...as the quiet, devoted worker at the House of McPherson, a Scottish firm that's made tweed the same way forever. All that may change when the owner dies, and his son Robert Morley, returns from the US to run things, bringing with him Constance Cummings, an accomplished consultant. Morley is enamored of Cummings, and relishes all the changes she suggests (radical things like a real filing system, or opening the windows..) but when she suggests that the hand woven fabric can be factory-made more efficiently, mild mannered Sellers tries to sabotage her work, and then realizes the only solution is to be rid of her - permanently.
His murder attempt is perfectly timed comedy, and Sellers at his best. Expect sexism throughout this, based on a James Thurber story and it was 1960 after alll. Films of the 50's and early 60's often strike me as cringe-worthy when it comes to portrayal of women during that bridge period in film history when women are still not liberated but are now treated as overt sex objects. Overall, this is all about Sellers, but Cummings and Morley are in top form as well. There are clever well written characters with a slight eye-roll ending, but still recommended.
His murder attempt is perfectly timed comedy, and Sellers at his best. Expect sexism throughout this, based on a James Thurber story and it was 1960 after alll. Films of the 50's and early 60's often strike me as cringe-worthy when it comes to portrayal of women during that bridge period in film history when women are still not liberated but are now treated as overt sex objects. Overall, this is all about Sellers, but Cummings and Morley are in top form as well. There are clever well written characters with a slight eye-roll ending, but still recommended.