Joseph Calleia and Nigel Patrick have built up a massive and occasionally underworld organization. When one of their murders comes to the attention of reporter Carole Landis, she begins a series of newspaper articles. Their increasingly threatening reaction does not faze her, but it leads her boyfriend, Derek Farr, into organizing an armed rebellion. In the meantime, slogging police inspector Stanley Holloway is closing in from his own end.
The script is by Richard Llewellyn, based on his stage play. It's been properly opened up for the screen. The problem is that it's shifting tone, from comedy to drama, never quite works. Joseph Calleia, fine actor that he is, is saddled with a heavy accent and tries to be simultaneously funny and terrifying. Patrick's character spends a lot of time as a fast-talking Cockney, more interested in performing his comedy bits on the telephone, until he decides to suddenly take matters into his own hands and take charge.
The result is a movie that is never quite sure what it wants to be, and tries to distract the audience from that uncertainty.
The script is by Richard Llewellyn, based on his stage play. It's been properly opened up for the screen. The problem is that it's shifting tone, from comedy to drama, never quite works. Joseph Calleia, fine actor that he is, is saddled with a heavy accent and tries to be simultaneously funny and terrifying. Patrick's character spends a lot of time as a fast-talking Cockney, more interested in performing his comedy bits on the telephone, until he decides to suddenly take matters into his own hands and take charge.
The result is a movie that is never quite sure what it wants to be, and tries to distract the audience from that uncertainty.