'Allo 'Allo! (TV Series 1982–1992) Poster

(1982–1992)

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9/10
Flick the Gestapo.....
Sleepin_Dragon28 April 2017
I got an urge recently to re watch Allo Allo, I'd forgotten just how wonderful a sitcom it was. Probably the main comedy I remember growing up as a kid, I used to watch with my Dad. The quality of the first three series is enormous, they are slick, hilarious, original and addictive. From Series four onwards as you may expect it does lose a little of its zip and the gags get recycled, but who cares you'll still belly laugh.

Too many favourite characters, and relationships to highlight, but I'll summarise what I feel are the best. The relationship between Renee and Gruber was possible the funniest in the show, the dialogue and misunderstandings right from the very beginning would be the high point of the show. The relationship between Colonel von Strom and Hans was also a joy, their timing was a joy, the show suffered from the departure of Sam Kelly. Both were physically funny too, I always laughed at the 'stuff it down the trousers' gag. Finally in terms of relationship I adored the one between Helga and Heir Flick, his lack of emotion, and her always ending up in her lingerie were hilarious, never stopped being funny.

As for characters, I think my favourites were LeClerc and Mama, the oldies always delivered the laughs, you never knew who was going to end up in her bed, and you never knew what he was going to try and sell. The flashing knobs still make me howl with laughter. Officer Crabtree was an awesome addition, and some of the stuff he got away with, many a time he had me in tears laughing

The Gateau from the Château is hand on heart the funniest episode, with brilliance from Kay and Kelly, while the last ever episode remains very poignant.

It's an absolute joy to watch 9/10
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9/10
Now Read Very Carefully, I shall say it only once.
Sylviastel8 December 2001
Allo Allo may not be offensive as it sounds. I even watched this show in Poland. A sitcom about WWII, Germans, French, British, in a small French town at a small cafe, Renee's. He owns it with his idiot wife, Edith, who helps her ailing, bedridden mother, and hides 2 British airman in her wardrobe/closet. Renee has enough on his plate with his constant infidelity relationships to his servant girls. He always comes up with an excuse to have them in his arms at one time or another. The French resistance and the French communist resistance only complicates Renee's already complicated life. Despite the fact, that the leader of the communist resistance is also in love with Renee too. Michele of the French resistance always says "Now listen very carefully, I shall say this only once." There's plenty of laughs to watch and enjoy on this show. Don't miss it.
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8/10
Hilarious British comedy
TBJCSKCNRRQTreviews4 October 2006
I'm not certain I've watched every episode of this show, but it sure is not for a lack of trying. The Brits have a tendency of(and a talent for) turning unpleasant historical events into the subject of satirical shows. The BlackAdder series covered many of Britain's greatest blunders through the last thousand years or so. This deals with WWII, using the setting of a small, occupied town in France, and spoofing basically any kind of person you might meet there... all the people and all the nationalities are covered. You'll meet Frenchmen, Brits, Germans, Russians, yes, even an Italian or two(actually... make that one). The humor is a good mix between the typically crude and silly humor of Benny Hill(complete with ending some episodes with people chasing each other in a farcical manner), and the more witty, verbal humor of shows such as the aforementioned BlackAdder series. There's even a tad of black comedy, mostly delivered by the undertaker, Monsieur Alfonse. It steers almost entirely clear of gross-out comedy, something that turned up in last-mentioned show(even if it didn't become terribly apparent before the last two seasons). The characters are well-written(if somewhat thin) and humorous. Though most of them are clichés, they are surprisingly easy to tell apart... their particular gag, their "schtick" is uniquely theirs. And though they are repeated throughout the series, the jokes hold up exceptionally well. You find yourself quoting characters years after you saw the episode where the line appeared, and some scenes stick in your mind for ages. The reason the stereotypical jokes work is that they hit the mark... every single one of them. You have the somewhat whiny German officers who didn't really *want* to be officers, but, as one remarks, "It's Hitler... he's a very demanding man." You have the small-time café owner who just wants to stay in business, but still lights up some at the thought of fighting for his countrymen, of being considered "the bravest man in all of France." We have Arthur Bostrom as the British undercover agent who couldn't speak French to save his life(parodying the difficulty of learning that language) is always fun, even if his lines and jokes are mostly derived from his mispronunciation, and therefore can hardly be claimed to be anything but silly(though there are moments of clever puns). Richard Gibson, as the eternally stiff, never-affected-emotionally Gestapo officer(who just happens to contain parts of various famous German officers, and even Hitler himself) is my personal favorite, in the role that always begets laughter. And Guy Siner must be mentioned... never has one character begotten so many jokes about sexuality. German discipline, French passion, Italian flashiness and British cheeriness are all expertly spoofed. The verbal comedy is masterful. Anyone not from Britain(and even there, it's not just anyone) needs an excellent grip on the British language. On that note... with how many different approaches there are to handling different languages(ignoring it, having the actors do accents, subbing and dubbing), I think this takes the cake, at least for me. No word of anything but English is spoken here. To distinguish, they simply have the (British) actors put on an accent according to which language they're supposed to be speaking(no H at the beginning of any word for the French, Z's instead of S's for the Germans, and A at the end of various words for the Italian, etc.). This is established in the very pilot, where both the Brits and the Frenchmen determine that they don't understand a word of what the other group is speaking. The British is all exaggerated British, as well... imitating the way the Brits sound to anyone who don't hear them too often. They're making an effort to help the viewer tell the nationalities apart, whilst flaunting the fact that they all speak the same language. Marvelous. The plot lines are intricate(but never overly complicated), and always filled with mix-ups and sitcom-like mishaps. The great thing is that in every episode(at least to my knowledge), you are treated to a minute or two of a character(typically René, the lead) explaining the current situation, complete with mix-ups. You can join the show at any point(though it's always the best to watch them in the right order, and as many as you can get near). The rich scenery of many episodes is quite a high-point, as well... BlackAdder, from the second season and onwards was always on sets, occasionally average-at-best ones. They flaunt that fact, similarly to how this flaunts the language difference(or lack thereof). Only the first season of BlackAdder had outdoor scenes(and let's face it, no matter how you look at it, the cinematography wasn't exactly brilliant). This has many outdoor scenes, complete with vehicles and surroundings that fit the time it is set in. That helps sell the setting and time period very well. The wide character gallery helps for variety, and some credibility is attained(and the tone is kept from being overly goofy) in part through authentic details and occurrences that seem realistic. This was a great show that almost attained excellence, were it not for a few bugging points... the occasional overdone or overly repeated gag, the few episodes which just aren't that funny, one or two characters that were somewhat one-note jokes(and not all that good ones, at that), and such. And replacing Gibson... even for the last few episodes... that, in my opinion, was a very big mistake. However, if you do catch this show and find it funny, I definitely suggest watching the whole thing through. Not only is the vast majority of episodes excellent, but the very ending, the last few minutes of the finale are marvelous. Perfect way to end the show. I recommend this to any fan of British humor, both verbal and the Benny Hill variation, as well as black comedy, and anyone looking to laugh at the second World War. Priceless entertainment. 8/10
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One of the best Britcoms ever made
cybertrini29 June 2004
If you like Britcoms, then you'll love this series. Every line is a joke, and they're all hilarious. Lots of double entendres/sexual innuendoes and a ridiculous amount of zany one-liners.

