British actor Sylvia Syms, best known for her roles in “Ice Cold in Alex” and “Victim,” died Friday in London. She was 89.
Syms’ family said that she died at Denville Hall, a care home in London for entertainment industry people.
“Our mother, Sylvia, died peacefully this morning. She has lived an amazing life and gave us joy and laughter right up to the end. Just yesterday we were reminiscing together about all our adventures. She will be so very missed,” Syms’ children, Beatie and Ben Edney, said in a statement. “We would also like to take this opportunity to thank everyone at Denville Hall for the truly excellent care they have taken of our Mum over the past year.”
Syms was educated at The Royal Academy of Dramatic Art in London. In the first phase of her storied career, Syms had significant roles in British war classic “Ice Cold in Alex...
Syms’ family said that she died at Denville Hall, a care home in London for entertainment industry people.
“Our mother, Sylvia, died peacefully this morning. She has lived an amazing life and gave us joy and laughter right up to the end. Just yesterday we were reminiscing together about all our adventures. She will be so very missed,” Syms’ children, Beatie and Ben Edney, said in a statement. “We would also like to take this opportunity to thank everyone at Denville Hall for the truly excellent care they have taken of our Mum over the past year.”
Syms was educated at The Royal Academy of Dramatic Art in London. In the first phase of her storied career, Syms had significant roles in British war classic “Ice Cold in Alex...
- 1/27/2023
- by Naman Ramachandran
- Variety Film + TV
by Cláudio Alves
Arthur Dong's documentary Hollywood Chinese, about the complicated history of Chinese and Chinese American lives on the big screen, serves as a starting point for one of the Criterion Channel's new collections. Spanning over a century of American filmmaking and 24 films, this curated program highlights issues of representation, racism, erasure, and more. At the same time, it serves as a chance to illuminate the cinematic contributions of marginalized artists who found unlikely success in Hollywood. They were people like the Chinese-American cinematographer James Wong Howe, Taiwanese director Ang Lee, and Hong Kong-born American actress and dancer Nancy Kwan.
In 1960, Kwan made her film debut in Richard Quine's The World of Suzie Wong, became an overnight star, and surely came closer to that elusive Best Actress Oscar nomination than most performers of Asian descent…...
Arthur Dong's documentary Hollywood Chinese, about the complicated history of Chinese and Chinese American lives on the big screen, serves as a starting point for one of the Criterion Channel's new collections. Spanning over a century of American filmmaking and 24 films, this curated program highlights issues of representation, racism, erasure, and more. At the same time, it serves as a chance to illuminate the cinematic contributions of marginalized artists who found unlikely success in Hollywood. They were people like the Chinese-American cinematographer James Wong Howe, Taiwanese director Ang Lee, and Hong Kong-born American actress and dancer Nancy Kwan.
In 1960, Kwan made her film debut in Richard Quine's The World of Suzie Wong, became an overnight star, and surely came closer to that elusive Best Actress Oscar nomination than most performers of Asian descent…...
- 8/23/2022
- by Cláudio Alves
- FilmExperience
Alvin Ing, a pioneering Asian American actor who appeared on Broadway in Rodgers and Hammerstein’s Flower Drum Song and Stephen Sondheim’s Pacific Overtures and whose guest roles on numerous television series stretched from the 1970s until very recently, died July 31 at Providence Saint Joseph Medical Center in Burbank, California, of Covid-19 complications. He was 89.
Ing’s death was previously confirmed by his representation, Shushu Entertainment, but today his reps disclosed that the fully-vaccinated Ing was first diagnosed with pneumonia in mid-July and then confirmed to have Covid-19 a few days later. After two weeks of battling the illness, he died due to cardiac arrest, they said.
“Honolulu native and American Army veteran with a gift to serve, he felt a duty to himself and his fellow citizens to be fully vaccinated,” said spokesperson Shaina Manlangit in a statement approved by Shushu.
Deaths and hospitalizations from breakthrough Covid are considered to be extremely rare.
Ing’s death was previously confirmed by his representation, Shushu Entertainment, but today his reps disclosed that the fully-vaccinated Ing was first diagnosed with pneumonia in mid-July and then confirmed to have Covid-19 a few days later. After two weeks of battling the illness, he died due to cardiac arrest, they said.
“Honolulu native and American Army veteran with a gift to serve, he felt a duty to himself and his fellow citizens to be fully vaccinated,” said spokesperson Shaina Manlangit in a statement approved by Shushu.
Deaths and hospitalizations from breakthrough Covid are considered to be extremely rare.
- 8/3/2021
- by Greg Evans
- Deadline Film + TV
Alvin Ing, an Asian-American actor best known for his leading roles in the Broadway musicals “Flower Drum Song” and “Pacific Overtures,” died Monday morning at age 89, several of his cast mates confirm.
Ing’s manager, Anthony Leones, did not immediately answer TheWrap’s request for comment.
Born in Honolulu, Hawaii, in 1932, Ing pursued performing arts by studying music education at the University of Hawaii and eventually moved to New York at age 25. He made his Broadway debut in 1976 with his breakout role in the original production of the Stephen Sondheim-John Weidman musical “Pacific Overtures.” In 2004, he reprised his role in “Pacific Overtures” alongside “Awkwafina is Nora From Queens” star Bd Wong.
Ing also starred in the 2002 Broadway revival of the Rodgers and Hammerstein musical “Flower Drum Song,” performing “My Best Love,” a song that had been left out of the original 1958 production. His stage credits also include roles in the musicals “Two Gentlemen of Verona,...
Ing’s manager, Anthony Leones, did not immediately answer TheWrap’s request for comment.
