Intended as an unofficial sequel to Werner Herzogs' 1979 rethink of the silent classic from 1922, this decent horror film does manage to get some things right, even if it's not completely satisfying. A professor named Catalano (a very earnest Christopher Plummer) is called to modern-day Venice to investigate the last known appearance of the title fiend (Klaus Kinski, reprising his role in his next-to-last performance) at a local carnival in the 18th century. After he and others hold a seance, they come to learn what Nosferatu really desires most, but it remains to be seen if they're up to the task of defying him - much less destroying him.
The script here is not always terribly coherent in terms of explaining character stories and motivations, but this picture still contains plenty of potent atmosphere. The change of setting works to its advantage, and overall the story is taken QUITE seriously, with little to no humour to speak of. Interestingly, our heroes are portrayed as rather weak, making the haunted, sad-eyed antagonist a more compelling character. And Kinski is able to deliver one of his lower-key performances. That doesn't mean, however, that Nosferatu doesn't have his bestial, savage moments. And for a character who supposedly would welcome his own demise, he is always able to successfully thwart his nemeses' efforts.
One major asset is the lovely music score, partially composed by Luigi Ceccarelli and partially derived from Vangelis' album "Mask". The use of imagery is excellent, and the picture does have arty inclinations although it also takes the time to include some female nudity. The cast, also including such names as Greek actor Yorgo Voyagis ("Jesus of Nazareth") and Donald Pleasence ("Halloween"), is variable, but Pleasence himself can be quite amusing, especially when he's hamming it up near the end.
Worth a look for Kinski fans, and especially people desiring an atypical vampire saga, this reportedly employed several directors, including the credited one (Augusto Caminito), Luigi Cozzi, and even Kinski himself.
Seven out of 10.
The script here is not always terribly coherent in terms of explaining character stories and motivations, but this picture still contains plenty of potent atmosphere. The change of setting works to its advantage, and overall the story is taken QUITE seriously, with little to no humour to speak of. Interestingly, our heroes are portrayed as rather weak, making the haunted, sad-eyed antagonist a more compelling character. And Kinski is able to deliver one of his lower-key performances. That doesn't mean, however, that Nosferatu doesn't have his bestial, savage moments. And for a character who supposedly would welcome his own demise, he is always able to successfully thwart his nemeses' efforts.
One major asset is the lovely music score, partially composed by Luigi Ceccarelli and partially derived from Vangelis' album "Mask". The use of imagery is excellent, and the picture does have arty inclinations although it also takes the time to include some female nudity. The cast, also including such names as Greek actor Yorgo Voyagis ("Jesus of Nazareth") and Donald Pleasence ("Halloween"), is variable, but Pleasence himself can be quite amusing, especially when he's hamming it up near the end.
Worth a look for Kinski fans, and especially people desiring an atypical vampire saga, this reportedly employed several directors, including the credited one (Augusto Caminito), Luigi Cozzi, and even Kinski himself.
Seven out of 10.