Although there is a modern and decadent atmosphere, compared with the first edition of black-and-white films, the details are handled more seriously, and the expression of human feelings and worldly sophistication is moving. The Director Tian Zhuangzhuang's grasp of the camera is in line with the plot, but the actor's ability to deal with emotions is obviously not in line with the precise literary imagination of the screenwriter A Cheng.
Review of Springtime in a Small Town
