KG was a coloratura soprano versus ML tenor. Along the scores, KG's part is more difficult. Every syllabe of any piece ended by this soprano, but not by this tenor which was merely assistent! So, the real protagonist in the both musicals seems to be KG.
KG's playing is dynamic, while that of ML only static. Thus, performing for the 2nd time Be My Love, KG's head movements are truly artistic and dynamic, while ML stays static. The same again with I'l Never Love You where 2 ladies and 2 gentlemen are catching one another's looks.
Her personal life ended with two divorses as stated by courts due to the 'mental cruelty' of her both husbands. However, singing was her eternal aim and end, nothing was more important in her life than that. Recollecting the scene at the riverside, she mentions that in the same words. It's not a lady trick while refusing any further kiss. We do believe she is doing so because she is really afraid of her career getting lost due to a love adventure. So, she is playing herself.
KG's creature is more powerful in any sense while she ended as a supervisor at the state university of Idaho.
That's why her name must be placed before that of ML, she is the real protagonist in the both musicals, The Toast of New Orleans and That Midnight Kiss.
KG puts through the modernism style as for the way of dressing herself (more precisely, the Jugend Style), keeping her (mouth) make up properly sized versus that of these times in postmodernism. Those times will never come back again.
Thank you for having read my contribution.
A.T., a university professor, Berlin, Germany.
KG's playing is dynamic, while that of ML only static. Thus, performing for the 2nd time Be My Love, KG's head movements are truly artistic and dynamic, while ML stays static. The same again with I'l Never Love You where 2 ladies and 2 gentlemen are catching one another's looks.
Her personal life ended with two divorses as stated by courts due to the 'mental cruelty' of her both husbands. However, singing was her eternal aim and end, nothing was more important in her life than that. Recollecting the scene at the riverside, she mentions that in the same words. It's not a lady trick while refusing any further kiss. We do believe she is doing so because she is really afraid of her career getting lost due to a love adventure. So, she is playing herself.
KG's creature is more powerful in any sense while she ended as a supervisor at the state university of Idaho.
That's why her name must be placed before that of ML, she is the real protagonist in the both musicals, The Toast of New Orleans and That Midnight Kiss.
KG puts through the modernism style as for the way of dressing herself (more precisely, the Jugend Style), keeping her (mouth) make up properly sized versus that of these times in postmodernism. Those times will never come back again.
Thank you for having read my contribution.
A.T., a university professor, Berlin, Germany.