Born in Honolulu, Hawaii, in 1932, Ing pursued performing arts by studying music education at the University of Hawaii and eventually moved to New York at age 25. He made his Broadway debut in 1976 with his breakout role in the original production of the Stephen Sondheim-John Weidman musical “Pacific Overtures.” In 2004, he reprised his role in “Pacific Overtures” alongside “Awkwafina is Nora From Queens” star Bd Wong.
Ing also starred in the 2002 Broadway revival of the Rodgers and Hammerstein musical “Flower Drum Song,” performing “My Best Love,” a song that had been left out of the original 1958 production. His stage credits also include roles in the musicals “Two Gentlemen of Verona,...
- 8/2/2021
- by Loree Seitz
- The Wrap
In trying to explain why 21-year-old Robert Aaron Long would walk into three Atlanta-area massage spas on March 16 and shoot eight people, including six women of Asian descent, law enforcement officials cited the shooter’s self-reported motivation as “sexual addiction,” not one of racial hatred. But amid a yearlong backdrop of anti-Asian sentiment fueled by the Covid-19 pandemic, on top of decades of fetishism of Asian women, skepticism quickly mounted in the Asian American community.
For Renee Tajima-Peña, one of the Academy Award-nominated filmmakers behind the documentary “Who Killed Vincent Chin?” — about the 1982 killing of a Chinese American by two white autoworkers who called Chin racial slurs and beat him to death with a baseball bat— the violence seemed inescapably entangled in the cultural objectification of Asians.
“I think when Asian Americans looked at this murder in Atlanta, [they see] he targeted three Asian American businesses, he killed six Asian American women,...
For Renee Tajima-Peña, one of the Academy Award-nominated filmmakers behind the documentary “Who Killed Vincent Chin?” — about the 1982 killing of a Chinese American by two white autoworkers who called Chin racial slurs and beat him to death with a baseball bat— the violence seemed inescapably entangled in the cultural objectification of Asians.
“I think when Asian Americans looked at this murder in Atlanta, [they see] he targeted three Asian American businesses, he killed six Asian American women,...
- 3/23/2021
- by Elaine Low and Rebecca Davis
- Variety Film + TV
David Giler, a writer, producer or both on some of the most high-profile films of the 1970s and ’80s, from the controversial Myra Breckinridge to the immensely popular Alien franchise, died of cancer Dec. 19 at his home in Bangkok. He was 77.
His death was announced by spokesman Jeff Sanderson.
“If you knew David, you knew he was special,” said director Walter Hill, his longtime writing and producing partner. “The magic of his personality is hard to describe: funny, angry, extremely knowledgeable, extremely well read; it was my privilege to write and produce with him, and more importantly, to have his close and deep friendship for nearly 50 years.”
Giler’s screenwriting credits include The Parallax View (1974), Fun With Dick And Jane (1977) and The Money Pit (1986). He has writing or story credits for both Aliens (1986) and Aliens 3 (1992), and was a producer of the original Alien (1979) and its seven sequels, up to 2017’s...
His death was announced by spokesman Jeff Sanderson.
“If you knew David, you knew he was special,” said director Walter Hill, his longtime writing and producing partner. “The magic of his personality is hard to describe: funny, angry, extremely knowledgeable, extremely well read; it was my privilege to write and produce with him, and more importantly, to have his close and deep friendship for nearly 50 years.”
Giler’s screenwriting credits include The Parallax View (1974), Fun With Dick And Jane (1977) and The Money Pit (1986). He has writing or story credits for both Aliens (1986) and Aliens 3 (1992), and was a producer of the original Alien (1979) and its seven sequels, up to 2017’s...
- 12/21/2020
- by Greg Evans
- Deadline Film + TV
Ming Cho Lee, an innovative and influential scenic designer whose career of more than 60 years included unforgettable creations for Broadway, Off Broadway, regional theater, opera and dance, died Oct. 23. He was 90.
A cornerstone of the Yale School of Drama for 48 years beginning in 1969, Lee taught and mentored generations of students who would take their own places on Broadway. According to the school, Lee taught and mentored more than 300 designers by the time he retired in 2017.
Clint Ramos, a Tony-winning costume and set designer, remembered Lee by noting, “Because you were — we are.”
Jeremy O. Harris, author of Broadway’s Slave Play, tweeted about Lee, “one of the great gifts of my 3 years at Yale was watching you do Saturday crits at a full 88 years of age. Even after seeing 100s of thousands of design ideas in your life you treated these new ones with passion and reverence for the form.
A cornerstone of the Yale School of Drama for 48 years beginning in 1969, Lee taught and mentored generations of students who would take their own places on Broadway. According to the school, Lee taught and mentored more than 300 designers by the time he retired in 2017.
Clint Ramos, a Tony-winning costume and set designer, remembered Lee by noting, “Because you were — we are.”
Jeremy O. Harris, author of Broadway’s Slave Play, tweeted about Lee, “one of the great gifts of my 3 years at Yale was watching you do Saturday crits at a full 88 years of age. Even after seeing 100s of thousands of design ideas in your life you treated these new ones with passion and reverence for the form.
- 10/26/2020
- by Greg Evans
- Deadline Film + TV
Edward S. Feldman, the longtime Hollywood movie and TV producer whose credits included the Oscar-nominated Witness and K-19 The Widowmaker both starring Harrison Ford, died October 2 in Los Angeles, his publicist said. He was 91.
Feldman was nominated for the Oscar for producing Witness, Peter Weir’s 1985 drama starring Ford as a cop who goes undercover in Amish country to protect a boy who witnessed a murder. It scored eight Oscar nominations including Best Picture and won for its writing and editing.
