Historically doubtful, at moments inaccurate depiction of 2nd half of the 20th century Zagreb. Success of the series should not be founded on the nostalgia of older people (there is nothing non-artistic in evoking nostalgia, but to rely solely on it is pathetic) and on the greatness of the Croatian classic from 1970 (Tko pjeva, zlo ne misli). Expensive production (as well as advertising on the Croatian radiotelevision, web banners and billboards), payed by Croatian taxpayers, shouldn't result in historical inaccuracies, recycling and mediocre acting.
Review of Dnevnik velikog Perice