The episodes are similar, with some running gags that appear every episode, every time with a different twist. As expected with the British playing Frenchmen, the sarcasm is biting, but almost turned around: the English policeman (bobby) who keeps trying to speak french, with the horrible pronunciation and accent makes tears come to the eyes.

This series is excellent, and missed greatly. Buy it if you can.
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10/10
Childhood AND adult memories...
Renaldo Matlin16 October 2004
This show was a staple in Saturday night entertainment here in Norway from the mid 1980's and up into the late 1990's, and considering most of them were re-runs, I in the end felt almost persecuted by this show (would they EVER stop sending that show on Saturday??). It was funny but never THAT funny, or at least so I thought, because when I got into my twenties and the show vanished from Norwegian television - low and behold - I went and ordered the 3 first seasons of the internet! So I guess I was more addicted to it than I cared to admit at first :)

The basic idea of making fun of Nazis never seem to grow old, or in the case of this show: making fun of the Gestapo. The rest of the Germans come off as almost sympathetic and lovable at times, but I mean: how can anyone hate the closet-gay officer Lt. Gruber and his "little tank"? The show is really classic comedy, especially in the way that much of the laughs rely heavily on the fun of repeated catchphrases ("It is I, Leclerc!" - "Good moaning!" "Listen carefully, I shall say this only once" etc) and some truly crazy antics. It IS at times *very* funny and some of the goings-on in this German occupied French village really has to be seen to be believed!

One of my favorite characters is Officer Crabtree, a British undercover-agent posing as a French police-officer, which is quite impressive considering his French makes Inspector Closeau sound like a professor in linguistics. One of his lines that has followed me since I was about 14 was "The French pissants are hiding in the German shiteu" (you figure it out).

