Once again The Man with the Umbrella is reproduced, Bergman intervenes in the narrative through a third force, breaking the fourth wall several times in the plot, the story itself becoming a story of overstatement, of demons, of angels that can't help but become a form of torture each time they gaze at the audience.
I'm very surprised that this is not included in that religious trilogy, which is also a relatively very religious work by Bergman after The Seventh Seal, where true love can only liberate people under the kidnapping of ethics and morality.
Bergman's religious themes always give people a color with a question mark, compared to the previous parts of this one is very easy to understand, but also commonplace!
I'm very surprised that this is not included in that religious trilogy, which is also a relatively very religious work by Bergman after The Seventh Seal, where true love can only liberate people under the kidnapping of ethics and morality.
Bergman's religious themes always give people a color with a question mark, compared to the previous parts of this one is very easy to understand, but also commonplace!