| Photos (see all 128 | slideshow) | Videos (see all 20) |
Quentin Tarantino (character The Bride) &
Uma Thurman (character The Bride) ...
(more)
16 April 2004 (USA) more
Revenge is a dish best served cold. more
The murderous Bride continues her vengeance quest against her ex-boss, Bill, and his two remaining associates; his younger brother Budd, and Bill's latest flame Elle. full summary | full synopsis
Nominated for 2 Golden Globes. Another 9 wins & 38 nominations more
Uma Thurman Confirms Talks with Tarantino about Kill Bill 3
(From ReelzChannel. 16 October 2009, 3:48 AM, PDT)
Tarantino Prepares To Kill Bill Again
(From WENN. 4 October 2009, 7:21 AM, PDT)
One of the best sequel of all time. more (867 total)
Directed by | |||
| Quentin Tarantino | |||
Writing credits | ||
| Quentin Tarantino | (character The Bride) (as Q) & | |
| Uma Thurman | (character The Bride) (as U) | |
| Quentin Tarantino | (written by) | |
Produced by | |||
| Lawrence Bender | .... | producer | |
| Koko Maeda | .... | associate producer | |
| Dede Nickerson | .... | associate producer | |
| Kwame Parker | .... | assistant producer | |
| Erica Steinberg | .... | executive producer | |
| E. Bennett Walsh | .... | executive producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
Original Music by | |||
| Robert Rodriguez | |||
Cinematography by | |||
| Robert Richardson | (director of photography) | ||
Film Editing by | |||
| Sally Menke | |||
Casting by | |||
| Koko Maeda | |||
| Johanna Ray | |||
Production Design by | |||
| David Wasco | |||
Art Direction by | |||
| Daniel Bradford | |||
Set Decoration by | |||
| Sandy Reynolds-Wasco | |||
Costume Design by | |||
| Kumiko Ogawa | |||
| Catherine Marie Thomas | |||
Makeup Department | |||
| Howard Berger | .... | special makeup supervisor | |
| Camille Calvet | .... | on set special makeup tech | |
| Gino Crognale | .... | on set special makeup tech | |
| Stephanie A. Fowler | .... | assistant makeup artist | |
| Jake Garber | .... | special makeup effects artist | |
| Ilona Herman | .... | hair stylist: Ms. Thurman | |
| Ilona Herman | .... | makeup artist: Ms. Thurman | |
| Tysuela Hill-Scott | .... | hair stylist: Ms. Fox, Los Angeles (as Tysuela) | |
| Tysuela Hill-Scott | .... | makeup artist: Ms. Fox, Los Angeles (as Tysuela) | |
| Louis Kiss | .... | special makeup effects artist | |
| Miia Kovero | .... | hair stylist: Los Angeles | |
| Emanuel Millar | .... | key hair stylist | |
| Christopher Allen Nelson | .... | special makeup effects artist (as Chris Nelson) | |
| Gregory Nicotero | .... | special makeup supervisor (as Greg Nicotero) | |
| Peter Owen | .... | wigs: Los Angeles | |
| Kyra Panchenko | .... | hair designer: Uma Thurman | |
| Kyra Panchenko | .... | makeup artist: Uma Thurman | |
| Heba Thorisdottir | .... | makeup department head | |
| Victoria Wood | .... | wig maker | |
| Debbie Zoller | .... | makeup artist: Los Angeles | |
Second Unit Director or Assistant Director | |||
| William Paul Clark | .... | assistant director | |
| Marco Polo Constandse | .... | second assistant director: Mexico | |
| Heather I. Denton | .... | second second assistant director | |
| Stephen Dudycha | .... | additional assistant director | |
| Dawn Massaro | .... | second assistant director | |
Sound Department | |||
| Bob Beher | .... | sound editor | |
| John Bires | .... | sound engineer | |
| Adam Blantz | .... | additional sound mixer | |
| Adam Blantz | .... | second boom operator | |
| Adam Blantz | .... | utility sound | |
| Eddie Bydalek | .... | sound mix technician | |
| Kerry Ann Carmean | .... | co-sound designer | |
| Harry Cohen | .... | co-supervising sound editor | |
| Dino Dimuro | .... | sound designer | |
| Ian Elias | .... | sound | |
| Paul Flinchbaugh | .... | digital assistant | |