So there you have it, if you like the subject of WWII and British comedy "Allo Allo" should be your 'cap of toe' (as Officer Crabtree probably would call it).
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9/10
Simply one of the best!
Jack-1520 June 2002
There are few TV comedy shows that I can watch the same episodes repeatedly and still enjoy them as much as I did the first time. The US show Seinfeld, and the British import Faulty Towers are two of these. Allo, Allo! ranks with those as the three best. Zany and insane are mild ways of describing this slapstick and very entertaining comedy. You can genuinely fall in love with its silly characters, even the evil Herr Flick. I can't wait for another run of episodes on PBS. Thank you UK and Croft.
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9/10
The world's most politically-incorrect comedy series
robertguttman10 May 2017
For the benefit of those who are not familiar with it, "Allo, Allo" is a British comedy series about the French Resistance during World War II. It is a comedy series that could never be produced today, and certainly could not be produced in the U.S. Only the British could have come up with a comedy series that contains more politically-incorrect material than would be found in an entire season of any present-day television show. To this day "Allo, Allo" remains among the things for which the French have never forgiven the British (along with Crecy, Agincourt, Joan of Arc, Blenheim, Trafalgar, Waterloo and Dunkirk). However, the French are not alone. The humor in "Allo, Allo " would be perceived to be equally offensive by Germans, Italians, women, homosexuals, the Catholics Church, the British themselves, and just about everybody else.

"Allo, Allo" was created by Jeremy Lloyd and David Croft, the same pair who created "Are You Being Served?". Consequently, it should come as no surprise that the show leaves no depth unplumbed in the pursuit of a laugh. "Allo, Allo" represents British burlesque humor at it's lowest. On the other hand it is also, for those whose sensibilities are not easily offended, truly one of the funniest shows ever produced.

The best news is that "Allo, Allo" has recently been re-released on Netflix. That means that former fans can enjoy being offended by it all over again, and new fans will have the opportunity to enjoy being offended by it for the very first time.
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9/10
Ingenious show on a WW2 backdrop
nitedrive7324 April 2008
Warning: Spoilers
"Allo,allo" was one of my first sitcom-experiences,it was launched when I was 8 and well before the boom of American sitcoms in Sweden. It felt cozy despite being set on a WW2 backdrop,it dealt with difficult subjects in a humorous manner without ever being tasteless.It corroborated the fact that laughter may be a very effective and uniting way of dealing with difficult and tabooed issues. Of course it's full of ethnic stereotypes(not least the British!),but they are almost always created with heart and warmth.Even the Germans.

The show rotates around René Artois,a café-owner in the small town of Nouvion somewhere in France.He's married to Edith Melba since many years,and he's constantly cheating on her.Mostly with his waitresses,Yvette and Maria(who is replaced by Mimi Labonq in season 3). René's dilemma is surviving the war with as little trouble as possible and to do so he feels compelled to stay on the sweet side of both the Resistance,the German army,the Gestapo and the communist resistance.Not an easy task. The German lieutenant Gruber is gay and is almost immediately attracted to René,who despite the fact that he's not only bald and corpulent,but also married seem to be the most sought-after man in Nouvion.

Other significant characters is Edith's mother Fanny LaFan(mostly referred to as "the silly old bat" by René),Michelle of the Resistance with her ever reoccurring one-liner "listen carefully,I shall say this only once",Fanny's fiancé Monsieur Leclerc(possibly Edith's father),Monsieur Alphonse the undertaker(and Edith's suitor)and the ever hilarious officer Crabtree,a British intelligence agent who works under cover in Nouvion disguised as a police officer.Known for his bad french. And of course the waitresses.And the German colonel Von Strohm,lieutenant Gruber,Gestapo officer Flick and his sidekick Engelbert Von Smallhausen,Helga...all very enjoyable.

Some one-liners are repeated a bit too often,like when René calls Edith "you stupid woman" each time she catches him in the arms of a waitress,but it doesn't matter much. Few people will be able to resist the charm of this Britcom classic. Buy the box and enjoy when you feel cold and sad,it's a remedy as good as any,I promise!
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10/10
People that hate this show, I disagree with you
bravesfan3523 March 2009
I absolutely love this show. Every episode is funnier than the one before it. If you can actually sit through an episode of Allo Allo and not even crack a smile, I suggest you go to a doctor and have your sense of humor examined. Allo Allo is one of the best, if not THE best Britcoms ever made. I even find this funnier than most of the Monty Python's Flying Circus episodes. To the person who asked us if we'd enjoy a comedy set in a death camp, that's pretty sick and has absolutely nothing to do with our enjoyment of Allo Allo. Here in the US, we do have a comedy set in a POW camp. It's called Hogan's Heroes. Maybe you should check it out.
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9/10
A brilliant sitcom
studioAT27 January 2017
They don't make sitcoms like this today. In our age of Political correctness this sitcom which pokes fun at pretty much all of the major players in the war wouldn't be allowed to be made today.

