'Murder She Wrote's' worst. 3/10 Bethany Cox
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