| Scott Martin Gershin | .... | co-supervising sound editor | |
| Nerses Gezalyan | .... | foley mixer | |
| Hector C. Gika | .... | sound effects editor (as Hector Gika) | |
| Kevin Globerman | .... | ProTools operator | |
| Tom Hartig | .... | boom operator | |
| Michael Hertlein | .... | dialogue editor | |
| Daniel R. Kerr | .... | sound | |
| David Kudell | .... | digital assistant | |
| Tom Lalley | .... | sound re-recording engineer | |
| Michael Minkler | .... | sound re-recording mixer | |
| James Moriana | .... | foley artist (as Jimmy Moriana) | |
| Myron Nettinga | .... | sound re-recording mixer | |
| Todd Niesen | .... | dialogue denoising | |
| Tom Ozanich | .... | sound effects editor | |
| Branden Spencer | .... | supervising assistant sound editor | |
| Frederick H. Stahly | .... | dialogue editor | |
| Wylie Stateman | .... | supervising sound editor | |
| Greg Steele | .... | adr mixer | |
| Jon Title | .... | sound effects editor | |
| Mark Ulano | .... | production sound mixer | |
| Hugh Waddell | .... | adr supervisor | |
| Hugh Waddell | .... | dialogue supervisor | |
| Jeffrey Wilhoit | .... | foley artist | |
| David Young | .... | additional sound | |
| Craig Mann | .... | digital sound mix technician (uncredited) | |
Special Effects by | |||
| Siu Wah Chan | .... | wire technician: Fight Team | |
| Jason Gustafson | .... | special effects supervisor | |
| John C. Hartigan | .... | special effects coordinator | |
| Anthony Ray Herrera | .... | special effects foreman | |
| Chen Hu | .... | wire technician: Fight Team | |
| Jack Jennings | .... | special effects technician | |
| Shu Jian | .... | wire technician: Fight Team | |
| Chi-Tei Lam | .... | wire technician: Fight Team | |
| Chi Wah Ling | .... | wire technician: Fight Team | |
| Fung Wai Lun | .... | wire technician: Fight Team | |
| Matt McDonnell | .... | special effects foreman | |
| Corey Pritchett | .... | special effects coordinator | |
| Ben Rittenhouse | .... | foam department supervisor: KNB Effects Group Inc. | |
| Ron Rosegard | .... | special effects foreman | |
| Keith O. Wilson | .... | special effects assistant | |
| He Yaxi | .... | wire technician: Fight Team | |
Visual Effects by | |||
| Robert Albano | .... | data technician | |
| Kevin Braun | .... | digital optical supervisor | |
| Frankie Chung | .... | visual effects supervisor | |
| Max Gabl | .... | scenic artist | |
| Christopher Haydostian | .... | digital compositor | |
| Steve Hodge | .... | imaging technician | |
| Brian Kun | .... | data technician | |
| Christopher Kutcka | .... | imaging supervisor (as Chris Kutcka) | |
| Jennifer Lee | .... | editorial conform TDI | |
| LaNelle Mason | .... | digital restoration | |
| Craig Mathieson | .... | digital compositor | |
| Jaime Norman | .... | visual effects production manager | |
| Ariel Oclarino | .... | senior systems administrator | |
| Nabil Schiantarelli | .... | compositor | |
| Kevin Schwab | .... | imaging technician | |
| Matt Seckman | .... | digital compositor | |
| Brad Sutton | .... | digital paint artist | |
| Brad Sutton | .... | digital restoration | |
| Wilson Tang | .... | digital restoration | |
| Mike Tosti | .... | production technology | |
| Sean Wilson | .... | digital compositor | |
Stunts | |||
| Keith Adams | .... | stunt coordinator | |
| Satya Bellord | .... | utility stunts | |
| Zoe Bell | .... | stunt double: The Bride | |
| Richard Burden | .... | stunt rigger | |
| Shauna Duggins | .... | utility stunts | |
| Jeannie Epper | .... | utility stunts | |
| Ken Lesco | .... | utility stunts (as Kenny Lesco) | |
| Michiko Nishiwaki | .... | stunt double: O-Ren | |
| Chris O'Hara | .... | stunt double: Bill | |
| Pat Romano | .... | stunt rigger | |
| Monica Staggs | .... | stunt double: Elle | |
