Robert Hossin directed and started in over 25 films. He had a distinctive "Noir" style. Always exquisitely photographed with a haunting original score. His persona, unlike Tritingant's cerebral quietness, is that of a lost soul searching for love only to be interrupted by violent inner demons. The Vampire of Deseldorf is no exception. The vampire here is a blue beard character who is disarmingly charming. Hossein, with little dialogue, captured the character with his eyes revealing a conflicted interior life.
Other Hossien motifs include wide-angle shots with large well-choreographed crowd scenes, long narrow streets shot at night, and a labyrinth this time made of brush.
Marie-France Pisier, in an early ingenue role, co-stars as a Marlene Dietrich-type cabaret singer. Her scenes include a lovely ballad. The film also includes a fine cast of supporting actors, another Hossein specialty.
Other Hossien motifs include wide-angle shots with large well-choreographed crowd scenes, long narrow streets shot at night, and a labyrinth this time made of brush.
Marie-France Pisier, in an early ingenue role, co-stars as a Marlene Dietrich-type cabaret singer. Her scenes include a lovely ballad. The film also includes a fine cast of supporting actors, another Hossein specialty.