Review of Marnie

Marnie (1964)
6/10
Big comedown for Hitchcock after "The Birds", though interesting for the ways he challenges the limits of the era's censorship
15 November 2020
"Marnie" is one of the least essential-to-watch Hitchcock films: he plays one ingenious trick on the audience (the robbery and the cleaning lady), but apart from that one sequence, there are hardly any memorable set-pieces or flourishes (the screen going red a few times does not count). Like "Suddenly, Last Summer", the entire film hinges on what-happened-that-fateful-day. But unlike SLS, where the ultimate revelation is genuinely shocking, the ending of "Marnie" leaves us with an "is that all?" feeling. Very good performances by both Tippi Hedren and Sean Connery, full-blown score by Berrnard Hermann. **1/2 out of 4.
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