But it's great fun. Full of catchphrases (it's fun to watch the early episodes where they haven't caught on yet), iconic moments and above all, great characters who we fully follow throughout the madcap farce that ensures throughout the nine series.

Sitcoms like this don't age, not really. Yes, the picture quality gets a bit more grainy, and sadly we lose more of the cast as time goes on, but new audiences continue to discover and enjoy it with each passing year.

It's a great comedy, and I'll say that more than once.
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7/10
Still funny, especially the first three seasons
connyskribent7 February 2021
While this show quite hasn´t aged like a fine wine, it still is a fairly funny show. I especially enjoy the first three seasons which has a good mix of storylines and catch phrases. Towards season 4 the show lost a few original cast members like Sam Kelly and the beautiful Francesca Gonshaw. Also every episode got more loaded with catch phrases that were getting a bit tired. Still! There are a lot of scenes that will live on forever as comedy classics.
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9/10
Missing Hans
FatherMulcahyFan30 November 1999
This is one of the best British comedy shows I've seen in years. I just wish that Sam Kelly had stayed on the show. Hans Geering was one of my favorite characters and Mr. Kelly was one of my favorite actors along with Guy Siner and Gorden Kaye.
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7/10
"Listen Carefully.... I will say zis only once"
michaelarmer11 September 2021
Or "Au Revoir, Au Revoir"

Yes it's goodbye to a classic, as half the cast, including some of the main roles, Rene, Edith etc have passed away, there won't be any sequels, well not with them in it anyway.

Gorden Kaye as Rene, Carmen Silvera as his wife Edith, Vicki Michelle as Yvette, Francesca Gonshaw as Maria, Kirsten Cooke as Michelle, Jack Haig as LeClerc and Rose Hill as Madame Fanny on the French side, with Richard Marner as Colonel Von Strohm, Sam Kelly as Captain Geering, Hilary Minster as General Klinkerhoffen, Richard Gibson as Herr Flick, Kim Hartman as Helga and Guy Siner as Lt Gruber as the Germans and John Collins and Nicholas Frankau as the two British Airmen. All were great and the comedy from them was flowing. The separate scenes of Helga and Herr Flick, Colonel Von Strohm/Captain Geering were also excellent.

The big joke (at least one of them) running through this series was that most of the women and the gay tank commander all fancied Rene, the big, ugly and fat cafe owner, also the problems with the languages/accents, this is what cemented the comedy, but the dialogue also threw up lots of comedy and funny sexual innuendo, and it all worked, at least for the first 3 series.

The first to pass away was Jack Haig, whilst the show was still in production in 1989, then after - Hilary Minster in 1999, Carmen Silvera (2002), Rose Hill (2003), Richard Marner (2004), Sam Kelly (2014) and Gorden Kaye (2017) have passed away since.

You may have noticed I have called it a classic, however my rating of 7 denotes I am not completely happy with it, this is because it started to suffer in the later series, in fact as far as I am concerned, only the first 3 series are of the best quality, after that various actors leaving and new ones coming in did not help. When Francesca Gonshaw and Sam Kelly left (at the end of series 3/start of series 4) it started going downhill, and the new characters coming in did not help much. Arthur Bostrom as Officer Crabtree was ok to some extent, Kenneth Connor (excellent comedy actor) as Monsieur Alfonse was OK, but John Louis Mansi as Von Smallhausen and Gavin Richards as the Italian Captain Bertorelli were not and the character of Mimi Labonq by Sue Hodge was awful, also the screenplays started to run out of ideas and suffered to some extent in later episodes.

It was still funny up to the end but less so in the last episodes, Rose Hill and Richard Gibson also dropped out later on, and it showed, if you watched any episode from the first series then one from the last immediately after, you may have wondered what the hell happened in between!

But it was excellent in the first few years, so always worth watching a repeat on TV, particularly for Carmen Silvera who's acting was the best as Madame Edith, the put upon wife of Rene who did an excellent job at putting herself down with the bad singing (she could sing fine for real, as could her mother played by Rose Hill who was a former Opera singer), making herself out to be a bit stupid and her innocent character traits.

For the first 3 series I would have given it a 9.5, but the last few were much poorer, that's why I gave it a 7 rating.
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5/10
Fine champagne left out and losing its sparkle.
Ivan_Bradley20 February 2008
After - or during - far too many series-es, this show became flat and no longer entertaining. A great shame. When it was fresh it excellent.

