A 70-year-old Joel McCrea emerged from retirement to make one last film - a simple unpretentious western about a hunt for a lone black stallion on the Montana-Alberta border in 1925. Ironically, McCrea was in Hollywood just two years after the setting of this film starting out in a series of uncredited modern dress roles. But I digress.
This is largely a two character movie, with McCrea accompanied for the majority of the film by young Nika Mina as a runaway Indian boy who, after he discovers that his grandfather has died, gets McCrea to agree, after numerous failures, to help him capture a stallion. There's a reward for the horse which the boy wants for his family. The story will also involve Three Toe, a grizzly who wiped out all the sheep on McCrea's ranch and who, of course, will emerge from the woods to cause trouble again.
Filmed on location in Banff National Park the scenery, needless to say, is breath takingly gorgeous, from the first shot in this film to the last. Those who love the sight of mountains and forests, lakes and streams, will have nothing to complain about in regard to that aspect of the film. There are also a lot of cutaway shots of animals, at times giving the film a bit of a Disney feel, but it's not too much of a distraction from the main story.
In his only film appearance Nika Mann is clearly limited as an actor but even though he's a bit stiff as a performer, he's a likable kid companion. McCrea, even in his grey haired senior years, still looks mighty convincing riding a horse, and there's a comfortable screen presence about him, as well as a direct honesty in his delivery of dialogue that makes his final screen performance an appealing one.
By the way, aside from the Indian boy, McCrea's other two companions throughout most of the film will be his horse, Rosie, and a remarkably bright dog, Luke, who will play a role in saving both McCrea and the Indian boy from wilderness tragedies.
Briefly appearing at the beginning of the film are Robert Fuller and Patrick Wayne as a couple of cowboys who try in vain to capture the stallion. While the film seems designed to appeal to kids, adults should also enjoy it for the scenery and McCrea's seasoned performance.
This is largely a two character movie, with McCrea accompanied for the majority of the film by young Nika Mina as a runaway Indian boy who, after he discovers that his grandfather has died, gets McCrea to agree, after numerous failures, to help him capture a stallion. There's a reward for the horse which the boy wants for his family. The story will also involve Three Toe, a grizzly who wiped out all the sheep on McCrea's ranch and who, of course, will emerge from the woods to cause trouble again.
Filmed on location in Banff National Park the scenery, needless to say, is breath takingly gorgeous, from the first shot in this film to the last. Those who love the sight of mountains and forests, lakes and streams, will have nothing to complain about in regard to that aspect of the film. There are also a lot of cutaway shots of animals, at times giving the film a bit of a Disney feel, but it's not too much of a distraction from the main story.
In his only film appearance Nika Mann is clearly limited as an actor but even though he's a bit stiff as a performer, he's a likable kid companion. McCrea, even in his grey haired senior years, still looks mighty convincing riding a horse, and there's a comfortable screen presence about him, as well as a direct honesty in his delivery of dialogue that makes his final screen performance an appealing one.
By the way, aside from the Indian boy, McCrea's other two companions throughout most of the film will be his horse, Rosie, and a remarkably bright dog, Luke, who will play a role in saving both McCrea and the Indian boy from wilderness tragedies.
Briefly appearing at the beginning of the film are Robert Fuller and Patrick Wayne as a couple of cowboys who try in vain to capture the stallion. While the film seems designed to appeal to kids, adults should also enjoy it for the scenery and McCrea's seasoned performance.