Enjoyable yet cliched and derivative ending for an enjoyable yet cliched and derivative show.
Previously used Enid's inability to wolf out and her mother's attempt at enrolling her in conversion therapy as a ham-fisted metaphor for gay children and bigoted parents, which then became a cornerstone in Enid's character development and accepting herself for who she is, only to reverse that as a narrative cop-out for a cheap fight scene. Said cheap fight scene was only bested by the even cheaper climactic fight scene against a boring resurrected Joseph Crackstone. At least it makes the vomit-inducing love triangle somewhat forgettable.
Previously used Enid's inability to wolf out and her mother's attempt at enrolling her in conversion therapy as a ham-fisted metaphor for gay children and bigoted parents, which then became a cornerstone in Enid's character development and accepting herself for who she is, only to reverse that as a narrative cop-out for a cheap fight scene. Said cheap fight scene was only bested by the even cheaper climactic fight scene against a boring resurrected Joseph Crackstone. At least it makes the vomit-inducing love triangle somewhat forgettable.