The first pilot episode - season 1, E00, has to rank among the very very best of television comedy of all time. The introduction of the theatrical device of accent = language is absurdly simple and breathtakingly brilliant. The pilot explains all the rules of the game to the viewer in one hilarious scene (airmen behind the curtains) and thereafter, the device is used consistently, never breaking the rules and yet developing the theme into all sorts of absurd comical extrapolations.

One of the great strengths of Allo Allo is that it plays with xenophobia and national stereotyping in a way that has become unfashionable. As the politically correct movement has blossomed in the wake of the holier-than-thou prissy anal retentive neo-puritans who have tainted social thinking with their rabid chauvinism, an awful lot of areas of expression, analysis are now "bad taste." These areas are tools for exploring the very ideas of nationalism, racial prejudice and bigotry and whilever these ideas cannot be explored because someone has decreed that the playing field must be closed down, then no real progress in understanding can ever be made. Instead we have learned behaviour defined by narrow-mindedness and the fear of being seen not to champion whatever is socially fashionable.

Please do not confuse humour with ideology.

Is it possible to make a racist joke without being racist? Where you stand on this one determines how hidebound by ideology you are.

Would Father Ted be well received everywhere in the world? Would it even be tolerated without Reformation?

Allo Allo seems superficially xenophobic because it draws lines around stereotypes and "differentness" but it pokes fun at the roots of bigotry, reminding us that people are people irrespective of their mindset, beliefs, persuasions or foibles. It doesn't stop us being appalled at Nazism or the atrocities of war. It DOES remind us that these atrocities were carried out by ordinary, probably extremely likable, people whose pressure to conform to an ideology was greater that any individual could stand.

Humour is nothing to be frightened of - unless one subscribes to a repressive ideology which cannot stand humour's light being cast on it.

In Allo Allo we are invited to question. In Newspeak, we are not.

We need more irreverence. What we really need are sitcoms about PC thinking, child abuse, Islam, slavery. Actually, one program could probably cover all of that

Viva la difference, chaps!!!

Rating? Pilot episode 9/10 First series 8/10 Later series 2/10
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''Listen very careful, I will say this only once''
k_luifje2 February 2002
'Allo 'Allo

listen very careful, I shall write this only once: simply the best!

Somewhere in France, in Nouvion to be exactly, lives René Artois (played by Gordon Kaye). He owns a cafe, Café René, and his life is going as usual: He cheats his wife Edith (Carmen Silvera) with his two waitresses Yvette and Maria (Vicky Michelle and Francesca Gonshaw) and business goes as usual. The life of Frenchman René is going like he wants it to go, nice and steady. Nothing should change. But one detail will foil this from happening: The second World War. (Or as it is said brilliantly in the series more than once 'There is a war on, you know.') Before he knows what has happened René Artois is hiding two British airman, Fairfax and Carstairs (John D. Collins and Nicolas Frankau) from the nazi's, is he the helper of the French resistant, he has to stay friends with the Germans (they are good for business and for staying alive) and avoid interfering with the Gestapo while he's breaking almost all of the nazi rules and his life is totally disturbed. In the very first episode of the series this is all shown. For the fans of ''Allo 'Allo' this first episode is a must-see.

From now on René has got to do the most crazy, stupid, embarrassing and funny things to try to get the airman back to Britain, with the help of Michelle ''Listen very careful, I will say this only once'' of the resistance (Kirsten Cooke) who always comes up with a plan to avoid the Nazi's in the attempt to get the airman back home. Of course these plans always fail to happen on the most strange and remarkable ways, what keeps Fairfax and Carstairs at 'Café René' in the most miraculous and dumb hiding places.

Luckily the Nazi's aren't the smartest and hardest people in the town of Nouvion. Colonel Von Strohm (Richard Marner) and his assistant Captain Hans Geering (Sam Kelly, later replaced by Captain Alberto Bertorelli, played by Gavin Richards), for instance, never seem to see Michelle of the resistance when she comes in the café 'nondescript', probably 'cause they're to busy having a good time whit waitresses Yvette and Maria (and later on in the series when Maria is gone little Mimi, played by Sue Hodge). Luckily for René he is in a plot with the colonel and the captain about the painting 'The Fallen Madonna with the Big Boobies' by Van Klomp. The men want to sell it after the war instead of giving it to Hitler and René has to hide the painting in his sausages. So, the colonel and the captain need René.