Feldman would later reunite with Weir for 1998’s The Truman Show starring Jim Carrey which scored three Oscar nominations. His other film credits include Save the Tiger, The Other Side of the Mountain, Near Dark, The Hitcher, Honey I Blew Up The Kid, Hot Dog…The Movie, The Golden Child, Wired, Green Card, The Doctor, Forever Young, the live-action The Jungle Book, and the live-action 101 Dalmatians and its sequel 102 Dalmatians.
Feldman was nominated for the Oscar for producing Witness, Peter Weir’s 1985 drama starring Ford as a cop who goes undercover in Amish country to protect a boy who witnessed a murder. It scored eight Oscar nominations including Best Picture and won for its writing and editing.
Feldman would later reunite with Weir for 1998’s The Truman Show starring Jim Carrey which scored three Oscar nominations. His other film credits include Save the Tiger, The Other Side of the Mountain, Near Dark, The Hitcher, Honey I Blew Up The Kid, Hot Dog…The Movie, The Golden Child, Wired, Green Card, The Doctor, Forever Young, the live-action The Jungle Book, and the live-action 101 Dalmatians and its sequel 102 Dalmatians.
- 10/6/2020
- by Patrick Hipes
- Deadline Film + TV
Academy Award nominated film producer Edward S. Feldman, known for producing hits such as 1985’s “Witness” and 1998’s “The Truman Show,” died Friday night Oct. 2, in Los Angeles at the age of 91, according to his spokesperson.
Feldman, whose career began during the golden age of Hollywood and lasted for over six decades, worked with such Hollywood legends as Glen Close, Debbie Reynolds, Harrison Ford, Jack Lemmon, Charlton Heston, John Cassavetes, Gena Rowlands, Rutger Hauer, Burt Reynolds, Yul Brynner, Eddie Murphy, Mel Gibson and Gerard Depardieu. Feldman’s final film in 2002 reunited him with Harrison Ford at Paramount, “K-19 The Widowmaker,” when he decided to retire and spend more time with his family.
Feldman was nominated for the Academy Award for Best Picture for “Witness” and the BAFTA Award for Best Film for “Witness” and “The Truman Show.” In 2001, the Hollywood Film Festival honored him for Outstanding Achievement in Producing.
Born in The Bronx,...
Feldman, whose career began during the golden age of Hollywood and lasted for over six decades, worked with such Hollywood legends as Glen Close, Debbie Reynolds, Harrison Ford, Jack Lemmon, Charlton Heston, John Cassavetes, Gena Rowlands, Rutger Hauer, Burt Reynolds, Yul Brynner, Eddie Murphy, Mel Gibson and Gerard Depardieu. Feldman’s final film in 2002 reunited him with Harrison Ford at Paramount, “K-19 The Widowmaker,” when he decided to retire and spend more time with his family.
Feldman was nominated for the Academy Award for Best Picture for “Witness” and the BAFTA Award for Best Film for “Witness” and “The Truman Show.” In 2001, the Hollywood Film Festival honored him for Outstanding Achievement in Producing.
Born in The Bronx,...
- 10/6/2020
- by Umberto Gonzalez
- The Wrap
Film producer Edward S. Feldman, who received an Academy Award best picture nomination for “Witness,” died on Oct. 2 in Los Angeles, according to his publicist. He was 91.
He was also nominated for BAFTA Awards for “Witness” and “The Truman Show.” In 1977, he received an Emmy nomination in the limited series category for “21 Hours at Munich” and was nominated the following year in the same category for “King.”
His feature film producing credits included “What’s the Matter With Helen?,” “Save the Tiger,” “The Other Side of the Mountain,” “Two-Minute Warning,” “The Last Married Couple in America,” “Hot Dog…The Movie,” “The Golden Child,” “Wired,” “Green Card,” the 1994 live-action “The Jungle Book,” the live-action “101 Dalmatians,” its sequel “102 Dalmatians” and “K-19: The Widowmaker.”
“Witness” starred Harrison Ford as a detective protecting a young Amish boy who becomes a target after he witnesses a murder in Philadelphia. The film received eight Oscar nominations,...
He was also nominated for BAFTA Awards for “Witness” and “The Truman Show.” In 1977, he received an Emmy nomination in the limited series category for “21 Hours at Munich” and was nominated the following year in the same category for “King.”
His feature film producing credits included “What’s the Matter With Helen?,” “Save the Tiger,” “The Other Side of the Mountain,” “Two-Minute Warning,” “The Last Married Couple in America,” “Hot Dog…The Movie,” “The Golden Child,” “Wired,” “Green Card,” the 1994 live-action “The Jungle Book,” the live-action “101 Dalmatians,” its sequel “102 Dalmatians” and “K-19: The Widowmaker.”
“Witness” starred Harrison Ford as a detective protecting a young Amish boy who becomes a target after he witnesses a murder in Philadelphia. The film received eight Oscar nominations,...
- 10/6/2020
- by Dave McNary
- Variety Film + TV
Nancy Kwan, Lena Khan, Hiroyuki Sanada, and Tiffany Chu were honored with awards during the Asian World Film Festival, which took place Nov. 6-14.
In its fifth year, the Awff teamed up with the Snow Leopard Trust again to raise awareness for the endangered snow leopard and its ecosystem in the high mountains of Asia.
“The World of Suzie Wong” actor Kwan received the Awff Lifetime Achievement Award; Sanada, the Snow Leopard Outstanding Cinematic Achievement Award; Chu, the 2019 Snow Leopard Rising Star Award; and Khan took home the Awff American Red Cross/ Tiffany Circle Courage to Dream Award.
Additionally, Suium Sulaimanova accepted the inaugural Hollywood Foreign Press Association Snow Leopard Short Film award for her film “My Friend – My Enemy.”
Other winners of the festival were announced in a closing ceremony hosted by actor and co-founder of Asians in La Nancy Yoon. View the complete list of winners from the...
