Definitely off the beaten track of the usual mobsters, drug smugglers, money launderers, murderers and even international intrigue, this one plays like "The Beverly Hillbillies Meet the Manson Family." Deserved kudos go to Barbara Baxley, Slim Pickins, Bo Hopkins and Robyn Millan, who are both hilarious and horrifying as the vile white trash Ferguson family, cheerfully financing their Hawaiian vacation with a murder spree for "nickles and dimes." However, it's teenage daughter Monica who is the unnoticed central character - the family's eventual capture hinges on her theft of a shiny phone book cover from a hotel room. The actress plays her as a quiet, slightly "out-of-it" introvert, and there's a sweet, childlike sadness about her; it's obvious from the beginning that she's mentally challenged, as when she stands on the bed to admire a pretty wall mural and later plays with the water pitcher and cups as if they were a tea set. Whether or not she really grasps what's going on is ambiguous in the script, but the general impression is that she doesn't. For example, when her family is arrested at the airport near the end, she stands in the background, holding up the phone book cover and staring at it, lost in fascination.
One of the most poignant moments is when she shows her family the tally sheet of the actual number of customers in a business the family plans to rob. Receiving praise for a job well done, watch as she slowly draws the paper toward her at the end of the scene, looking down at it with a tiny, delighted smile that she was able to help her daddy out.
When I first saw this episode as a child, at the very end, when McGarrett and company can only stare at the murderous clan in horrified bewilderment after the "they wasn't kin" revelation, I couldn't help wondering what was going to happen to Monica.
One of the most poignant moments is when she shows her family the tally sheet of the actual number of customers in a business the family plans to rob. Receiving praise for a job well done, watch as she slowly draws the paper toward her at the end of the scene, looking down at it with a tiny, delighted smile that she was able to help her daddy out.
When I first saw this episode as a child, at the very end, when McGarrett and company can only stare at the murderous clan in horrified bewilderment after the "they wasn't kin" revelation, I couldn't help wondering what was going to happen to Monica.