Marianne (II) (1929) User Reviews

Mostly a pleasant curiosity

[psteier · 5/10 · 3 April 2001]

Marion Davies plays a French girl whose fiancee is at the front in World War I. When American troops are billeted in her village after the armistice, she is romanced by and falls for a soldier, and must make a decision who to go with when her fiancee returns blinded.

Made when some in Hollywood hoped that sound pictures would be a passing fad, the same story was also filmed as the talkie 'Marianne (1929/I)' using the same sets but mostly different actors.

Pleasant, but nothing to go out of the way for except perhaps to compare it to the sound version (which I haven't seen).

Marion Davies in the Silent MARIANNE

[drednm · 3 July 2008]

The first version of Marion Davies' MARIANNE was a silent film (completed and released on a limited basis) in 1929. MGM made an odd but successful decision to re-shoot the entire film as a talkie (with songs) rather than create the usual "goat-gland" film by adding dialog or sound effects to a silent film. The result was a delightful starring talkie debut for Davies.

In the original silent version, we have exactly the same story (almost scene for scene) but with a different cast. The leading man here is Oscar Shaw (rather than Lawrence Gray) with comedy support from Robert Ames (rather than Cliff Edwards and Benny Rubin in the talkie). Robert Castle (also billed as Fred Solm) appears as Andre in both versions. Mack Swain plays the general in the silent version.

While the silent MARIANNE is an OK film in its own right, Shaw is a bland leading man and Ames adds little in the way of comic relief. I suppose it's unfair to compare the two films, but the silent version is very rare in any case, while the talkie version of MARIANNE shows up regularly on TV.

Davies was a top silent comedienne, and her work in MARIANNE is quite good, especially in the scene where she masquerades as a lieutenant with a bizarre mustache (and learns to smoke a cigar). MARIANNE would be the final silent film for the great Marion Davies.

3 is an extremely generous mark!

[JohnHowardReid · 3/10 · 14 January 2018]

I like Marion Davies. A very talented actress in both comedic and dramatic roles, she is let down in this movie by an extremely talky, boring and even ugly script which thanks to Robert Z. Leonard's uncaringly listless direction and uncommonly lethargic pacing, seems twice as tedious in the acting than it did in the reading (I have a copy of the screenplay).

Admittedly, the musical numbers are pleasant enough, and Cliff Edwards contributes a song or two, but all in all I can understand Mr Hearst's willingness to put the blame on Mame. The movie is prominently labeled, "A Marion Davies Production", and then in much, much smaller lettering, "A Cosmopolitan Picture".

(While I'm on this subject, another Davies-Hearst disappointment is the 1927, The Red Mill. The appeal of this vehicle lies almost solely in its wonderful Victor Herbert score, played by theatre orchestras when the movie was originally shown, but now oddly absent, even though the music is in the public domain. Without music, The Red Mill with its fairy tale story and preposterous characters does not impress.)