Embracing the socially conscious - yet still exploitative - black humor and tongue in cheek style of the Brazilian Mouth of Garbage Cinema (Boca do Lixo), the man known as Coffin Joe - José Mojica Marins - directed co-wrote (with Rubens Francisco Luchetti) and stars in this story of a man named Finis Hominis who rises naked from the ocean and walks through the streets of the city, changing the world.
After helping a woman in a wheelchair to walk, protecting a woman and her child from a gang and then being given the finest in clothing, he walks to a church where he drinks Holy Water and is proclaimed Finis Hominis, the end of man. He brings the dead back to life, gathers followers and upsets the leaders of the world until he announces that he must return home. And that is an insane asylum. And this has happened before.
A messiah and an insane person may be the same. That seems like what Marins is saying in a film that avoids his traditional horror look, feel and main character and instead, trips out.
After helping a woman in a wheelchair to walk, protecting a woman and her child from a gang and then being given the finest in clothing, he walks to a church where he drinks Holy Water and is proclaimed Finis Hominis, the end of man. He brings the dead back to life, gathers followers and upsets the leaders of the world until he announces that he must return home. And that is an insane asylum. And this has happened before.
A messiah and an insane person may be the same. That seems like what Marins is saying in a film that avoids his traditional horror look, feel and main character and instead, trips out.