Yes, if you didn't already know, the excellent soundtrack of this film was composed by Stuart Adamson and performed by his band Big Country. We'll get to that in a minute. "Restless Natives" is a cute, quirky, distinctly Scottish comedy about 2 young losers who flirt with a life of crime, only to become national heroes for it.
The presentation is wonderfully absurd. Don't expect realism. Don't raise any eyebrows when our 2 anti-heroes rob scores of people using pink plastic toy guns. And don't scoff when the victims of their robberies swoon in admiration as if they'd just met the Jonas Brothers. This film immerses us in a farcical universe where people act & react strangely, and it's that farcical presentation that makes us realize that perhaps this story is a deeper allegory, a satire about the cult of personality the way the classic "Bonnie & Clyde" (1967) hit us.
Being set in Scotland, a country that prides itself in a history of rebels, rogues and rapscallions, "Restless Natives" is almost believable--that a pair of lovable loser criminals could become mythical heroes overnight--and that's what makes this film extra fun. There is no real malice, no heavy moralizing, no contrived melodrama. It's like a clean, modern fable from start to finish. Scotland style.
And that leads me to the soundtrack as promised. If you're not familiar with the magic of the 80s-90s band "Big Country" then get familiar asap. Famous for their distant bagpipe-sounding guitars and traditional highland folk melodies and rhythms, the music compliments the story as well as the glorious landscapes prominently featured in the film. Big Country fans will instantly recognize Stuart's e-bow guitar melodies (reminiscent of the song "The Storm") as well as the band's distinct 6/8 drum beats, melodic bass parts and percussive guitar rhythms that we heard all over their 1983 debut album "The Crossing". Most of the music here is instrumental, but there is one great song "Restless Natives" near the end where Stuart sings, and the final scenes of stunning landscape are perfectly complimented by the song "Come Back to Me" from BC's 2nd album. Much like Queen's iconic soundtrack to "Flash Gordon" (1980), Big Country's sound is clearly stamped on this film in the same memorable way.
"Restless Natives" was a big hit in Scotland though I never heard a peep about it in the USA. I suppose 1985 was a busy year in American theaters with the likes of "The Breakfast Club", "Weird Science" and my favorite teen comedy "Better Off Dead" (incidentally the star of this film Vincent Friell bears a striking resemblence to John Cusack, including the perpetual deer-in-the-headlights stare). So congratulate yourself for stumbling on this obscure gem. Don't miss it!
The presentation is wonderfully absurd. Don't expect realism. Don't raise any eyebrows when our 2 anti-heroes rob scores of people using pink plastic toy guns. And don't scoff when the victims of their robberies swoon in admiration as if they'd just met the Jonas Brothers. This film immerses us in a farcical universe where people act & react strangely, and it's that farcical presentation that makes us realize that perhaps this story is a deeper allegory, a satire about the cult of personality the way the classic "Bonnie & Clyde" (1967) hit us.
Being set in Scotland, a country that prides itself in a history of rebels, rogues and rapscallions, "Restless Natives" is almost believable--that a pair of lovable loser criminals could become mythical heroes overnight--and that's what makes this film extra fun. There is no real malice, no heavy moralizing, no contrived melodrama. It's like a clean, modern fable from start to finish. Scotland style.
And that leads me to the soundtrack as promised. If you're not familiar with the magic of the 80s-90s band "Big Country" then get familiar asap. Famous for their distant bagpipe-sounding guitars and traditional highland folk melodies and rhythms, the music compliments the story as well as the glorious landscapes prominently featured in the film. Big Country fans will instantly recognize Stuart's e-bow guitar melodies (reminiscent of the song "The Storm") as well as the band's distinct 6/8 drum beats, melodic bass parts and percussive guitar rhythms that we heard all over their 1983 debut album "The Crossing". Most of the music here is instrumental, but there is one great song "Restless Natives" near the end where Stuart sings, and the final scenes of stunning landscape are perfectly complimented by the song "Come Back to Me" from BC's 2nd album. Much like Queen's iconic soundtrack to "Flash Gordon" (1980), Big Country's sound is clearly stamped on this film in the same memorable way.
"Restless Natives" was a big hit in Scotland though I never heard a peep about it in the USA. I suppose 1985 was a busy year in American theaters with the likes of "The Breakfast Club", "Weird Science" and my favorite teen comedy "Better Off Dead" (incidentally the star of this film Vincent Friell bears a striking resemblence to John Cusack, including the perpetual deer-in-the-headlights stare). So congratulate yourself for stumbling on this obscure gem. Don't miss it!