"The Ford Television Theatre" Footnote on a Doll (TV Episode 1957) Poster

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8/10
Classy lady
bkoganbing19 September 2020
Other than Dolley Madison and her wastrel son Payne Todd the names in this teleplay are fictional. But the portrait of the genteel poverty that Dolley Madison went through because of Payne is quite real.

It's 1837 and Dolley in her widowhood has moved back to Washington, DC where she hopes to sell the papers of her husband to the Library of Congress. She needs the money because of the debts run up by her son. Payne Todd was her son by a first marriage and his extravagances kept the Madisons almost eternally in debt.

Bette Davis who was 49 and about two decades younger than Dolley Madison was at this point in time. Davis is absolutely brilliant in the part and she's matched by John Hudson as Payne

Another key component in this drama is Natalie Schaefer a fish wife of a DC society leader with a tongue like an adder. She seeks to ruin Dolley, but Dolley rises above it.

This is a fine historical drama, don't miss it on Yotube where you can find it. Bette Davis gives a classy performance of a classy lady.
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7/10
Some bits of truth in this fictional story.
planktonrules18 February 2024
"Footnote on a Doll" is a fictional story where many of the story's elements are true. In other words, some of the characters are based on real people and real events.

When Beatrice Trent (Natalie Schaffer) learns that Dolley Madison (Bette Davis) is moving back to Washington, DC, she is upset. For some time, Beatrice has hated Dolley and she wants to find some way to hurt her. When she learns that this ex-First Lady has an alcoholic son from a previous marriage, she decides to invite him to one of her society parties in order to embarrass Dolley. What's next?

While I had a difficult time imagining Dolley Madison being played by Bette Davis, this is still an interesting installment of "The Ford Television Theatre"...and it's certainly worth watching. If you need to find it, check YouTube where it currently is posted.
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