Based upon the diaries of Admiral Bernhard Rogge this film is, alas, something of a disappointment. Although 'capably' directed by Duilio Coletti with superb cinematography and score by his compatriots Aldo Tonti and Nino Rota, it is weakened by a poor screenplay.
There is some distinctly dodgy dubbing going on and many characters are underwritten. Both Eleonora Rossi Drago as the token Jewess and Mylene Demongeot as the obligatory eye candy have utterly thankless roles whilst at the other end of the spectrum we have Charles Laughton's hammy turn as Admiral Russell. This is an actor who has very often given performances that are touched by genius but here he is all bluff and bluster and rattles off his lines as though he has a plane to catch.
What holds the film together is Van Heflin as Rogge. His is by far the best written role and Mr. Heflin's performance is one of strength and compassion. A consummate professional whose like we will never see again.
One would have to say that despite the presence of Mr. Heflin and some effective moments, we have seen this sort of thing done so much better.
There is some distinctly dodgy dubbing going on and many characters are underwritten. Both Eleonora Rossi Drago as the token Jewess and Mylene Demongeot as the obligatory eye candy have utterly thankless roles whilst at the other end of the spectrum we have Charles Laughton's hammy turn as Admiral Russell. This is an actor who has very often given performances that are touched by genius but here he is all bluff and bluster and rattles off his lines as though he has a plane to catch.
What holds the film together is Van Heflin as Rogge. His is by far the best written role and Mr. Heflin's performance is one of strength and compassion. A consummate professional whose like we will never see again.
One would have to say that despite the presence of Mr. Heflin and some effective moments, we have seen this sort of thing done so much better.