"Murder, She Wrote" Crossed Up (TV Episode 1987) Poster

(TV Series)

(1987)

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9/10
"Sorry, Wrong Eavesdropper"
WeatherViolet15 September 2009
This episode marks one of the last appearances of Henry Brandon, who had acted in 170 film and television productions since 1932, and also one of the last acting roles for Gisele MacKenzie, famous vocalist of the 1950's.

Grady Fletcher (Michael Horton) returns to Cabot Cove to nurse his Aunt Jessica Fletcher (Angela Lansbury), who remains bedfast, after throwing out her back more than one week earlier. While Jessica appreciate her nephew's ministering to her needs, she expresses frustration with her limitations, as well as Grady's cooking from his recipe book of limited imagination. In other words, she is not a happy camper.

To compound matters, the weather service has announced that Hurricane Ida is heading toward coastal Maine, bringing intermittent high-speed winds and downpours interlaced with periods of calm. This explains the fierce weather as seen through the windows of local residences, while simultaneous outdoor scenes display a less hostile environment. These differences may, therefore, be perceived as non-goofs because we need to hear the outdoor conversations, and notice onlookers, while hair and makeup must behave in manageable fashion, as well.

Back in Jessica's room, she attempts to telephone the weather service, when the lines become crossed with a conversation between a raspy-voiced male and a scruffy-voiced one, they discussing plans for the murder of an elderly gentleman, which "must be taken care of tonight."

Jessica immediately dials Sheriff Amos Tupper (Tom Bosley), who cannot be reached, and so she checks with Operatore Letitia (uncredited Voice actress), who cooperates with efficiency to the best of the telephone company's capacity during a series of conversations between them.

Doctor Seth Hazlitt (William Windom) visits with Jessica to hand his reluctant patient a Medical Alert device, to summon him and/or emergency medical personnel in the event of catastrophe, while Grady returns to receive his Aunt's bidding to track down the Sheriff.

Abel Gorcey (Henry Brandon), a former employee of J.L. Rogers Lumberyard, who had been incarcerated for five years on theft charges, stops at Mona's Diner, but skips from the premises upon Mona's (Gisele MacKenzie) noticing Sheriff Tupper's arrival. In the process, he steers his van hastily, and in the process, nearly to run down Grady on bicycle, as he searches for Amos.

While Seth and Grady express confidence in Jessica's capacity, Amos chalks the matter to coincidence when they learn the next morning via TV Announcer's (Yolanda Nava) report that a murder has been committed on the Rogers' estate, to the north of Cabot Cove (within the jurisdiction of Sheriff Tupper).

As Amos and Deputy Wells (James McIntire) investigate the Rogers' estate, Jessica sends Grady to serve as her "eyes and ears" to search the premises for clues.

Grady, thereby, is reunited with Leslie Cameron (Stephanie Dunnam), whose mother, née Rogers, and father both perished when she was a child, thereafter reared by Grandfather Jedidiah Rogers, whose three sons continue to operate his Lumberyard empire.

An investigation by Amos and Jessica, vicariously through Grady, determines that Morgan Rogers (Sandy McPeak), Gordon Rogers (Tony Dow), Adam Rogers (James Carroll Jordan) and Gordon's wife, Dody Rogers (Colleen Camp) are named in Jedidiah's will, along with Leslie, who would solely inherit the estate if the new will were filed the next day, as recounted in Grandfather Rogers' missing diary.

And as communications continue to prove "Crossed Up," another body is discovered, to complicate the investigation.
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8/10
Classic Murder she wrote.
Sleepin_Dragon18 October 2017
Bed ridden with a bad back Jessica's phone line gets crossed, and she hears a plan for murder. Nobody believes Jessica assuming she's suffering from cabin fever, the next day local Her Rogers is killed, top of the list of suspects is Abel Gorcey, a man recently returned to the area.

This episode goes to show just how wonderful Jessica is,able to solve a murder in bed, in utter agony. It's a neat story, definitely follows a different in that she's kept away from the crime scene. The hurricane adds a nice twist, and makes the ending a little darker, the scenes of the killer entering Jessica's house are nicely produced, imaginative and atmospheric. As always it's a little light hearted, Grady's culinary skills are mocked to good effect.

It's a classic 8/10
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8/10
Bumbling Grady is on the case
coltras3522 May 2022
While recovering from an injury and under her nephew Grady's care, Jessica's phone lines are crossed and she accidentally hears the plot of a murder. She gets Grady, who in his 12 appearances is often suspected or sometimes arrested for the week's murder, to play detective, and bumbles his way through the interrogations.

