Witness (1985)

Director:

Peter Weir

Writers:

William Kelley (story) and
Pamela Wallace (story) ...

Release Date:

8 February 1985 (USA)

Genre:

Drama | Romance | Thriller

Tagline:

Harrison Ford is John Book - A big city cop who knows too much. His only evidence: a small boy who's seen too much...

Plot:

A young Amish boy is sole witness to a murder; policeman John Book goes into hiding in Amish country to protect him until the trial.

Plot Keywords:

Amish | Murder | Police | Train | Love

Awards:

Won 2 Oscars. Another 10 wins & 25 nominations

Cast

Harrison Ford	...	Det. Capt. John Book
Kelly McGillis	...	Rachel Lapp
Josef Sommer	...	Chief Paul Schaeffer
Lukas Haas	...	Samuel Lapp
Jan Rubes	...	Eli Lapp
Alexander Godunov	...	Daniel Hochleitner
Danny Glover	...	Det. Lt. James McFee
Brent Jennings	...	Det. Sgt. Elden Carter
Patti LuPone	...	Elaine
Angus MacInnes	...	Det. 'Fergie'
Frederick Rolf	...	Stoltzfus
Viggo Mortensen	...	Moses Hochleitner
John Garson	...	Bishop Tchantz
Beverly May	...	Mrs. Yoder
Ed Crowley	...	Sheriff

Also Known As:

Called Home (USA) (working title)

Runtime:

112 min

Country:

USA

Language:

English | German

Colour:

Colour (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Iceland:16 | Australia:M | South Korea:15 | USA:R (certificate #27540) | Sweden:11 | Argentina:13 | Ireland:15 | Peru:14 | Singapore:NC-16 | UK:15 | West Germany:12

Filming Locations:

30th Street Station - 3001 Market Street, Philadelphia, Pennsylvania, USA

Company:

Paramount Pictures

Trivia:

The climax at the final scene was inspired in part by High Noon (1952), in which an outnumbered man takes out his foes one by one, using his wits and ingenuity.

Goofs:

Factual errors: In the scene where Rachel hands him his gun, Book puts it in his side pants pocket. Amish men's clothes do not have side pockets.

Quotes:

Daniel Hochleitner: Your hole, it is better now?
John Book: Yeah, it's pretty much healed.
Daniel Hochleitner: Good. Then you can go home.

Movie Connections:

Referenced in "The Nanny: Yetta's Letters (#6.18)" (1999)

Soundtrack:

PARTY DOWN

topnotch

This is one of those movies whose virtues and subtleties become more and more apparent with subsequent viewings. The crime story is nothing more than a pretense - a "MacGuffin", in Hitchcock's phrase - on which to hang this sensitive and insightful story of the conflict between modernity and the culture of the Amish, which is portrayed here with admiring respect and not a hint of condescension.

Harrison Ford's portrayal of John Book is perhaps his finest work on screen so far. In particular, Book's struggle to suppress his rising attraction for Rachel, and his tormented realization that a relationship between them is not possible, is achingly portrayed. Ford's effort is well-matched by Kelly McGillis, whose beauty here is almost breathtaking. The erotic interplay between them, because it is consummated, gives off an almost painful tension, and the easily lampooned "running through the field" scene - because it has been led up to so convincingly - is almost heartbreaking. The character of Eli Lapp, wonderfully played by Jan Rubes, is richly multifaceted. His suspicion of the "English" outsider and his anger at Rachel's attraction to him, is surmounted by an underlying humanity. His parting words to Book, "You be careful out there among them English," are moving testimony to his acceptance of him. His stern yet loving dialogue to his grandson about renouncing hatred and violence is a treasured moment.

Both direction and cinematography are spendid. The simplicity of Amish interiors is shot in a way that makes its austerity almost beautiful, and the barnraising scene is an exercise in cinematic lyricism.

It would be easy to fault the movie for the facile scene in which the punks taunting of Book's newfound friends and protectors drives him over the edge (Eli: "It's not our way, Book" Book: "No, bit it's MY way."), but his gift to the young thug of a bloody nose is mighty satisfying to behold.

My one criticism is with the music; certainly not with the venerable Maurice Jarre's score itself, but with its paltry synthesized realization. They should have found the money to spring for a full orchestra.

In short, a highly satisfying, richly themed, and multifacted film which is well worth watching.