In its fifth year, the Awff teamed up with the Snow Leopard Trust again to raise awareness for the endangered snow leopard and its ecosystem in the high mountains of Asia.
“The World of Suzie Wong” actor Kwan received the Awff Lifetime Achievement Award; Sanada, the Snow Leopard Outstanding Cinematic Achievement Award; Chu, the 2019 Snow Leopard Rising Star Award; and Khan took home the Awff American Red Cross/ Tiffany Circle Courage to Dream Award.
Additionally, Suium Sulaimanova accepted the inaugural Hollywood Foreign Press Association Snow Leopard Short Film award for her film “My Friend – My Enemy.”
Other winners of the festival were announced in a closing ceremony hosted by actor and co-founder of Asians in La Nancy Yoon. View the complete list of winners from the...
- 11/15/2019
- by BreAnna Bell
- Variety Film + TV
Maybe It's Love. Photo courtesy of Celestial Pictures.The inspired "Shaw Sisters" retrospective at Metrograph focuses on women filmmakers who worked at the legendary Hong Kong studio. Two of the films—Maybe It's Love (1984) and My Name Ain't Suzie (1985)—were directed by Angie Chen. After directing a third feature, Chen turned to commercials and documentaries.Chen's life encompasses a broad swath of Chinese history. Born in Shanghai, she and her family caught the last train to Hong Kong during the civil war. They relocated for a time in Taiwan, moving back to Hong Kong when Chen's father left his family for Germany. Chen won a scholarship to a college outside Chicago, then transferred first to the University of Iowa before enrolling at UCLA. While translating a screenplay, she met Jackie Chan, who made her his assistant director on Dragon Lord (1982), a martial arts film shot in South Korea. Back in Hong Kong,...
- 8/26/2019
- MUBI
So much time, so few movies to see. Scratch that. Reverse it.
Running a little later than usual this year, the 2018 Turner Classic Movies Film Festival gets under way this coming Thursday, screening approximately 88 films and special programs over the course of the festival’s three-and-a-half days, beginning Thursday evening, and no doubt about it, this year’s schedule, no less than any other year, will lay out a banquet for classic film buffs, casual film fans and harder-core cinephiles looking for the opportunity to see long-time favorites as well as rare and unusual treats on the big screen. I’ve attended every festival since its inaugural run back in 2010, and since then if I have not reined in my enthusiasm for the festival and being given the opportunity to attend it every year, then I have at least managed to lasso my verbiage. That first year I wrote about...
Running a little later than usual this year, the 2018 Turner Classic Movies Film Festival gets under way this coming Thursday, screening approximately 88 films and special programs over the course of the festival’s three-and-a-half days, beginning Thursday evening, and no doubt about it, this year’s schedule, no less than any other year, will lay out a banquet for classic film buffs, casual film fans and harder-core cinephiles looking for the opportunity to see long-time favorites as well as rare and unusual treats on the big screen. I’ve attended every festival since its inaugural run back in 2010, and since then if I have not reined in my enthusiasm for the festival and being given the opportunity to attend it every year, then I have at least managed to lasso my verbiage. That first year I wrote about...
- 4/23/2018
- by Dennis Cozzalio
- Trailers from Hell
We change things up by focusing on a boutique label, Twilight Time, that has found success through a unique business model. Mark and Aaron happen to be big fans, and feel that we have directly contributed towards some of their profits. We talk about the company, their business model, why they have succeeded, and we address some common critiques. We also review a few discs each, and finally count down our favorite Twilight Time titles.
About Nick Redman:
London-born Nick Redman, one of Hollywood’s leading producers of movie music, is also an award-winning documentary filmmaker. An Academy Award nominee as producer of the 1996 Warner Brothers documentary, The Wild Bunch: An Album in Montage, he went on to write, produce, and direct A Turning of the Earth: John Ford, John Wayne and The Searchers (1998), which became a prize-winner at multiple film festivals.
As a consultant to the Fox Music...
About Nick Redman:
London-born Nick Redman, one of Hollywood’s leading producers of movie music, is also an award-winning documentary filmmaker. An Academy Award nominee as producer of the 1996 Warner Brothers documentary, The Wild Bunch: An Album in Montage, he went on to write, produce, and direct A Turning of the Earth: John Ford, John Wayne and The Searchers (1998), which became a prize-winner at multiple film festivals.
As a consultant to the Fox Music...
- 9/13/2016
- by Aaron West
- CriterionCast
The Star Trek franchise will be 50 years old this September. It’s one of the most popular and enduring of all TV and film franchises, still going strong nearly 50 years after its debut in 1966. A third film of the rebooted series is in the works. Cinelinx looks at the ever-popular sci-fi property as it warps into its 50th year.
Star Trek, a show that didn’t do very well in the ratings when it first debuted, has become a multi-media monster. It has gone from television to cartoons, novels, comic books, video games and films. Many of the character names have become an iconic part of pop-culture. The real-life space shuttle Enterprise was named in honor of the space vessel from Star Trek. The whole concept of the sci-fi convention was begun by the fan-created ‘Trek’ conventions of the early seventies. Few franchises can claim to have had the impact...
Star Trek, a show that didn’t do very well in the ratings when it first debuted, has become a multi-media monster. It has gone from television to cartoons, novels, comic books, video games and films. Many of the character names have become an iconic part of pop-culture. The real-life space shuttle Enterprise was named in honor of the space vessel from Star Trek. The whole concept of the sci-fi convention was begun by the fan-created ‘Trek’ conventions of the early seventies. Few franchises can claim to have had the impact...