One of the other nazi's in the little town is Lieutenant Herbert Gruber (Guy Siner).The reason René and his wife and waitresses don't get caught by him is because he fancies René. That's why Gruber is always willing to lend a hand (or more) to help out the café owner. Needless to say the situation between René and Lieutenant Gruber creates a lot of memorable funny scenes, for instance when René, who's always nervous with Gruber around, is dressed like a woman (all part of a plan from Michelle to get the airman back to Britain) and the Lieutenant comes in the café, or when René had just got back from a hospital (again because of a plan from Michelle) late at night and has only a hospital nighty on, one without a back and the lieutenant enters the café. Von Strohm, Geering and Gruber aren't such a problem for the café owner, but the Gestapo on the other hand is something timid René Artois fears even more than he fears his wife Edith finding out about his affairs with the waitresses. Not without reason; Herr Flick (Richard Gibson, in the last season played by David Janson) and his little helper Von Smallhousen (John Louise Mansi) are working all the time to rule out the resistance in Nouvion with René as the prime suspect. They also have a female assistant 'a woman of the opposite sex' named Private Helga Geerhard (Kim Hartman), but what Flick and Von Smallhousen don't know is that she double-crosses the two Gestapo-officers. She helps the colonel and the captain because she knows about their plan with the painting and also wants a part of the money from the 'Fallen Madonna with the big boobies' by Van Klomp. Besides enemy's René also has a lot of friends who are also against the nazi's. The already mentioned Michelle and the two airmen, but there are more: For Instance there is the undertaker Monsieur Alphonse (Kenneth Connor) who fancies Madame Edith but has to much admiration for the brave resistance hero René Artois to take her away from him, Monsieur 'It is I Leqlerc' Leqlerc (Jack Haig) who helps Michelle getting the messages to René. He always has the stupidest disguises to fool the nazi's. Or as René once said it so truly : 'Leqlerc, the man with a thousand faces and they're all the same.' And last but definitely not least there is officer 'Good moaning' Crabtree (Arthur Bostrom), or as Yvette once said: 'That British agent who thinks he speaks our language.' He too is a message-bringing helper from Michelle.

Overall viewed René is in a tight spot with dumb plans, evil enemies, a wife he cheats which she may not find out, naturally, a painting in a sausage, dumb helpers and a nazi who fancies him. In an other film or series this all could be ingredients for a very dramatic story, but not in 'Allo 'Allo, where everything is idiotic or at least odd.

For instance, in the series there is a big difference between English with a French accent (this is spoken by René, Edith and the waitresses and all the other French people) and English spoken with a British accent (spoken by the Fairfax and Carstairs). So when the two airman want to say something to for instance René they don't understand each other, even though they are all speaking English for the public understands. This might look very unfunny, but it's actually quite good and always good for a little smile.

Also the whole storyline about the painting in a sausage provides a lot of funny (sometimes to predictable, but always enthusiast played) scenes. This also counts for the scenes between Gruber and René, always played with passion by Guy Siner and a kind of caution by Gordon Kaye. A little bit overacted, but that is in the whole series, that's one of the reasons it's such delight to watch, I think.
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10/10
Believably insane
Hans-568 May 2010
This series to me is the number two of British comedy. Number one is and remains the completely insane "Fawlty Towers". "Mr. Bean" is in third position. 'Allo, 'Allo was on Dutch (and Flemish) TV and was repeated several times. And that was a good thing, for the jokes and situations are so ridiculous that most of them need a second and sometimes third viewing. I will not retell the story, for many have done before me.

A few things are really striking. The first is the great way all English actors utilize an accent, thus pretending to be either English, French, German or Italian. Even for people whose mother tongue is not the English language, but who understand it, this works perfectly well. Secondly is the repetitive use of the same joke, only slightly different.

The latter is best shown by Renee, the café owner. He is extremely attractive to the young women working in his bar. Why he is so attractive to them probably is the greatest mystery in both: heaven and hell. Regularly he is caught by his evil wife, Edith, holding one of the young women in his arms. She will always ask a question like: 'Renee, why are you holding that young girl in your arms?' His reply varies, but always starts with 'You stupid woman!' Soon you will wait for the famous question, the well known answer and wait for the excuse he comes up with this time.

This comedy is intelligently written, played and directed. It is top of the bill of comedy and proves that English humor is far better than American humor, for it really bites. Not only the Germans, but the French and even the the British are ridiculed! The only American comedy that has the same kind of bite ever produced was "All in the Family". Still the comparison to any American series I would like to make with "'Allo, 'Allo" actually is "Soap", for this has the same insane kind of humor.
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9/10
The Candle With The 'Andle.
screenman28 November 2010
Warning: Spoilers
'Allo Allo' is a great comedy series that carries on the classic old British tradition of farce.

