Korean director once again used concise and powerful shots to criticize a certain kind of difficult-to-solve structural defect in society.
The first half of the film is a bit tedious, but the story progresses gradually and vividly reflects common workplace culture. The second half of the film turns sharply, and the film begins to question relevant departments sharply. The shots in this section are powerful and inspiring. Interestingly, when you look back at it, all kinds of trivial descriptions in the first half are indispensable and extremely vivid. The whole movie is seamless and neat. There are no superfluous scenes, and each character is designed appropriately and full of details.
Someone can use this as a topic to expose the universality of corporate trampling on labor laws, which is a brave and admirable behavior in East Asia where governments often fail to protect workers' rights. I am very pleased with this.
The first half of the film is a bit tedious, but the story progresses gradually and vividly reflects common workplace culture. The second half of the film turns sharply, and the film begins to question relevant departments sharply. The shots in this section are powerful and inspiring. Interestingly, when you look back at it, all kinds of trivial descriptions in the first half are indispensable and extremely vivid. The whole movie is seamless and neat. There are no superfluous scenes, and each character is designed appropriately and full of details.
Someone can use this as a topic to expose the universality of corporate trampling on labor laws, which is a brave and admirable behavior in East Asia where governments often fail to protect workers' rights. I am very pleased with this.