Director Jacques Becker is credited with giving former wrestler Lino Ventura his break in films, for which we owe him a debt of thanks and here Ventura's co-star is Becker's widow Francoise Fabian.
Not only is this an expertly crafted 'heist' movie but also depicts an unlikely romance between polar opposites in the shape of a mucho macho, monogamous, uneducated crook and and an elegant, sexually liberated, cultured antique dealer. They are played to perfection by Ventura and Fabian whose chemistry is palpable. There are also humorous exchanges between Ventura and his loyal but rather dim-witted associate played by Charles Gérard.
Despite the customary pot pourri of styles employed by Claude Lelouch this is certainly one of his most accessible and entertaining films. It spans a period of seven years during most of which Ventura's character spends behind bars. There are flashbacks within flashbacks during one of which we are treated to scenes from this director's most popular film from the previous decade which could be seen as a comment on the changing social climate.
Pierre Uytterhoven has again collaborated on the script, Francis Lai once more provides the score whilst Lelouch himself operates the camera.
Lelouch has been unfairly labelled by many as a one-hit wonder which does him a great disservice and undervalues his creativity, imagination, technical skill and the freedom he gives his actors.
An homogenised Hollywood makeover with its obligatory 'feel good' factor came and went.
Not only is this an expertly crafted 'heist' movie but also depicts an unlikely romance between polar opposites in the shape of a mucho macho, monogamous, uneducated crook and and an elegant, sexually liberated, cultured antique dealer. They are played to perfection by Ventura and Fabian whose chemistry is palpable. There are also humorous exchanges between Ventura and his loyal but rather dim-witted associate played by Charles Gérard.
Despite the customary pot pourri of styles employed by Claude Lelouch this is certainly one of his most accessible and entertaining films. It spans a period of seven years during most of which Ventura's character spends behind bars. There are flashbacks within flashbacks during one of which we are treated to scenes from this director's most popular film from the previous decade which could be seen as a comment on the changing social climate.
Pierre Uytterhoven has again collaborated on the script, Francis Lai once more provides the score whilst Lelouch himself operates the camera.
Lelouch has been unfairly labelled by many as a one-hit wonder which does him a great disservice and undervalues his creativity, imagination, technical skill and the freedom he gives his actors.
An homogenised Hollywood makeover with its obligatory 'feel good' factor came and went.