| Gary Ray Stearns | .... | stunts | |
| Matthew Taylor | .... | stunt rigger | |
| Steve Upton | .... | stunt rigger | |
| Troy Wood | .... | utility stunts | |
| Woo-ping Yuen | .... | fight coordinator | |
| Woo-ping Yuen | .... | stunt coordinator | |
| Cheryl Bermeo | .... | stunt driver (uncredited) | |
| Jared S. Eddo | .... | stunt rigger (uncredited) | |
| James Logan | .... | stunt rigger (uncredited) | |
Casting Department | |||
| Gerardo Rene Arellano | .... | extras casting assistant: Mexico | |
| Ernesto Cairo | .... | extras casting coordinator: Mexico (as Ernesto Martínez Cairo) | |
| Rich King | .... | extras casting | |
| Jessica Vogl | .... | casting associate: Los Angeles | |
Costume and Wardrobe Department | |||
| Jim Hansen | .... | costumer | |
| Cappi Ireland | .... | costumer: Ms. Thurman, Beijing | |
| Amy Lin | .... | wardrobe assistant | |
| Helen Monaghan | .... | international costume supervisor | |
| Daniel G. North | .... | costume supervisor (as Daniel Grant North) | |
| Juana Jimarez Pelaez | .... | wardrobe assistant: Mexico | |
| Hans Georg Struhar | .... | costumer: Ms. Thurman, Los Angeles (as Hans G. Struhar) | |
| Stella Tang | .... | wardrobe assistant | |
| Kanani Wolf | .... | set costumer | |
| Grace Yim | .... | wardrobe assistant | |
| Michele Flynn | .... | ager/dyer (uncredited) | |
Editorial Department | |||
| Ron Barr | .... | digital intermediate editor | |
| Jasmine Yuen Carrucan | .... | editorial production assistant | |
| Joe D'Augustine | .... | additional editor | |
| Aaron Denenberg | .... | negative cutter | |
| Peggy Eghbalian | .... | assistant editor | |
| Katie Flint | .... | editorial assistant | |
| Ted Gidlow | .... | post-production coordinator | |
| Rachel Goldberg | .... | editorial production assistant | |
| Phyllis Housen | .... | assistant editor | |
| Stephanie Ito | .... | digital intermediate producer | |
| Stephanie Johnson | .... | assistant editor | |
| Stephen Nakamura | .... | senior digital film colorist | |
| Fred Raskin | .... | second assistant editor | |
| Victor Rivera | .... | assistant negative cutter | |
| Joan Sobel | .... | first assistant editor | |
| Dee Storm | .... | conforming editor | |
| Heidi Vogel | .... | post-production consultant | |
| Lee Wimer | .... | film color timer | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Pete Anthony | .... | orchestrator | |
| Mark Graham | .... | music librarian | |
| Jo Ann Kane | .... | music copyist | |
| David Low | .... | orchestra contractor | |
| Alan Meyerson | .... | music scoring mixer | |
| Wendi Morris | .... | music coordinator | |
| George Oldziey | .... | orchestrator | |
| Mary Ramos | .... | music supervisor | |
| Jay B. Richardson | .... | music editor | |
| John Rodd | .... | music recordist | |
| RZA | .... | composer: additional music (as The RZA) | |
| Steven L. Smith | .... | music preparation | |
| Quentin Tarantino | .... | executive soundtrack producer | |
| Carl Thiel | .... | music producer | |
Transportation Department | |||
| Robert aaron Brown | .... | driver: grip truck | |
| Bruce Callahan | .... | driver: Uma Thurman | |
| Bruce Callahan | .... | transportation co-captain | |
| Michael Dawes | .... | driver | |
| John Embry | .... | driver | |
| Don Feeney | .... | picture car coordinator | |
| J. Armin Garza II | .... | driver: camera car | |
| Chris Haynes | .... | driver | |
| Jessica James | .... | driver: cast | |
| David Joseph | .... | driver: production van | |
| Neil Marshall | .... | driver: honeywagon | |
| Brian Joseph Moore | .... | transportation captain | |
| Brian Moore | .... | transportation captain: Los Angeles/Mexico | |
| Carlos Ponce de León | .... | transportation captain | |
| Marty Radcliff | .... | driver | |
