Adages such as 'the Observer Changes the Experiment' sum up this insightful reflection on the limitations of perspective.
As a camera operator and documentary filmmaker myself, I can say that it is easy to confuse what is captured in the lens with the reality. But the map is not the territory, and the image is not the object in question.
Instead, as Theo Anthony's film explains, it is something of a parallax problem -- the position of the observer -- and indeed one's position in authority, as with law enforcement in this film, alters or at least CAN alter what is "seen" in the image.
It's just about accountability and openness, but about understanding the position of observation -- making an apt (but admittedly obscure) metaphor with the Transit of Venus -- a textbook case of parallax perspective-shift.
Parallax (noun) 2. An apparent displacement of an object observed, due to real displacement of the observer, so that the direction of the former with reference to the latter is changed.
Seeing and being seen in an increasingly surveillance- and sousveillance-oriented society cannot account for all the human factors. Bias is built in and hard to strip away.
We have a tendency to take things for granted - i.e. "what you see is what you get" -- but the human eye does not take in the real world, and the brain and its functions remain completely isolated from that real world.
And thus, symbols are substituted in mental calculations, assumptions driving thinking and decision making.. and the questions of morality, justice, fairness and more are mired in the complex questions surrounding the meta-field of Cybernetics dating back to the 50s. My film "The Minds of Men" (2018) covers similar topics from a totally different perspective.
But my interest in the material I have research primed me for the appreciation of Theo Anthony's' fine film. It requires time to digest and think it over, and some audiences don't have energy for that, but a thoughtful viewer will have a lot to walk away with from this rich film.
As a camera operator and documentary filmmaker myself, I can say that it is easy to confuse what is captured in the lens with the reality. But the map is not the territory, and the image is not the object in question.
Instead, as Theo Anthony's film explains, it is something of a parallax problem -- the position of the observer -- and indeed one's position in authority, as with law enforcement in this film, alters or at least CAN alter what is "seen" in the image.
It's just about accountability and openness, but about understanding the position of observation -- making an apt (but admittedly obscure) metaphor with the Transit of Venus -- a textbook case of parallax perspective-shift.
Parallax (noun) 2. An apparent displacement of an object observed, due to real displacement of the observer, so that the direction of the former with reference to the latter is changed.
Seeing and being seen in an increasingly surveillance- and sousveillance-oriented society cannot account for all the human factors. Bias is built in and hard to strip away.
We have a tendency to take things for granted - i.e. "what you see is what you get" -- but the human eye does not take in the real world, and the brain and its functions remain completely isolated from that real world.
And thus, symbols are substituted in mental calculations, assumptions driving thinking and decision making.. and the questions of morality, justice, fairness and more are mired in the complex questions surrounding the meta-field of Cybernetics dating back to the 50s. My film "The Minds of Men" (2018) covers similar topics from a totally different perspective.
But my interest in the material I have research primed me for the appreciation of Theo Anthony's' fine film. It requires time to digest and think it over, and some audiences don't have energy for that, but a thoughtful viewer will have a lot to walk away with from this rich film.