"Head" is a surreal and groundbreaking film that catapults the audience into a psychedelic journey through the bizarre mindscape of The Monkees, the iconic pop-rock band of the 1960s. Released in 1968, during the peak of the counterculture movement, the film stands as a testament to the era's experimental and anti-establishment spirit.
Directed by Bob Rafelson and co-written by Rafelson and Jack Nicholson, "Head" challenges traditional narrative structures and blurs the lines between reality and fantasy. The movie unfolds as a series of disjointed and seemingly unrelated vignettes, featuring The Monkees-Davy Jones, Micky Dolenz, Peter Tork, and Michael Nesmith-in a variety of surreal scenarios. From a war zone to a giant Coca-Cola machine, the film takes the audience on a wild ride that defies conventional storytelling.
One of the film's strengths lies in its self-awareness and willingness to deconstruct The Monkees' manufactured image. "Head" serves as a meta-commentary on fame, the music industry, and the constraints imposed on artists by commercial interests. The Monkees, who were initially created for a television show to be an American analog of the Beatles, use the film as a platform to break free from their manufactured personas and express their frustration with the industry.
The soundtrack, featuring music by The Monkees and compositions by Jack Nicholson and Harry Nilsson, adds to the film's psychedelic atmosphere. The eclectic mix of songs complements the film's disjointed narrative and contributes to its overall trippy vibe.
"Head" was ahead of its time in its approach to filmmaking and storytelling. While it was not a commercial success upon its release, it has gained a cult following over the years, appreciated for its bold experimentation and artistic ambition. The film's non-linear structure and unconventional style make it a unique and memorable piece of 1960s cinema, offering a glimpse into the counterculture's influence on popular media.
Directed by Bob Rafelson and co-written by Rafelson and Jack Nicholson, "Head" challenges traditional narrative structures and blurs the lines between reality and fantasy. The movie unfolds as a series of disjointed and seemingly unrelated vignettes, featuring The Monkees-Davy Jones, Micky Dolenz, Peter Tork, and Michael Nesmith-in a variety of surreal scenarios. From a war zone to a giant Coca-Cola machine, the film takes the audience on a wild ride that defies conventional storytelling.
One of the film's strengths lies in its self-awareness and willingness to deconstruct The Monkees' manufactured image. "Head" serves as a meta-commentary on fame, the music industry, and the constraints imposed on artists by commercial interests. The Monkees, who were initially created for a television show to be an American analog of the Beatles, use the film as a platform to break free from their manufactured personas and express their frustration with the industry.
The soundtrack, featuring music by The Monkees and compositions by Jack Nicholson and Harry Nilsson, adds to the film's psychedelic atmosphere. The eclectic mix of songs complements the film's disjointed narrative and contributes to its overall trippy vibe.
"Head" was ahead of its time in its approach to filmmaking and storytelling. While it was not a commercial success upon its release, it has gained a cult following over the years, appreciated for its bold experimentation and artistic ambition. The film's non-linear structure and unconventional style make it a unique and memorable piece of 1960s cinema, offering a glimpse into the counterculture's influence on popular media.