For a reason I could never understand, everyone expected a "Rome" from Sorrentino. And out of every 5 reviews written about this movie, 4 of them mentioned the movie 'ROMA'.
Sorrentino made his own 'È stata la mano di Dio' rather than his own Rome, and he did it well.
I didn't want to watch this movie without a proper copy, when Netflix came to my rescue.
It was a beautiful film with everything from its editing to the role its screenplay plays in storytelling, from the angle choices of the cinematographer to the sometimes exaggerated and everywhere calm performances of the actors.
It's been a long time since I heard Italian "in a good sense" in the cinema.
And it was worth the wait.
Sorrentino made his own 'È stata la mano di Dio' rather than his own Rome, and he did it well.
I didn't want to watch this movie without a proper copy, when Netflix came to my rescue.
It was a beautiful film with everything from its editing to the role its screenplay plays in storytelling, from the angle choices of the cinematographer to the sometimes exaggerated and everywhere calm performances of the actors.
It's been a long time since I heard Italian "in a good sense" in the cinema.
And it was worth the wait.