- 1/10/2016
- by feeds@cinelinx.com (Rob Young)
- Cinelinx
Tsai Chin, the little Suzie Wong sex kitten, has remade herself into a mature, knowledgeable, exciting and excited human being
If your father is the greatest actor, director, playwright, and theatrical innovator of his generation and you are his exceptionally pretty and talented daughter, what more inevitable than that you become an actress with the promise at life-long success ahead? Unless, of course, you happen to be Chinese working in England, in which case you face a future that offers all the range and longevity of a butterfly.
This looked to be the very short story of Tsai Chin, daughter of Chow Hsin Fang, long time genius of the Peking Opera. The English offered her the whole gamut of roles from cute-but-innocent Oriental floozie to cute-but-naughty Oriental floozie and, at the first sign of rebellion or crows' feet, don't call us we'll call you.
To begin with, Tsai got on...
If your father is the greatest actor, director, playwright, and theatrical innovator of his generation and you are his exceptionally pretty and talented daughter, what more inevitable than that you become an actress with the promise at life-long success ahead? Unless, of course, you happen to be Chinese working in England, in which case you face a future that offers all the range and longevity of a butterfly.
This looked to be the very short story of Tsai Chin, daughter of Chow Hsin Fang, long time genius of the Peking Opera. The English offered her the whole gamut of roles from cute-but-innocent Oriental floozie to cute-but-naughty Oriental floozie and, at the first sign of rebellion or crows' feet, don't call us we'll call you.
To begin with, Tsai got on...
- 9/17/2013
- The Guardian - Film News
By Allen Gardner
Prometheus (20th Century Fox) Ridley Scott’s quasi-prequel to his 1979 classic “Alien” has an intergalactic exploratory team (Noomi Rapace, Michael Fassbender, Guy Pearce, Charlize Theron, Idris Elba) arriving on a uncharted planet, where they discover what appears to be a dormant alien spacecraft and what might be the first discovery of intelligent life outside of Earth. Of course, everything goes straight to hell before you can scream “Don’t touch that egg!” Sumptuous visuals and strong performances from the cast (not to mention a nearly-perfect first half) can’t compensate for gaping plot and logic holes that nearly sink the proceedings in the film’s protracted second half. It feels as though some very crucial footage wound up on the cutting room floor. Perhaps, as with “Alien” and “Aliens” we’ll see a “Director’s Cut” of “Prometheus” arriving on DVD within the next year. In the meantime,...
Prometheus (20th Century Fox) Ridley Scott’s quasi-prequel to his 1979 classic “Alien” has an intergalactic exploratory team (Noomi Rapace, Michael Fassbender, Guy Pearce, Charlize Theron, Idris Elba) arriving on a uncharted planet, where they discover what appears to be a dormant alien spacecraft and what might be the first discovery of intelligent life outside of Earth. Of course, everything goes straight to hell before you can scream “Don’t touch that egg!” Sumptuous visuals and strong performances from the cast (not to mention a nearly-perfect first half) can’t compensate for gaping plot and logic holes that nearly sink the proceedings in the film’s protracted second half. It feels as though some very crucial footage wound up on the cutting room floor. Perhaps, as with “Alien” and “Aliens” we’ll see a “Director’s Cut” of “Prometheus” arriving on DVD within the next year. In the meantime,...
- 10/8/2012
- by The Hollywood Interview.com
- The Hollywood Interview
Hong Kong's dramatic harbour setting and skyline was made for the movies. From Suzie Wong to James Bond, the Guardian's film editor, Andrew Pulver, chooses his Hk top 10
• As featured in our Hong Kong city guide
The Dark Knight, 2008
As a land of shiny steel and glass, Hong Kong has recently become catnip for Hollywood productions looking for an extra dimension to their power buildings. In 2008, the Batman film The Dark Knight came to Hk to film a scene in which the caped crusader captures mob accountant Lau. The building in question is Two International Financial Centre, over 400m tall and at the time the tallest in the city (it has since been overtaken by the International Commerce Centre in Kowloon).
• Two International Financial Centre, 8 Finance Street, Central
Enter the Dragon, 1973
Hong Kong's greatest cinematic son is, of course, Bruce Lee (even if he was born in San Francisco). His filmography is short and sweet,...
• As featured in our Hong Kong city guide
The Dark Knight, 2008
As a land of shiny steel and glass, Hong Kong has recently become catnip for Hollywood productions looking for an extra dimension to their power buildings. In 2008, the Batman film The Dark Knight came to Hk to film a scene in which the caped crusader captures mob accountant Lau. The building in question is Two International Financial Centre, over 400m tall and at the time the tallest in the city (it has since been overtaken by the International Commerce Centre in Kowloon).
• Two International Financial Centre, 8 Finance Street, Central
Enter the Dragon, 1973
Hong Kong's greatest cinematic son is, of course, Bruce Lee (even if he was born in San Francisco). His filmography is short and sweet,...
- 7/4/2012
- by Andrew Pulver
- The Guardian - Film News
New York — He doesn't beam in, but William Shatner does the next best thing at the start of his one-man Broadway show: He appears to the familiar orchestral strains of the "Star Trek" theme.
Then he soaks up the applause.
"Thank you," he says when it finally dies down. "You need an entrance because you put on a few years and a few pounds, nobody recognizes you."
That won't be a problem at the Music Box Theatre, where "Shatner's World: We Just Live In It" opened Thursday for a limited run ahead of a monthlong, 15-city U.S. tour. Shatner may be many things – goofy, charming, playful and crass – but he's instantly recognizable.
During his 100-minute set that flits between self and self-parody, Shatner traces his life – from growing up in Canada to acting alongside Christopher Plummer to "Star Trek" and "Boston Legal" to his musical career. He does it...
Then he soaks up the applause.
"Thank you," he says when it finally dies down. "You need an entrance because you put on a few years and a few pounds, nobody recognizes you."
