In 1961 Michael Carreras took a sabbatical for a couple of years from, literally, his parent company Hammer Films to try his hand at something different. That he certainly did with this breezy little pop musical preserving early sixties London in CinemaScope with current pop idols Joe Brown and Marty Wilde (with Harry H. Corbett ironically playing the heroine's father, since he was on the verge of a lifetime of typecasting as the son in 'Steptoe and Son').
As a friendly nod towards his films for Hammer, Carreras brought along with him dear old Michael Ripper, whose ubiquity in Carreras's productions for Hammer inspired his presence in nine small parts throughout this film as 'The Common Man' (including as a member of the audience watching - what else? - 'The Curse of Frankenstein').
As a friendly nod towards his films for Hammer, Carreras brought along with him dear old Michael Ripper, whose ubiquity in Carreras's productions for Hammer inspired his presence in nine small parts throughout this film as 'The Common Man' (including as a member of the audience watching - what else? - 'The Curse of Frankenstein').