It's Jack Warner's last appearance as a cricket player in the Test Match with the Australians. Unhappily, his son, Ray Jackson, doesn't want to be present; he wants to be a poet, you see, and he has been invited to meet with his idol, poet Robert Morley, who's leaving the next day for America, so Jackson has to go.
It's directed by Anthony Asquith from a script by Terence Rattigan; originally it was broadcast by the BBC with an entirely different cast. Although Warner and Morley are wonderful, with Morley playing another of his very English eccentrics, it's a little too neatly drawn a script to be among Rattigan's best; in fact, at times it seems derivative of movies like PRIDE OF THE YANKEES. It even has an American character in an effort to let the transatlantic audience have some cultural understanding of this game.
I don't know how successful it was in the theaters, but there's little doubt that when Morley or Warner are on screen, they're lots of fun.
It's directed by Anthony Asquith from a script by Terence Rattigan; originally it was broadcast by the BBC with an entirely different cast. Although Warner and Morley are wonderful, with Morley playing another of his very English eccentrics, it's a little too neatly drawn a script to be among Rattigan's best; in fact, at times it seems derivative of movies like PRIDE OF THE YANKEES. It even has an American character in an effort to let the transatlantic audience have some cultural understanding of this game.
I don't know how successful it was in the theaters, but there's little doubt that when Morley or Warner are on screen, they're lots of fun.