Japanese cinema is full of great and creative directors. From Kurosawa and Mizugochi to more modern filmmakers like Kobayashi and Nagisa Oshima and Shishihara. Yet Ozu, like a detached taffeta of them all, deserves the title of the most Japanese filmmaker in the history of cinema. A filmmaker who, if they show you a shot of a film you have not seen before, you will immediately know that it was made by artist Yasujiro Ozu.
The Tokyo Story is one of the best films ever made and one of the most important works of art of the twentieth century. As an artist and, of course, a great teacher, Ozu slowly creates the structure of his masterpiece with his inherent camera and inherent calmness, so that the viewer suddenly finds himself in the middle of it without realizing it.
"The passage of irreversible moments" Life is the field of our right and wrong choices, and the Tokyo Story is a small corner of this life and choices, and with all its beauties and ugliness, it is full of flips and lessons. Look at the Tokyo Story movie not as a fun movie but as a lasting impact on your life forever, so that we may pay a little more attention to what we have today that may not be tomorrow.
The Tokyo Story is one of the best films ever made and one of the most important works of art of the twentieth century. As an artist and, of course, a great teacher, Ozu slowly creates the structure of his masterpiece with his inherent camera and inherent calmness, so that the viewer suddenly finds himself in the middle of it without realizing it.
"The passage of irreversible moments" Life is the field of our right and wrong choices, and the Tokyo Story is a small corner of this life and choices, and with all its beauties and ugliness, it is full of flips and lessons. Look at the Tokyo Story movie not as a fun movie but as a lasting impact on your life forever, so that we may pay a little more attention to what we have today that may not be tomorrow.