Ordinary situations are driven into complete absurdity, employing the comedy of manners and double entendres. Brian Rix was the past master of his day in British theatre, whilst the 'Carry On' franchise pushed it into sexual innuendo overdrive. Because it is such a traditional format of light entertainment, it has tended to lose ground against the more modern, cruel 'fringe' style of comedy.

That's a pity, because of one thing we can be certain: the likes of 'Allo Allo' and its kinder contemporaries will continue to be shown in repeats long after each generation of 'fringe' has been consigned to the dustbins of history. Just check-out the up-coming terrestrial TV Christmas schedules.

Gordon Kaye plays small-town restaurateur Rene in WW2 occupied France. He has more problems that can easily be counted. Although a patriot, he is also a coward. Unfortunately, his cafe is favoured by the German high-command, whilst also employed as a clearing-house by the Le Resistance. All manner of intrigues develop over which he has no control. Fugitive British pilots are concealed in his cellar, bombs are brought in through his kitchen, German officers take wine in his bar and plot their post-war lives, usually to be funded by a famous stolen painting.

Rene is the focus of desire by both of his waitresses as well as his wife. At the same time, the female leader of the French resistance also adores him, though she would as readily execute him in the name of Liberty. Adding to his woes comes homosexual German Lt Gruber, who has likewise developed a fondness.

Nobody and no nation is spared. Brits, French, Germans and Italians are each presented in a national pastiche that is often biting but never cruel. Bizarre situations abound. A cranky, bed-ridden old mother-in-law unwittingly plays host to the concealed radio. The undertaker is in love with Rene's wife. Arthur Bostrom plays a British spy masquerading as a gendarme with pronunciation issues. Richard Gibson is the resolutely conniving gestapo officer complete with leather trench-coat and bumbling side-kick Von Smallhausen.

This series has so many sight-gags, double-entendres, lampooned characters and spoof situations that it is literally a laugh a minute. At times, moments appear to be overplayed, but that's all part of the farce mentality - it's supposed to be like that.

The series ran from 1982-1992. today, most of the principal characters have passed away, whilst those who survive have grown old with justified grace. So: it's history. But happily, because of its historical setting, it will never age.

As a piece of farce, I believe this program exceeds everything that has gone before, even the ever-popular 'Are You Being Served'.

Much loved and very highly recommended.
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10/10
Great show, rewatching for the 6th time!
dnl-dimitrova23 May 2020
I watched this Brutish show for the first time in the 90s, when it first appeared in Bulgaria. I love coming back to it every few years. Hilarious interpretation of dramatic times in human history. The cast and storyline are amazing, seem to always go around that damn painting, yet keeping it interesting and continuously developing all characters. Every episode is connected yet a sketch of its own, which makes it very entertaining and engaging. I wish this was easier to find and stream today :(
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10/10
Classic
ronbell-2398413 October 2019
Thank god for a comedy like this before this world went PC mad. This show is hilarious, it's full of near to the knuckle gags. If you do belong to the PC brigade avoid or this will make you cry. Top comedy.
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9/10
Not outstanding, but somehow catchy
peppard6 January 2004
'Allo 'Allo! currently reruns on our Dutch channel RTL7, every weekday from 19:30 till 20:00 hours, right after M*A*S*H. Although this is not the first time the show reruns here, and I've seen it all before, I'm still watching it again. I don't even think it's that good, but it has something unique. I can't really lay my hand on it, but it's very brilliant. The characters are a bit corny, but I think that's the funniest thing about the show: we expect them to be corny, and they are. Herr Flick most be the funniest character in the show, and most people remember him best I guess. And of course the two British airmen, where practically the whole show is about. All foreign movies or TV-series are subtitled in Dutch, with the original language spoken. And that makes it all far more original, including 'Allo 'Allo!
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9/10
Francesca, I think I'm in love!
davoshannon10 March 2009
I have Series 1 to 7 on DVD, and while I've seen all of the Porridge series, I haven't even got to Dad's Army yet. That says something for the farce style quality of 'Allo 'Allo.

While the series tailed off at the end it's great to see how the cast settle in over the first 3. By the time they got to "Gateaux in the Château" in Series 3 all the characters had developed their style and the budget was obviously improving.

The script by David Croft is, and the entire cast are, superb. But in particular I fully agree with comments on Jack Haig ("can you never underplay anything?" - Rene at the bridge before the insane handover of the famous picture in the knockwuerst), and of course Sam Kelly. His portrayal of Capt. Hans Geering was sublime, and the series deteriorated when he left.

Kirsten Cooke occasionally showed a wonderful leg - if you watch carefully, but, for me, Francesca Gonshaw (as waitress Maria Recamier in the earlier series) was totally captivating. Watch when she's in the background of a scene, and not spitting lines; stunning face.

