After finding For Roger (2021-also reviewed) to be a disappointing opening title at the online GRIMM Film Festival,I decided to get ready to catch the second movie in the line-up,by following the flies.
View on the film:
Standing outside the family home with the forced out mother, co-writer (with Nadia Doherty) / director Ben Charles Edwards & cinematographer John Bretherton unveil the troubled roots of the family tree with a surrealist mood piece atmosphere, which fleetingly shines in all too brief glimpses, as a masked woman dressed in ghostly white dances in the family home to The Cure song Lullaby.
Placing all the importance on weaving a mood to wash over the viewer as the screenplay remains in a hazy, dreamy state, Edwards takes the fleeting moments of getting into a surrealist Horror groove, and drives them all into the ground, via grinding,repetitive panning shots and zoom-ins which run over each sequence again and again until all mystique has faded with the father.
View on the film:
Standing outside the family home with the forced out mother, co-writer (with Nadia Doherty) / director Ben Charles Edwards & cinematographer John Bretherton unveil the troubled roots of the family tree with a surrealist mood piece atmosphere, which fleetingly shines in all too brief glimpses, as a masked woman dressed in ghostly white dances in the family home to The Cure song Lullaby.
Placing all the importance on weaving a mood to wash over the viewer as the screenplay remains in a hazy, dreamy state, Edwards takes the fleeting moments of getting into a surrealist Horror groove, and drives them all into the ground, via grinding,repetitive panning shots and zoom-ins which run over each sequence again and again until all mystique has faded with the father.