| Derek Raser | .... | transportation coordinator | |
| John Sagray | .... | driver | |
| Arturo Saldivar | .... | production driver | |
Other crew | |||
| Paul Abraham | .... | craft service: Los Angeles | |
| Howard Berger | .... | puppeteer | |
| Andrew Blau | .... | travel coordinator | |
| Geraldine Brezca | .... | set production assistant: Mexico | |
| Emmanuel Cabare | .... | production liaison | |
| Aaron Campbell | .... | production counsel | |
| Karina Carrero-Annesley | .... | office production assistant | |
| Jerry Carville | .... | assistant accountant | |
| Sean Carville | .... | second assistant accountant | |
| Will Casey | .... | unit publicist | |
| Sonny Chiba | .... | fight choreographer: Kenjutsu | |
| S.R. Conger | .... | assistant accountant | |
| Douglas Dresser | .... | location manager | |
| Zoran Drogriski | .... | office production assistant | |
| Stephen Dudycha | .... | set production assistant | |
| Jerimy Eaton | .... | animal trainer | |
| Wayne Fielder | .... | set medic: second unit | |
| Vincent Joseph Flaherty | .... | armorer | |
| Fish Fong | .... | team manager: Woo-Ping crew | |
| Todd Fullerton | .... | 24 frame video/computer engineer | |
| Rachael Lin Gallaghan | .... | assistant production coordinator | |
| Cynthia Graves | .... | production coordinator: Mexico | |
| David Greenbaum | .... | executive assistant: Harvey Weinstein | |
| Nancy Haecker | .... | key assistant location manager | |
| Bill Hansard | .... | rear screen projection | |
| Jose 'Pepe' Homs | .... | assistant coordinator: Mexico | |
| Mark Jackson | .... | animal trainer | |
| Jessica James | .... | production assistant | |
| Jay Johnson | .... | title: designer | |
| Beverly Jusi | .... | first assistant accountant | |
| Damiana Kamishin | .... | travel coordinator | |
| Jay Kennedy | .... | assistant to producer: Mexico | |
| S. Dylan Kirkland | .... | production assistant | |
| Martin Kitrosser | .... | script supervisor | |
| Huan-Chiu Ku | .... | martial arts coordinator (as Ku Huen Chiu) | |
| Patricia LaMagna | .... | assistant: Ms. Thurman (as Patty LaMagna) | |
| Jeff Lane | .... | set production assistant | |
| Ginny Lasater | .... | office production assistant: Mexico | |
| Sherrie Liu | .... | script supervisor | |
| Julie Manase | .... | actresses trainer: Kenjutsu | |
| Lance Mancuso | .... | on-set medic | |
| Douglas S. McClintock II | .... | assistant location manager | |
| Julie McLean | .... | assistant: Mr. Tarantino | |
| Blair Mealing | .... | office production assistant | |
| Norberto Nava | .... | security coordinator | |
| Christopher Allen Nelson | .... | puppeteer | |
| Kyle Oliver | .... | assistant location manager (as Kyle 'Snappy' Oliver) | |
| Liuba Esperon Otero | .... | location assistant: Mexico | |
| Edward Poveda | .... | payroll accountant | |
| Gabriela Preciado | .... | office production assistant: Mexico | |
| Eric Ian Robinson | .... | assistant: Harvey Weinstein | |
| Arturo Saldivar | .... | office production assistant | |
| Elizabeth Santoro | .... | set production assistant | |
| Pilar Savone | .... | assistant: Mr. Tarantino | |
| Adam Schindler | .... | unspecified assistant | |
| Roger Schumacher | .... | animal trainer | |
| Alan Schwartz | .... | assistant craft service: Los Angeles | |
| Ben Shum | .... | set production assistant | |
| Sue Smith | .... | production secretary | |
| Kristina Soderquist | .... | production controller | |
| Todd Spangler | .... | assistant: Mr. Madsen | |
| Jennifer Stephens | .... | production coordinator | |
| Benjamin Suarez | .... | location manager: Mexico | |
| Jeff Swafford | .... | assistant: Mr. Bender | |
| Marta Tomkiw | .... | assistant location manager | |
| Christopher Tricarico | .... | legal | |
| Buzz Visconti | .... | first aid | |
