Gerard Damiano switched to videotaping rather early (porn was still being shot on film at this time) with this followup to his 'Satisfiers" science fiction film and the result is awful.
It's a wall-to-wall sexer, with some meaningless narration intoned at the beginning that describes a 21st Century future where women rule and men are mere sex objects. It has nothing to do with the earlier film.
Using what looks like a small desk calculator of the time, women cause studs in leotards to materialize (cheapo SPFX) and service them sexually. That is the entire content of the video, and the sex scenes are strictly mechanical with an overemphasis on closeups.
Lost in the shuffle are talented players like Sharon Kane and George Payne, while some amateurs including "Sleazoid Express" publisher Bill Landis are thrown into the sex scenes as well. It ends with Damiano himself, smiling for the camera, materializing when his screen credit comes on.
Taija Rae gets an "introducing" credit, and is quite lovely, but that's about all I can say in a positive way about this stinker.
It's a wall-to-wall sexer, with some meaningless narration intoned at the beginning that describes a 21st Century future where women rule and men are mere sex objects. It has nothing to do with the earlier film.
Using what looks like a small desk calculator of the time, women cause studs in leotards to materialize (cheapo SPFX) and service them sexually. That is the entire content of the video, and the sex scenes are strictly mechanical with an overemphasis on closeups.
Lost in the shuffle are talented players like Sharon Kane and George Payne, while some amateurs including "Sleazoid Express" publisher Bill Landis are thrown into the sex scenes as well. It ends with Damiano himself, smiling for the camera, materializing when his screen credit comes on.
Taija Rae gets an "introducing" credit, and is quite lovely, but that's about all I can say in a positive way about this stinker.