Miller's Girl presents a perspective of a romantic affair between a student (Jenna Ortega as Cairo Sweet) and its teacher (Martin Freeman as Jonathan Miller). It is a very ambitious and intriguing idea to explore, I really liked the plot and how it slowly unfolded, how the characters evolved and how eventually Cairo and Martin turned out to be complex characters that carried a lot of personal and professional baggage yet they connected and felt heard and understood thanks to their mutual interest in literature and writing. Now, obviously there's a lot more that's going on, more nuances, subtlety and delicacy and not to even mention the other "situationship" presented but it makes you wonder on another level... does love have limits? Is there such a thing as a forbidden love? Does even right or wrong exist when love is involved? Or, at the same time... is it really about love or is it something else?
Both Freeman and Ortega deliver good performances and it serve their characters well, but it sometimes felt during the first acts like they lacked that chemistry, that connection that was supposed to urge their attraction, desire, tension; that "I want it so bad that nothing else matters"; their interaction with other characters involved seemed more natural than when they were together.
Jade Halley Bartlett creates this motion picture with a sort of aristocratic dark fantasy visual language and score in mind which plays an important part in the production itself especially in certain scenes implying the ideas of mystery, of desire, even of the forbidden and the unacceptable - yet, it felt a bit all over the place and unnecessary at times because it created a few clichés such as the mysterious girl that comes out of a misty forest thingy and it just pulls you out of the story.
Throughout the film it seems to be an incomplete puzzle yet in such a good way because you get most of the pieces, but you also have to create the missing ones by yourself. The ending is arguably the most impactful and well made on this matter because even though an open ending is not reinventing the wheel, this time the final scene can actually be interpreted in such many ways, all of them viable and credible since, as earlier mentioned, the film was packed with many nuances and tones, hints and implies of what actually might have happened.
The film is pretty good when reflected a bit upon it.
Both Freeman and Ortega deliver good performances and it serve their characters well, but it sometimes felt during the first acts like they lacked that chemistry, that connection that was supposed to urge their attraction, desire, tension; that "I want it so bad that nothing else matters"; their interaction with other characters involved seemed more natural than when they were together.
Jade Halley Bartlett creates this motion picture with a sort of aristocratic dark fantasy visual language and score in mind which plays an important part in the production itself especially in certain scenes implying the ideas of mystery, of desire, even of the forbidden and the unacceptable - yet, it felt a bit all over the place and unnecessary at times because it created a few clichés such as the mysterious girl that comes out of a misty forest thingy and it just pulls you out of the story.
Throughout the film it seems to be an incomplete puzzle yet in such a good way because you get most of the pieces, but you also have to create the missing ones by yourself. The ending is arguably the most impactful and well made on this matter because even though an open ending is not reinventing the wheel, this time the final scene can actually be interpreted in such many ways, all of them viable and credible since, as earlier mentioned, the film was packed with many nuances and tones, hints and implies of what actually might have happened.
The film is pretty good when reflected a bit upon it.