| Ann Wiggins | .... | post-production accountant | |
| Asajiro Yamamoto | .... | assistant accountant: Mexico | |
| Woo-ping Yuen | .... | fight choreographer: Kung Fu (as Yuen Wo-Ping) | |
Thanks | |||
| Peter Bogdanovich | .... | special thanks | |
| Charles Bronson | .... | dedicatee | |
| Cheh Chang | .... | dedicatee | |
| Sofia Coppola | .... | special thanks | |
| Sergio Corbucci | .... | dedicatee | |
| Sarah L. Driver | .... | special thanks | |
| Kenta Fukasaku | .... | special thanks | |
| Lucio Fulci | .... | dedicatee | |
| Mauricia Grant | .... | special thanks | |
| Katsuhito Ishii | .... | special thanks (as Katsu Hito Ishii) | |
| Sogo Ishii | .... | special thanks | |
| Georges Lautner | .... | special thanks | |
| Sergio Leone | .... | dedicatee | |
| Richard Linklater | .... | special thanks (as Rick Linklater) | |
| Lieh Lo | .... | dedicatee | |
| Jerry Martinez | .... | special thanks | |
| Malcolm McLaren | .... | special thanks | |
| Sun Kwak Moon | .... | special thanks | |
| Guy Oseary | .... | special thanks | |
| Burt Reynolds | .... | special thanks | |
| Robert Rodriguez | .... | special thanks (as Robert Rodriguez 'My Brother') | |
| Eli Roth | .... | special thanks | |
| Rick Rubin | .... | special thanks | |
| Kurt Russell | .... | special thanks | |
| Ada Shen | .... | special thanks | |
| Stacey Sher | .... | special thanks (as Stacy Sher) | |
| Lee Van Cleef | .... | dedicatee | |
| William Witney | .... | dedicatee | |
Kill Bill (USA) (closing credits title)
Kill Bill Part 2 (USA) (informal title)
Vol. 2 (USA)
more
Rated R for violence, language and brief drug use.
136 min
1.33 : 1 more
DTS | Dolby Digital | SDDS
Canada:18A (Alberta/Manitoba/Ontario) | Taiwan:R-12 | Malaysia:18SG (re-rating) | Iceland:16 | Hungary:18 | USA:R (certificate #40699) | USA:NC-17 (Special Edition DVD) | Argentina:13 | Australia:MA | Brazil:16 | Canada:13+ (Québec) | Canada:14A (British Columbia) | Canada:18 (Nova Scotia) | Chile:14 | Denmark:15 | Finland:K-15 | France:-12 | Germany:16 | Hong Kong:IIB | Ireland:18 | Israel:16 | Italy:T | Japan:PG-12 | Netherlands:16 | New Zealand:R16 | Norway:15 | Peru:14 | Philippines:R-13 | Poland:15 | Portugal:M/16 | Singapore:M18 (re-rating) | South Africa:16 | South Korea:18 | Spain:18 | Sweden:15 | Switzerland:16 (canton of Zurich) | UK:18
Daryl Hannah (Elle Driver) owns the car - a 1980 Pontiac Trans-Am - her character drives in the film. However, she owns the one that was used for promotional shots because Michael Madsen (Budd) got the working Trans-Am before she got to it. more
Continuity: Although we believe the many continuity errors to be either deliberate or, at least, left in as a matter of stylistic choice, you might be interested to know about some of them: - When the Bride is trying to escape from the grave, she damages her right hand, which bleeds. When she goes into the coffee shop, her hand is fine. - Bill wipes away some of the blood that's on his face - in the next shot it is gone completely. - Budd's boss scribbles a continuous line through the roster, but in the next shot the scribble is disjointed. - In final scene between the Bride and Bill, the Bride has shoulder length hair. The next morning, her hair is much longer. - During the final conversation between Bill and Bea the label on Bill's bottle keeps rotating between shots. - When Bill hands BB her sandwich, the cutting board is clear of the cut crusts. In the next shot, he cleans the cutting board clear of the crusts to continue making another sandwich. - When Budd kicks the Bride's sword away outside his trailer, it sticks into the side of the garbage can. When it cuts back the sword is on the ground. Cut again, the sword is back in the can. Then you hear Budd pick it up off the ground as he's talking to