Jude Law takes the title role in this remake of the 1966 flick that was the follow-up hit that confirmed Michael Caine as a star. He's been an enduring one, still turning them out, as British actors do, whenever he's asked. 130 movies, with three n various stages of production. Good on him.
But we're talking about the 2004 production, and Jude Law here. Remakes of classics always start with a disadvantage. Just as Caine undoubtedly had to contend with comparisons to Terence Stamp's performance in the original stage production (Stamp turned down the movie, and helped talk Caine into it, impelled, no doubt, by a hope that a good paycheck would get Caine out of his apartment and into his own flat). So lets get to it: Law plays a playboy, not uncaring, but happy with his life of plenty of women and no attachments, who comes to realize that's not what he wants. Caine played the same facade and base.... and then layered them with the coldness he plays so well. Law thinks he has it all; Caine brought an amount of misogynistic disdain into the mix. That might not play in the 21st century, but it's a more nuanced and interesting performance, watching Alfie's change from a cheap villain into his own victim.
Still, this is a handsome production, reset in New York City for no particular reason, and offering a good time. It's not a classic, but it is a good film.
But we're talking about the 2004 production, and Jude Law here. Remakes of classics always start with a disadvantage. Just as Caine undoubtedly had to contend with comparisons to Terence Stamp's performance in the original stage production (Stamp turned down the movie, and helped talk Caine into it, impelled, no doubt, by a hope that a good paycheck would get Caine out of his apartment and into his own flat). So lets get to it: Law plays a playboy, not uncaring, but happy with his life of plenty of women and no attachments, who comes to realize that's not what he wants. Caine played the same facade and base.... and then layered them with the coldness he plays so well. Law thinks he has it all; Caine brought an amount of misogynistic disdain into the mix. That might not play in the 21st century, but it's a more nuanced and interesting performance, watching Alfie's change from a cheap villain into his own victim.
Still, this is a handsome production, reset in New York City for no particular reason, and offering a good time. It's not a classic, but it is a good film.