That won't be a problem at the Music Box Theatre, where "Shatner's World: We Just Live In It" opened Thursday for a limited run ahead of a monthlong, 15-city U.S. tour. Shatner may be many things – goofy, charming, playful and crass – but he's instantly recognizable.
During his 100-minute set that flits between self and self-parody, Shatner traces his life – from growing up in Canada to acting alongside Christopher Plummer to "Star Trek" and "Boston Legal" to his musical career. He does it...
- 2/17/2012
- by AP
- Huffington Post
William Shatner is boldly going back to where he once appeared — Broadway. The actor, singer and writer best known as James T. Kirk on Star Trek will star in a one-man show called Shatner’s World: We Just Live in It. Previews begin Feb. 14 and it runs at the Music Box Theatre until March 4.
Producers said Tuesday, “The two-hour show will take audiences on a voyage through Shatner’s life and career, from Shakespearean stage actor to internationally known icon and raconteur.” Shatner was last on Broadway in A Shot in the Dark in 1961. His other Broadway credits include Tamburlaine...
Producers said Tuesday, “The two-hour show will take audiences on a voyage through Shatner’s life and career, from Shakespearean stage actor to internationally known icon and raconteur.” Shatner was last on Broadway in A Shot in the Dark in 1961. His other Broadway credits include Tamburlaine...
- 1/12/2012
- by Associated Press
- EW.com - PopWatch
William Shatner is heading to Broadway for the first time in 50 years, the New York Post's Michael Riedel reported Friday. This move is no anomaly for the Shat -- he's classically trained as a Shakespearean actor, after all! But Shatner hasn't graced the Great White Way since his younger, more dashing days. He had a minor role in 1956's "Tamburlaine the Great," and went on to star in "The World of Suzie Wong" and "A Shot in the Dark" in 1962. For the next 50 years, "Star Trek" happened, along with numerous "Star Trek"/TV-related career opportunities. Can you blame a guy?
But now, Shatner is throwing it all away and going back to his classical roots, right? Wrong! The one-man show, headed to the the Music Box Theatre in February, is called "Shatner's World: We Just Live in It," and it's essentially a rehashing of the "years of Q&As he's...
But now, Shatner is throwing it all away and going back to his classical roots, right? Wrong! The one-man show, headed to the the Music Box Theatre in February, is called "Shatner's World: We Just Live in It," and it's essentially a rehashing of the "years of Q&As he's...
- 12/16/2011
- by Gazelle Emami
- Huffington Post
Production designer behind the deadly gadgets used by James Bond – and his foes
The production designer Syd Cain, who has died aged 93, was one of many behind-the-scenes professionals elevated to something like prominence by the worldwide interest in the James Bond films. An industry veteran who began work in British cinema as a draughtsman in 1947, contributing to the look of the gothic melodrama Uncle Silas, Cain is credited on a range of film and television projects, but remains best known for his work in various design capacities on the 007 series, from Dr No in 1962 to GoldenEye in 1995.
Born in Grantham, Lincolnshire, Cain served in the armed forces in the second world war, surviving a plane crash and recovering from a broken back. Working at Denham Studios in Buckinghamshire in the 1940s and 50s, he moved up from uncredited draughtsman (on Adam and Evelyne, The Interrupted Journey, You Know What Sailors Are...
The production designer Syd Cain, who has died aged 93, was one of many behind-the-scenes professionals elevated to something like prominence by the worldwide interest in the James Bond films. An industry veteran who began work in British cinema as a draughtsman in 1947, contributing to the look of the gothic melodrama Uncle Silas, Cain is credited on a range of film and television projects, but remains best known for his work in various design capacities on the 007 series, from Dr No in 1962 to GoldenEye in 1995.
Born in Grantham, Lincolnshire, Cain served in the armed forces in the second world war, surviving a plane crash and recovering from a broken back. Working at Denham Studios in Buckinghamshire in the 1940s and 50s, he moved up from uncredited draughtsman (on Adam and Evelyne, The Interrupted Journey, You Know What Sailors Are...
- 12/2/2011
- by Kim Newman
- The Guardian - Film News
By most accounts, Harry Cohn was a royal son of a bitch.
For the uninformed, Harry Cohn was co-founder of Columbia Pictures, and the autocratic ruler of the studio from its founding in 1919 until his death in 1958. He was vulgar, crass, tyrannical, a screaming, foul-mouthed verbal bully i.e. a royal son of a bitch.
He was also a cheap son of a bitch.
Originally considered a “Poverty Row” studio, Cohn’s Columbia – at least at first – refused to build a roster of salaried stars as the other studios did. Cohn didn’t want the overhead or the headaches he saw saddling other studio chiefs with their contract talent. Cheaper and easier was to pay those studios a flat fee for the one-time use of their marquee value stars to give Columbia’s B-budgeted flicks an A-list shine. Columbia was considered such a nickel-and-dime outfit at the time that other...
For the uninformed, Harry Cohn was co-founder of Columbia Pictures, and the autocratic ruler of the studio from its founding in 1919 until his death in 1958. He was vulgar, crass, tyrannical, a screaming, foul-mouthed verbal bully i.e. a royal son of a bitch.
He was also a cheap son of a bitch.
Originally considered a “Poverty Row” studio, Cohn’s Columbia – at least at first – refused to build a roster of salaried stars as the other studios did. Cohn didn’t want the overhead or the headaches he saw saddling other studio chiefs with their contract talent. Cheaper and easier was to pay those studios a flat fee for the one-time use of their marquee value stars to give Columbia’s B-budgeted flicks an A-list shine. Columbia was considered such a nickel-and-dime outfit at the time that other...
