Sometimes you just want to watch a dubious SyFy movie about a tyrannosaur in an unlikely setting. And sometimes the very first appearance of the computer-generated lizard makes you regret your decision. It's not that I had high expectations at any point, but I thought there was potential in the concept. Instead - despite my commitment to watching - by the time only ten minutes had passed I had all but given up hope. 'Aztec Rex,' also known as 'Tyrannosaurus Azteca,' is dull, boring, cliched, and altogether questionable.
The costume design, makeup work, and set design are okay. The filming locations are gorgeous. Unfortunately, that's the closest I can come to offering praise, and otherwise the picture can be best described as specious and flimsy. With little variation, the conquistadors are unquestionably the villains of the story, as they are in real-life history, and this is cemented by imperialist musings and racism. The writing also reflects racist overtones in how the Aztecs are written, to say nothing of the direly weak excuse given for how the Spaniards and the indigenous people can understand each other. The dialogue, narrative, and scene writing are hackneyed and tedious, flagging and dragging from the very start as they contribute to meager pacing - and are almost entirely defined by tropes. This is true not least of all in regards to supporting character Ayacoatl, who as the only woman to appear on-screen with meaningful storytelling substance is obligated to embody every archetype of female characters, no matter how contrived.
Everyone in the cast does the best they can with the material they're given, but considering how appallingly thin and empty the writing is, their best can scarcely begin to make a difference. This particularly goes for Dichen Lachman as Ayacoatl - she tries to infuse her role with earnest nuance and personality, but more than anything else I feel sorry for her as she's stuck in this production, and her effort broadly comes across as overacting just as much as some of her costars (if in a different way). As wholly unbelievable as the CGI tyrannosaur appears, and the violence associated with it, the costume design that already barely passes muster sometimes weirdly bears the appearance of itself being created with green-screen effects. Speaking of effects, the most basic tangible blood or gore we see looks good, but the more grand it is, the less convincing it becomes. Meanwhile, Brian Trenchard-Smith's direction, and the fundamental orchestration and execution of most scenes, mostly feels pointedly stilted, halfhearted, and lacking.
It's very possible to enjoy movies like 'Aztec Rex.' Sometimes they're duly sincere with sufficient hard work put into them that, if imperfect, means they're very entertaining. At other times, whether intentionally over the top or accidentally flailing, such titles can be fun because they come across as (bad) B-movies. In this instance, however, the concatenation of every flaw and shortcoming is so overwhelming that the picture is robbed of almost all possible value. I won't say that it's entirely bereft - the climax is actually pretty well done - but the end result here is so desperate and trying as a viewing experience that it can surely be recommendable only for the profoundly curious or the immensely bored. 'Aztec Rex' certainly isn't the worst of all possible movies, and I wish I could say that I like it more than I do, but it's close enough that I'm forced to second-guess my choices in life.
The costume design, makeup work, and set design are okay. The filming locations are gorgeous. Unfortunately, that's the closest I can come to offering praise, and otherwise the picture can be best described as specious and flimsy. With little variation, the conquistadors are unquestionably the villains of the story, as they are in real-life history, and this is cemented by imperialist musings and racism. The writing also reflects racist overtones in how the Aztecs are written, to say nothing of the direly weak excuse given for how the Spaniards and the indigenous people can understand each other. The dialogue, narrative, and scene writing are hackneyed and tedious, flagging and dragging from the very start as they contribute to meager pacing - and are almost entirely defined by tropes. This is true not least of all in regards to supporting character Ayacoatl, who as the only woman to appear on-screen with meaningful storytelling substance is obligated to embody every archetype of female characters, no matter how contrived.
Everyone in the cast does the best they can with the material they're given, but considering how appallingly thin and empty the writing is, their best can scarcely begin to make a difference. This particularly goes for Dichen Lachman as Ayacoatl - she tries to infuse her role with earnest nuance and personality, but more than anything else I feel sorry for her as she's stuck in this production, and her effort broadly comes across as overacting just as much as some of her costars (if in a different way). As wholly unbelievable as the CGI tyrannosaur appears, and the violence associated with it, the costume design that already barely passes muster sometimes weirdly bears the appearance of itself being created with green-screen effects. Speaking of effects, the most basic tangible blood or gore we see looks good, but the more grand it is, the less convincing it becomes. Meanwhile, Brian Trenchard-Smith's direction, and the fundamental orchestration and execution of most scenes, mostly feels pointedly stilted, halfhearted, and lacking.
It's very possible to enjoy movies like 'Aztec Rex.' Sometimes they're duly sincere with sufficient hard work put into them that, if imperfect, means they're very entertaining. At other times, whether intentionally over the top or accidentally flailing, such titles can be fun because they come across as (bad) B-movies. In this instance, however, the concatenation of every flaw and shortcoming is so overwhelming that the picture is robbed of almost all possible value. I won't say that it's entirely bereft - the climax is actually pretty well done - but the end result here is so desperate and trying as a viewing experience that it can surely be recommendable only for the profoundly curious or the immensely bored. 'Aztec Rex' certainly isn't the worst of all possible movies, and I wish I could say that I like it more than I do, but it's close enough that I'm forced to second-guess my choices in life.