Documentary nominated for the Oscar 2022 directed by Jessica Kingdon, an American of Chinese origin.
The film differs from many recent documentaries in that it doesn't have those interviews with people sitting there looking at the camera, nor does it have a narrator to drive the story. The director's camera only observes, sometimes from afar, sometimes up close, the daily lives of workers in the poignant Chinese economy.
In the name of productivity, anything goes, especially the exploitation of workers. It is almost incomprehensible to me to see a recruitment of workers by major Chinese industries stating that the work can be done sitting down or that no health examination is required to enter. Others shout that the work is done 100% standing, demand maximum height of the worker, that workers will sleep in rooms with up to eight people in the same room, or hear that whoever decides if the duration the worker worked that day is their boss.
Perhaps because of her origins, in the end, the director tries to glamorize the toughness she showed, putting on the screen moments of relaxation of hundreds of Chinese in a water park, as if she wanted to convey the message: "work without limits pays".
As there are almost no lines, and when there are, they are dialogues between the workers, with long scenes, the documentary gets monotonous from the middle.
Anyway, it was valid to know the reality of Chinese workers.
The film differs from many recent documentaries in that it doesn't have those interviews with people sitting there looking at the camera, nor does it have a narrator to drive the story. The director's camera only observes, sometimes from afar, sometimes up close, the daily lives of workers in the poignant Chinese economy.
In the name of productivity, anything goes, especially the exploitation of workers. It is almost incomprehensible to me to see a recruitment of workers by major Chinese industries stating that the work can be done sitting down or that no health examination is required to enter. Others shout that the work is done 100% standing, demand maximum height of the worker, that workers will sleep in rooms with up to eight people in the same room, or hear that whoever decides if the duration the worker worked that day is their boss.
Perhaps because of her origins, in the end, the director tries to glamorize the toughness she showed, putting on the screen moments of relaxation of hundreds of Chinese in a water park, as if she wanted to convey the message: "work without limits pays".
As there are almost no lines, and when there are, they are dialogues between the workers, with long scenes, the documentary gets monotonous from the middle.
Anyway, it was valid to know the reality of Chinese workers.