You might have thought that every single film Norman Wisdom ever made had been on TV at least twenty times in the past five years. But this - his personal favourite - has been unseen on British television for over half a century (although it is thankfully now available on YouTube and DVD).
Chafing at the restrictions imposed by Rank, Wisdom made two independent productions (the second being a version of Wodehouses's 'The Girl on the Boat') described by Robert Murphy as "refreshingly unusual" released through United Artists for a company that promptly went bust (the former having already been swiftly withdrawn from cinemas following protests from the Americans at the way they were caricatured in it); leaving them in a rights limbo that has kept both off television for a generation while his Rank productions are on all the time.
Based on James Bridie's 1949 play 'The Golden Legend of Shults', directed largely on location at Darwen in Lancashire serving as mill town Sleeth-on-Sea by theatre director Stuart Burge; further enhanced by terrific photography by Arthur Ibbetson fresh from 'The League of Gentlemen' and slick editing by future James Bond director James Hunt it all builds to a memorably explosive conclusion.
An excellent supporting cast (with venal authority embodied by Andrew Cruickshank rather than Jerry Desmonde) includes blonde bad girl Jean Clarke, little seen thereafter, and - in only her second film - an appealing young brunette named Susannah York, much seen thereafter.
Chafing at the restrictions imposed by Rank, Wisdom made two independent productions (the second being a version of Wodehouses's 'The Girl on the Boat') described by Robert Murphy as "refreshingly unusual" released through United Artists for a company that promptly went bust (the former having already been swiftly withdrawn from cinemas following protests from the Americans at the way they were caricatured in it); leaving them in a rights limbo that has kept both off television for a generation while his Rank productions are on all the time.
Based on James Bridie's 1949 play 'The Golden Legend of Shults', directed largely on location at Darwen in Lancashire serving as mill town Sleeth-on-Sea by theatre director Stuart Burge; further enhanced by terrific photography by Arthur Ibbetson fresh from 'The League of Gentlemen' and slick editing by future James Bond director James Hunt it all builds to a memorably explosive conclusion.
An excellent supporting cast (with venal authority embodied by Andrew Cruickshank rather than Jerry Desmonde) includes blonde bad girl Jean Clarke, little seen thereafter, and - in only her second film - an appealing young brunette named Susannah York, much seen thereafter.