This episode proves that Jessica's cleverness can't be stinted even when she's confined to a room. The drama of an approaching hurricane adds to the tension, as does a thriller-style scene of a break-in at J. B.'s home. An engaging one.
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8/10
Confining Jessica to a bed does not slow her down!
cgvsluis20 January 2022
In a Dial M For Murder-like moment a bed-ridden Jessica over-hears a murder plot over her phone. She gets her good friend, Dr. Seth Hazlitt, to get Sheriff Amos to come hear her story. Of course Amos, Seth and her nephew Grady, all think she is going crazy being bed-ridden and cooped up...except the murder actually happens. Jessica convinces Grady to be her eyes and ears.

Now that everyone is on board with Jessica, everyone is looking into the staticky phone call's details...including that there is a hired killer and the person responsible is a family member!

This was fun watching Jessica work from the confines of her bed...and avoid Grady's tuna fish dishes!
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8/10
Eavesdropping on murder
TheLittleSongbird6 August 2017
Have always been quite fond of 'Murder She Wrote'. It is a fun and relaxing watch that makes you think as you try to unwind in the evening. If one wants more complex, twisty mysteries with lots of tension and suspense 'Murder She Wrote' may not be for you, but if you want something light-hearted and entertaining but still provide good mysteries 'Murder She Wrote' fits the bill just fine.

"Crossed Up" has always been a "really like it" episode, and it is very nearly a "love it" episode. It would have gotten a rating if it weren't for that Grady still comes across to me as dull and annoying, Michael Horton has shown in other things (mainly in his voice over roles) that he can be capable so it must be the character himself that makes him such an energy-sucking dead-weight. One may argue that he is a little more helpful and comforting, but to me he's rather too smothering somehow seems to think that Jessica is something other than what she is.

Also had a very hard time believing that nobody would believe Jessica's story, no matter the odd circumstances. Especially the last three people that usually would not even think of doubting her.

On the other hand, the production values are slick and stylish and one can never tire of Cabot Cove. The music has energy and has presence but also not making the mistake of over-scoring, while it is hard to forget or resist the theme tune.

The script is thoughtful and suitably amiable and the mystery is a clever one with twists and turns that never feel obvious and keep you diverted from start to finish, once one gets past Grady and that stretch of credibility. Not many episodes sees Jessica in genuine danger and "Crossed Up" does that is a way that's tense and suspenseful, almost in the way reminiscent of film-noir. The denouement is very surprising.

Angela Lansbury is great as always and the supporting acting is near across the board good, with the sole exception of Horton.

All in all, very good episode but could have been great. 8/10 Bethany Cox
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8/10
Dial M for Murder
safenoe4 May 2021
Warning: Spoilers
Crossed Up was directed by British great David Hemmings. This is classic Murder, She Wrote, with a claustrophobic feel as Jessica is bed-bound, and encountering a murder plot in a crossed-line. The tension was pure for sure, and we're kept in the dark (so to speak) until the suspenseful end.
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7/10
Jess Overhears a Murder Plot, But Idiots Don't Help Her Stop It
jethrojohn2 June 2022
Fun little episode, obviously heavily influenced (or just ripped from), the radio play that became several films "Sorry, Wrong Number!".

Crossed wires lead Jess to overhear a murder plot, only every person in Cabbot Cove treats her like a doddery old biddy, and the murder takes place. As Jess is confined to bed, the hapless Grady has to investigate.

While this is a decent episode, it did lead me to hate Amos Tupper. He goes over the line, from lovably bumbling to incompetent moron.

Even after the murder happens as Jess said it would, he still thinks she's hallucinating the plot. As such, he acts like a useless, sexist twit throughout the episode, making me wonder how this nincompoop was even elected in the first place.

He's such a condescending and annoying presence here, even shouting at Jess at one point because he knows better and won't listen to her.

It's actually infuriating, because the number of people that are not believed in real life when reporting crimes cause utter airheads like Amos are actual law officers is astounding.

No wonder they got rid of this fool eventually.
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3/10
Homage or theft...you decide.
planktonrules6 November 2022
My wife and I have been watching "Murder, She Wrote" recently and I must admit that I am generally more critical of episodes with plot holes and cliches. This is why although I really, really disliked "Crossed Up", my wife was more forgiving.

So why didn't I like the episode? Well, it's a copy of the old Barbara Stanwyck film, "Sorry, Wrong Number"....but in order to 'liberally borrow' (i.e., steal) the plot, they needed to have the characters of Cabot Cove act bizarrely and VERY inconsistently.

Jessica is stuck in bed with a sore back. During this time, she intercepts a phone call and hears about an assassination plot. Now here the show loses me...Sheriff Tupper and Jessica's dopey nephew insist that Jessica is mistaken or exaggerating or, is just an idiot. Well...think about it. As for season 3, she'd already solved about 60 murders...and then no one believes her!? Does this many ANY sense? The answer is no and the episode really suffers from bad writing.

Having folks doubt Barbara Stanwyck in "Sorry, Wrong Number" made sense...but here it just boggles the mind and is frustrating.
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