- 6/22/2011
- by Bill Mesce
- SoundOnSight
Time for a quick break from the news coming out of Cannes. With the emphasis on quick, here's a bit on what's going on elsewhere.
First, on the film journal front, Midnight Eye's posted three new reviews and a feature by Mark Player, "Post-Human Nightmares: The World of Japanese Cyberpunk Cinema." The new Offscreen features pieces on Luis Buñuel, Jesús Franco, Wristcutters: A Love Story, A Single Man and 3D. Word from Catherine Grant: "The second issue of the new Movie: A Journal of Film Criticism has just been posted online, with a wonderful looking Lang dossier, a fine tribute to the late Robin Wood, which takes the form of seven of his rarest pieces from the 1960s, 70s and 80s. And there's more besides on Susan Hayward and Vincente Minnelli." Speaking of Lang, you'll want to see David Bordwell's latest entry on how Lang shifts our alignment and...
First, on the film journal front, Midnight Eye's posted three new reviews and a feature by Mark Player, "Post-Human Nightmares: The World of Japanese Cyberpunk Cinema." The new Offscreen features pieces on Luis Buñuel, Jesús Franco, Wristcutters: A Love Story, A Single Man and 3D. Word from Catherine Grant: "The second issue of the new Movie: A Journal of Film Criticism has just been posted online, with a wonderful looking Lang dossier, a fine tribute to the late Robin Wood, which takes the form of seven of his rarest pieces from the 1960s, 70s and 80s. And there's more besides on Susan Hayward and Vincente Minnelli." Speaking of Lang, you'll want to see David Bordwell's latest entry on how Lang shifts our alignment and...
- 5/16/2011
- MUBI
Reviewed by Elliot V. Kotek
(at the Toronto International Film Festival 2007; Golden Horse Award winner)
Director: Arthur Dong
Starring: Nancy Kwan, Joan Chen, Tsai Chin, James Hong, Christopher Lee, Justin Lin
(Writing from Tiff, where he brought his film for its premiere, Arthur Dong shares with Mpm the personal story behind the film.)
In-a-nutshell:
With Chinese the largest visible minority in Canada, it is not too surprising that the Tiff programmers chose to schedule Hollywood Chinese in this year’s festival. From the unfamiliar fame of Anna May Wong (The Toll of the Sea, Shanghai Express), to her perceived snubbing as the lead in The Good Earth, Dong’s documentary simmers amidst old-Hollywood’s promotion teams serving up top-billing to Caucasian stars in “yellow-face” in films promoted by teams pulling Chinese oxen through San Francisco’s streets inhabited by white women in silk dresses – in order to appeal to the...
(at the Toronto International Film Festival 2007; Golden Horse Award winner)
Director: Arthur Dong
Starring: Nancy Kwan, Joan Chen, Tsai Chin, James Hong, Christopher Lee, Justin Lin
(Writing from Tiff, where he brought his film for its premiere, Arthur Dong shares with Mpm the personal story behind the film.)
In-a-nutshell:
With Chinese the largest visible minority in Canada, it is not too surprising that the Tiff programmers chose to schedule Hollywood Chinese in this year’s festival. From the unfamiliar fame of Anna May Wong (The Toll of the Sea, Shanghai Express), to her perceived snubbing as the lead in The Good Earth, Dong’s documentary simmers amidst old-Hollywood’s promotion teams serving up top-billing to Caucasian stars in “yellow-face” in films promoted by teams pulling Chinese oxen through San Francisco’s streets inhabited by white women in silk dresses – in order to appeal to the...
- 1/28/2011
- by admin
- Moving Pictures Network
Reviewed by Elliot V. Kotek
(at the Toronto International Film Festival 2007; Golden Horse Award winner)
Director: Arthur Dong
Starring: Nancy Kwan, Joan Chen, Tsai Chin, James Hong, Christopher Lee, Justin Lin
(Writing from Tiff, where he brought his film for its premiere, Arthur Dong shares with Mpm the personal story behind the film.)
In-a-nutshell:
With Chinese the largest visible minority in Canada, it is not too surprising that the Tiff programmers chose to schedule Hollywood Chinese in this year’s festival. From the unfamiliar fame of Anna May Wong (The Toll of the Sea, Shanghai Express), to her perceived snubbing as the lead in The Good Earth, Dong’s documentary simmers amidst old-Hollywood’s promotion teams serving up top-billing to Caucasian stars in “yellow-face” in films promoted by teams pulling Chinese oxen through San Francisco’s streets inhabited by white women in silk dresses – in order to appeal to the...
(at the Toronto International Film Festival 2007; Golden Horse Award winner)
Director: Arthur Dong
Starring: Nancy Kwan, Joan Chen, Tsai Chin, James Hong, Christopher Lee, Justin Lin
(Writing from Tiff, where he brought his film for its premiere, Arthur Dong shares with Mpm the personal story behind the film.)
In-a-nutshell:
With Chinese the largest visible minority in Canada, it is not too surprising that the Tiff programmers chose to schedule Hollywood Chinese in this year’s festival. From the unfamiliar fame of Anna May Wong (The Toll of the Sea, Shanghai Express), to her perceived snubbing as the lead in The Good Earth, Dong’s documentary simmers amidst old-Hollywood’s promotion teams serving up top-billing to Caucasian stars in “yellow-face” in films promoted by teams pulling Chinese oxen through San Francisco’s streets inhabited by white women in silk dresses – in order to appeal to the...
- 1/28/2011
- by admin
- Moving Pictures Magazine
Reviewed by Elliot V. Kotek
(at the Toronto International Film Festival 2007; Golden Horse Award winner)
Director: Arthur Dong
Starring: Nancy Kwan, Joan Chen, Tsai Chin, James Hong, Christopher Lee, Justin Lin
(Writing from Tiff, where he brought his film for its premiere, Arthur Dong shares with Mpm the personal story behind the film.)
