Karen Maine's Yes, God, Yes won me over for its slice of 2000s nostalgia and the way it portrayed some very relatable things in the lives of teenagers of those times. The story is a little too simplistic, and it doesn't try to bite off more than it can chew. In that sense, the film's climax probably won't seem too revolutionary when viewed in 2020 where 'sinning' is more of an innuendo than something religious.
There are some predictable turns, there are some funny moments, there's a little sexual exploration (something the film could have dwelled more on, given its theme), and there's a neat central performance from Natalia Dyer. For a 25-year-old playing a high-school teenager, I really enjoyed her adorable facial expressions for the most part. The film's only 77 minutes long, so it doesn't take up much of your time in telling a straightforward, unsurprising story.
There are some predictable turns, there are some funny moments, there's a little sexual exploration (something the film could have dwelled more on, given its theme), and there's a neat central performance from Natalia Dyer. For a 25-year-old playing a high-school teenager, I really enjoyed her adorable facial expressions for the most part. The film's only 77 minutes long, so it doesn't take up much of your time in telling a straightforward, unsurprising story.