Strangely she left the series and never seemed to do TV or Film again. I hope she's happy at whatever she's at.

I'm watching the scene in the prisoner of war camp as I write this. Rene is jumping from a roof onto a see-saw to propel Hans over the fence - part of the fun is that the entire cast were obviously having a ball doing this.

Timeless classic.
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9/10
Classic British sitcom
glenn-aylett26 December 2013
Warning: Spoilers
Allo Allo started out as a one off in 1982,but was well received enough by viewers, to become a regular BBC sitcom and ran for eight series, attracting 17 million viewers at its peak.

Allo Allo is a send up of the seventies BBC drama, Secret Army, where a cafe owner hid downed British airmen from the Nazis and took part in resistance activities. However, while Secret Army certainly wasn't a comedy, Allo Allo sent up Secret Army by replacing Albert, the resistance hero, with a cowardly, double dealing restaurant owner called Rene, played brilliantly by Gorden Kaye, who is a reluctant resistance member, hiding two idiotic RAF pilots from the Gestapo. Also while being a fairly useless member of the French Resistance, he is hiding two valuable paintings for the Nazis and hoping to cash in when the Nazis win the war and sell the paintings.

For all a few viewers complained to the BBC that Allo Allo was demeaning the brave work of the French resistance and portraying the Nazis, particularly Gestapo man Herr Flick, as incompetent buffoons rather than sadistic and evil, the whole point of David Croft's sitcom was to send up every wartime stereotype going. Hence the French were shown up as cowardly, devious and lusty, Germans as kinky, cruel( in a humorous way in Allo Allo) and insensitive, the British as upper class twits and Italians as lazy and untrustworthy.

Yet without a fantastic script by David Croft and an excellent cast, Allo Allo could have flopped, but went on to become the biggest sitcom of the mid eighties. Catchprhases such as " I shall this only once" in an exaggerated French accent, " you stupid woman" whenever Rene was caught by his wife with one of the waitresses, and Officer Crabtree's mangled attempts at speaking French, " I am a poloceman", entertained millions for years. Special mention has to be made of Richard Gibson's Herr Otto Flick, the Gestapo officer who was constantly being thwarted and coming off worse( in one case being blown up), Kirsten Cooke's hilarious French resistance leader Michelle, and Guy Siner as the gay Nazi, Gruber, who fancies Rene and pursues him throughout the series.

Sadly political correctness would probably stop a show like Allo Allo being made now, but repeats prove there is a healthy market for such a good sitcom that is still hilarious thirty years later.
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2/10
you say 'allo and i say goodbye
johnrgreen25 August 2015
Warning: Spoilers
It's a send up of Secret Army.I get that.However what militates against the potential jokes are these incomprehensible plot lines all performed by a group of rather ordinary actors.The scripts being so devoid of wit, its place is filled full of mirthless,racial and sexual stereotypes involved either in cross dressing or unlikely love triangles.The central tropes of the mispronouncing gendarme plus the tirelessly lovesick waitresses(it's the sex mad French,you see) involved with the decidedly plain and overweight Rene are ,most aptly, flogged mercilessly.

Apart from the clunky story lines, the bigger mystery is the reverence in which this sitcom is held.Sorry, it's not you,it's me.I don't get the joke.If there ever was one.
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Classic piece of British comedy
Major-9922 February 2001
David Croft has to be seen as one of the greatest British comedy writers ever. He was the writer for 'Dad's Army', 'It Ain't Half Hot, Mum' and 'Are You Being Served?'. Although not as good as 'Dad's Army', 'Allo 'Allo' is a fine piece of work. Set in war-time France, this show made use of stereotypes of Germans, Frenchmen and Brits. Gorden Kaye gave a tremendous portrayal of unwilling hero, Rene, but the fine cast doesn't stop there. Carmen Silvera (Edith), Guy Siner (Gruber) and the fantastic Arthur Bostrom (Crabtree) also played their parts well. The show was 'Carry On'-esque, unashamedly camp and full of sexual innuendo. I think it is impossible not to hear Crabtree with his customary greeting of 'Good Moaning!', without laughing. Demand from the American market saw the series stretched a bit further than it could manage, but 'Allo 'Allo recovered. The repeats are certainly worth watching.
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10/10
without doubt the best tv show ever
alexpeychev19 January 2021
Words can't explain how much I love this show, it's just amazing. It's extremely funny, but the only downside is that it's not easy to find on TV these days... In the 80's and early 90's it was very well known and loved, but then disappeared into nowhere...
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