Elle. - When The Bride enters Bud's trailer her jacket is zipped up. After he shoots her and she's lying on the ground, it's open. - Before the Bride is put into the coffin, her legs are tied with a long piece of skin. In the coffin, they are tied with a belt. - When fighting in Budd's trailer, The Bride sticks Elle's head in his toilet. Later in the fight, you can see the toilet with lid closed and porn mags stacked on it which is quickly followed by a shot with the lid up again when Elle is thrashing around blind. - In final conversation between Bill and Bea at the patio table, the cork bottle top continually changes position between shots. - When Bea is getting ready to sit down on Bill's circular couch in his living room, the wide shot reveals her about to sit down with a red pillow behind her. In the following medium shot, the pillow has moved to her left. - Bill cuts three crusts off BB's sandwich. In the next shot all four crusts are cut off. - When Bea is underground punching a hole in the coffin, there are no knots visible to us on the first punch she gives, though after the first punch, 2 knots are appear. - When Mei Pei shoves the bowl with rice at the Bride, it stops at the edge of the table. In the next shot it is much closer to the middle of the table. - The Band-Aid Elle Driver is wearing on the middle finger of her right hand disappears and then reappears several times during the scene in Budd's trailer home. - When Elle is fighting the Bride, in the beginning, the Bride cuts Elle's face with a TV antenna. But later in the fight, when they both have samurai swords, the cuts not there. - When Bill poses as Arlene's father, he has his hand on the Bride's left shoulder. His hand subsequently disappears and reappears between shots. - In the final chapter where the Bride goes to Mexico for her final showdown with Bill, we see her driving in a convertible with a new, much shorter and blonder haircut. All of the subsequent events show her with the shorter blonder 'do, but then in the final scene (the next morning) where she is with BB in the hotel room, her hair is long and dirty blonde again. - When Budd is talking to Elle in his trailer he rests his right foot on the suitcase of money. In the next shot it's his left foot then back to the right foot again. more
[first lines]
Bill:
Do you find me sadistic? You know, Kiddo, I'd like to believe that you're aware enough even now to know that there's nothing sadistic in my actions. At this moment, this is me at my most masochistic.
The Bride:
Bill, it's your baby.
more
Featured in "The Charlie Rose Show: Quentin Tarantino 2003" (2003) more
Invincible Pole Fighter more
|
|
|
|
|
| Kill Bill: Vol. 1 | Chik yeung tin si | Dip huet seung hung | Ying xiong | Coffy |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Action section |
| IMDb USA section | Add this title to MyMovies |
Kill Bill Volume 2 has to be in the sentence with Aliens, Terminator 2, Evil Dead, and The Godfather Part II. this has to be one of the greatest sequels of all time. Quentin Tarantino hits it out of the park with his great storytelling, especially his dialogue.
The movie begins with a flashback of the wedding rehearsal. This is the first time we see Bill, who was wonderfully played by Bill Carradine. In volume 1 we only saw actually never saw his face.
This just as Pulp Fiction is a movie full of homages, from spaghetti westerns to giallo films. I see this movie more as an spaghetti western more than anything else. First, the music which was full of Ennio Morricone, it felt like the Dollars Trilogy all over again.
Just like any Quentin Tarantino film this movie has great acting, great dialogue, and great storytelling. My favorite piece of dialogue was the "Superman" speech by Bill.
I rate this film 4/4.