In-a-nutshell:
With Chinese the largest visible minority in Canada, it is not too surprising that the Tiff programmers chose to schedule Hollywood Chinese in this year’s festival. From the unfamiliar fame of Anna May Wong (The Toll of the Sea, Shanghai Express), to her perceived snubbing as the lead in The Good Earth, Dong’s documentary simmers amidst old-Hollywood’s promotion teams serving up top-billing to Caucasian stars in “yellow-face” in films promoted by teams pulling Chinese oxen through San Francisco’s streets inhabited by white women in silk dresses – in order to appeal to the...
(at the Toronto International Film Festival 2007; Golden Horse Award winner)
Director: Arthur Dong
Starring: Nancy Kwan, Joan Chen, Tsai Chin, James Hong, Christopher Lee, Justin Lin
(Writing from Tiff, where he brought his film for its premiere, Arthur Dong shares with Mpm the personal story behind the film.)
In-a-nutshell:
With Chinese the largest visible minority in Canada, it is not too surprising that the Tiff programmers chose to schedule Hollywood Chinese in this year’s festival. From the unfamiliar fame of Anna May Wong (The Toll of the Sea, Shanghai Express), to her perceived snubbing as the lead in The Good Earth, Dong’s documentary simmers amidst old-Hollywood’s promotion teams serving up top-billing to Caucasian stars in “yellow-face” in films promoted by teams pulling Chinese oxen through San Francisco’s streets inhabited by white women in silk dresses – in order to appeal to the...
- 1/28/2011
- by admin
- Moving Pictures Network
Reviewed by Elliot V. Kotek
(at the Toronto International Film Festival 2007; Golden Horse Award winner)
Director: Arthur Dong
Starring: Nancy Kwan, Joan Chen, Tsai Chin, James Hong, Christopher Lee, Justin Lin
(Writing from Tiff, where he brought his film for its premiere, Arthur Dong shares with Mpm the personal story behind the film.)
In-a-nutshell:
With Chinese the largest visible minority in Canada, it is not too surprising that the Tiff programmers chose to schedule Hollywood Chinese in this year’s festival. From the unfamiliar fame of Anna May Wong (The Toll of the Sea, Shanghai Express), to her perceived snubbing as the lead in The Good Earth, Dong’s documentary simmers amidst old-Hollywood’s promotion teams serving up top-billing to Caucasian stars in “yellow-face” in films promoted by teams pulling Chinese oxen through San Francisco’s streets inhabited by white women in silk dresses – in order to appeal to the...
(at the Toronto International Film Festival 2007; Golden Horse Award winner)
Director: Arthur Dong
Starring: Nancy Kwan, Joan Chen, Tsai Chin, James Hong, Christopher Lee, Justin Lin
(Writing from Tiff, where he brought his film for its premiere, Arthur Dong shares with Mpm the personal story behind the film.)
In-a-nutshell:
With Chinese the largest visible minority in Canada, it is not too surprising that the Tiff programmers chose to schedule Hollywood Chinese in this year’s festival. From the unfamiliar fame of Anna May Wong (The Toll of the Sea, Shanghai Express), to her perceived snubbing as the lead in The Good Earth, Dong’s documentary simmers amidst old-Hollywood’s promotion teams serving up top-billing to Caucasian stars in “yellow-face” in films promoted by teams pulling Chinese oxen through San Francisco’s streets inhabited by white women in silk dresses – in order to appeal to the...
- 1/28/2011
- by admin
- Moving Pictures Magazine
The Hawaii International Film Festival (Hiff) will hold a tribute screening of the documentary film "To Whom it May Concern: Ka Shen's Journey" Saturday, October 16 at 6:30pm.According to Hiff, "To Whom it May Concern: Ka Shen's Journey" is the definitive and true life story of Nancy Kwan, who as a young Eurasian girl from Hong Kong captured the hearts and minds of cinemagoers around the world in her stunning motion picture debut role in "The World of Suzie Wong" and, in her unforgettable follow-up role as “Linda Lo” in the all Asian,...
- 10/11/2010
- by Ed Moy, LA Asian American Movie Examiner
- Examiner Movies Channel
Act as cannon fodder for the next Jackie Chan, or take the Star Ferry to Kowloon for some neon glamour and play spot-the-film-location
If you've watched a lot of Hong Kong films but haven't visited the territory, you may be disappointed to find that there aren't gangs of nunchuck-wielding triads on every corner. Or cops bouncing up walls. Or goalies in yellow tracksuits flying 50ft up into the air to save goals.
But it is an undeniably filmic experience. Jump in a cab on the streets of Mong Kok, squint a bit and you could be in one of Wong Kar-wai's blurry arthouse puzzles. Hop on the open-top 15C bus as it bombs down the narrow, winding road from the Peak to Central and it's easy to imagine you're in one of Jackie Chan's inventive chases. Take the Star Ferry to Kowloon and relive the romance of The World of Suzie Wong.
If you've watched a lot of Hong Kong films but haven't visited the territory, you may be disappointed to find that there aren't gangs of nunchuck-wielding triads on every corner. Or cops bouncing up walls. Or goalies in yellow tracksuits flying 50ft up into the air to save goals.
But it is an undeniably filmic experience. Jump in a cab on the streets of Mong Kok, squint a bit and you could be in one of Wong Kar-wai's blurry arthouse puzzles. Hop on the open-top 15C bus as it bombs down the narrow, winding road from the Peak to Central and it's easy to imagine you're in one of Jackie Chan's inventive chases. Take the Star Ferry to Kowloon and relive the romance of The World of Suzie Wong.
- 10/8/2010
- by Richard Vine
- The Guardian - Film News
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